• Date
      May 24, 2017

      Laura Baigorri

      Spain www.interzona.org/baigorri.htm
      Videoarde's works are inserted in the field of mediation and transformation of social space, sometimes showing the peculiar ways of dealing with everyday life and other times reflecting on critical aspects -more autochthonous or more global- that occur in different Latin American countries and Caribbean: issues that have to do with politics, history/memory, identity, the social crisis, violence, machismo, sex, religion, the border and emigration, urban space and art. The sample is made up of 32 videos made by artists from Mexico, Nicaragua, Honduras, El Salvador, Panama, Costa Rica, Guatemala, Puerto Rico, the Dominican Republic, Cuba, Ecuador, Bolivia, Venezuela, Colombia, Peru, Brazil, Chile, Argentina , Paraguay, Uruguay, USA and Spain. All of them engage in a fluid dialogue through three specific programs Men, Wolves and Men, Vital Space and My Way: Local Survival Lessons.
    • Date
      May 24, 2017

      Clouds Falling 

      Yuk Yiu Ip / Hong Kong
      School of Creative Media of Hong Kong
      www.ipyukyiu.com
      A creative annex of CLOUDS FALL (2014), CLOUDS FALLING is a virtual camera obscura of an imaginary post-apocalyptical world, a dark mirror of the current state of world affairs and a critical probing of the shifting boundaries between the real and the virtual in our hyper-technologised everyday reality.
    • Date
      May 24, 2017

      LuKasz Szalankiewicz

      Poland
      Lukasz Szalankiewicz (aka Zenial) / http://www.zenial.audiotong.net Electronic music historian, sound designer and composer. He is a member of the Polish Society for Electroacoustic Music (PSeME). He has presented his work at international festivals in Poland, Austria, Russia, Bulgaria, Germany, the Netherlands, the Czech Republic, Slovenia, Ukraine, France, China, Hungary, Belarus, Romania, Lithuania, Israel and Peru. He also has work in the field of audiovisual and interactive installations. He is director of the Audiotong label.
    • Date
      May 24, 2017

      Adina Izarra

      Venezuela
      Adina Izarra lives in Caracas and teaches at the Simón Bolívar University, where she is currently a Full Professor and Head of the Digital Music Laboratory. He has written for Venezuelan artists such as Rubén Riera, Marisela González, Luis Julio Toro and Elena Riú, and international artists such as Luis Rossi, Manuela Wiesler, the Uppsala Chamber Orchestra, Sweden, 1999; The Neos Ensemble of Mexico, (Cervantino Festival, 1998 and International Forum of Contemporary Music 1997, 1998), and for the Instrumenta Verano Festival, of Mexico, who have included their works in recitals, records and national and international tours. In 2002 Adina was elected a member of the College of Latin American Composers of Art Music. She is an active member of the RedAsla Latin American Sound Art Network.
    • Date
      May 24, 2017

      web-mindscape

      Claudia Robles-Angel / Germany
      independent
      www.claudearobles.de
      WEB-MINDSCAPE is an interactive installation joining diverse aspects, such as social network, sound, brainwaves and visual elements. It creates an immersive audiovisual environment, which is site-specific, where sound is diffused in surround, and the visual elements consist of light produced via electroluminescent wires (EL wires). Visitors are invited to interact with the audiovisual environment (light and sound) by using an EEG interface, which reads their brain activity. Therefore, they are confronted to messages from a social network (in this case, Twitter).
    • Date
      May 24, 2017

      Marek Choloniewski

      Poland
      Marek Choloniewski / http://www.studiomch.art.pl He studied organ, music theory and composition at the Cracow Academy of Music. Since 2000 he has been director of the Electroacoustic Music Studio of that institution. In 1977 he founded the Central Society of Musical Art dedicated to the organization of concerts; He is also a member of the Cracovian Group Art Association. Choloniewski has written instrumental, electroacoustic, music for theater, film, and radio. He is also the author of audio and video installations and pieces of net art. He has given concerts, workshops and conferences in different countries in Europe, America and Asia. He is the director of various projects, among which the Audio Art Festival (http://www.audio.art.pl). In 2006 he received awards from the Union of Polish Composers and the Polish Ministry of Culture.
    • Date
      May 24, 2017

      Wolfgang Schaeffner 

      Germany
      The Design Turn: The project of a laboratory for the interdisciplinary design of knowledge tries to manifest the turn to design that is currently taking place in the natural sciences as a new scientific revolution. With this objective, experiences from the Bauhaus school, the Ulm school and analogue and digital media are also taken up to place design as an integrating force at the center of the different disciplines. In the workshop we try to develop some basic elements for such a laboratory that allow us to transform interdisciplinary design into a field of basic research. In this way, the individual designer will become a laboratory and a network of actors, and the image as a passive surface for the visualization of knowledge will become an active graphic surface that brings together not only electrical circuits, spatial structures, and geometric operations, but also the table as the basic operating unit of the laboratory.
    • Date
      May 24, 2017

      Eva Roth - James Powderli

      USES
      Founders of the Graffiti Research Lab GRL, an organization founded by Roth and Powder; is an artistic group that uses open source technologies for urban communication. Graffiti Research Lab is particularly known for the invention of LED Throwies, which were likely the inspiration for advertisers distributing mooninities around Boston and Cambridge in the phenomenon known as the 2007 Boston Mooninitie Scare. Roth and Powder are part of the Open Frameworks team and the FAT (Free art technology) collective and in 2006 they won the Prix Ars Electronica in Linz.
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