• Date
      May 6, 2018

      From MUSIC–VISUAL to FULLDOME

      Ricardo Dal Farra / Concordia University
      Argentina – Canada
       
      The presentation “From MUSIC-VISUAL to FULLDOME. (Processes of experimentation, research and creation, between art, science and new technologies)” includes examples from both the history and current production of visual-music. It covers the work of artists, and the development of technologies, carried out by creators-researchers from Russia, Canada, Argentina, Colombia, the United States, Australia, Brazil, and Mexico, among others. Special attention is given to the work that has been carried out in the FULLDOME format, and that intertwines art, science and technology, whose expansion occurs notably through Planetariums in America and Europe.
    • Date
      May 6, 2018

      reconciliation stories

      Calos Santa & Rubén Monroy / Caldas Symphony Orchestra
      Colombia
       
      Reconciliation Stories is a transmedia project that interprets the stories of some victims of violence in Colombia. In its realization we have had the support and work of hundreds of artists -animators, musicians and researchers-, with whom we have built a 90-minute animated feature film using different techniques, directed by Carlos Santa and Rubén Monroy.
      The soundtrack of Reconciliation Stories was composed by maestro Fabio Miguel Fuentes, performed by the Symphony Orchestra of the University of Caldas and conducted by maestro Leonardo Marulanda.
      The web page that contains the interviews, related data as a complement to a transmedia narrative and an invitation to other artists to contribute their interpretation.
      Reconciliation Stories has also been a comprehensive research project, whose purpose is for young talents to explore different techniques and narratives. The theme on which we have built has allowed our team to generate a closer relationship with what war, peace, reconciliation and violence mean for Colombia. Their contribution has been commitment to the protagonists of the stories, respect by their look and their conscience in front of their role as political subjects.
      At the Image Festival you will be able to appreciate the live show of the Symphony Orchestra in dialogue with the animated stories. A dialogue and a catharsis in which art serves as a means for the construction of historical memory and symbolic repair.
       
    • Date
      May 7, 2018

      What's Technology Got to Do with It?

      Barbara London
      USES
      Presented by Hyphen Hub
       

      Video and media have attracted artists for decades. At first, painters, sculptors, musicians, and dancers saw the new and constantly updated electronic tools as both relevant and open ground to reclaim. During its relatively short life, media art has progressed from a defiant fringe to being considered museum-worthy and remarkably mainstream.

      Acceptance of the field has coincided with market-driven technological advances. Today's ubiquitous and easy-to-use devices are indispensable and at the heart of everyday life. Speaker Barbara London describes the transformation.

    • Date
      May 7, 2018

      Strategic design: scenarios for innovation

      Carlo Franzato / Unisinos University
      Brazil
       

      The conference deals with design as a process that stimulates creative ecosystems. The strategic possibilities of design make it possible to promote an innovation derived, not only from the appropriation of technologies, but also from the ethical and aesthetic questions that the projectual action proposes for society. In this area, the development of scenarios to imagine alternative futures that challenge the current trajectories of organizational, social and cultural development becomes central.

      Image: Jorinde Voigt, Scenes of Lovemaking (mid 1680's),"Japanese Erotic Art, 17th - 19th Century"

    • Date
      May 7, 2018

      THE AGING OF DESIGN

      Claudia Rebola / University of Cincinnati
      Argentina–USA
      Presented by Icetex - Fellows Colombia
       

      Coordinator of Graduate Studies and Associate Professor of Industrial Design at the University of Cincinnati. His work brings together design, science and technology to experiment, design and prototype innovative interactive products in the field of health and inclusion. His specific interests lie in application areas designed for aging, with an emphasis on humanizing technology, empowering users, engaging communities, and celebrating the value of simplicity and tangibility in user-product interactions.

    • Date
      May 7, 2018

      The image is nothing. Your thirst is everything. Image, fetish and merchandise.

      Jose Alejandro Restrepo
      Colombia
      Presented by Banco de la República
       

      Approach to the old and always persistent concept of fetishism. Image fetishism and commodity fetishism share and exchange strategies and values in contemporary society, including the world of art. Study of cases where images, image-producing devices and image corporations update their ideological projects.

    • Date
      May 7, 2018

      The Creative Process on Broadway

      Marc Routh/Broadway Asia
      USES
      Presented by Hyphen Hub
       

      Award-winning international Broadway producer Marc Routh will take audiences through the steps of creating commercial entertainment from the first spark of an idea to opening night and beyond, explaining the different development steps and refinement of each. element to the extent that the creative process develops. It will also explain the international distribution of post-opening productions and the integration of new technological advances in theater production, as well as their implementation both in the development process and in actual productions.

    • Date
      May 7, 2018

      The Collisions Between

      Mike Stubbs/FACT
      USES
      Presented by Hyphen Hub
       

      An exploration of contexts for experimentation in the media arts, breaking down the barriers between art, people and technology through recent case studies and the work of FACT, Liverpool.

      Topics covered How can we create collisions between art and science, social commitment and creative industries? What contexts can we create to make relevant and politicized programs that address issues such as climate change or the future of the world of work through art and artists?

      What does a Think Can Do lab look like? How can we reinvent art centers through social relationships to create deeper affection?

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