{"id":7925,"date":"2020-05-20T10:40:55","date_gmt":"2020-05-20T15:40:55","guid":{"rendered":"http:\/\/festivaldelaimagen.com\/?p=7925"},"modified":"2022-07-25T14:21:12","modified_gmt":"2022-07-25T19:21:12","slug":"resultados2020","status":"publish","type":"post","link":"https:\/\/festivaldelaimagen.com\/historico\/en\/resultados2020\/","title":{"rendered":"Results of the call for the XIX International Image Festival"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">During the call process carried out by the International Image Festival, whose submission date was February 26, 2020, 210 contributions from different areas of knowledge related to design, art, science and technology were received. ; which seek to enrich the XIX version of the ImagenFest that will be held digitally this year and were divided as follows:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Cinema (&amp;) Digital: <\/span><span style=\"font-weight: 400;\">67 proposals and 11 selected.<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Soundscapes: 38 proposals and 5 selected.<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Sound Bridges: 18 proposals and 6 selected.<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Posters: 30 proposals and 25 selected.<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">M.Monogr\u00e1fica \/ Exhibitions \/M.Art: 57 proposals and 11 selected.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">From the organizing committee of the International Image Festival and PDC 2020 we are grateful for the great reception our call received, especially for the persistence that became evident at the moment we had to manifest our change of format due to the emergency health caused by COVID-19.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The exhibits, soundscapes, posters and sound bridges will be made on digital platforms that allow virtual interaction through WebXR, a new format that allows experiencing mixed realities such as AR (augmented reality) and VR (virtual reality) taking a new step to interact with the exhibited works from any device with internet access.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">There will be virtual replicas of iconic city spaces such as the Torre de Herveo where the soundscapes will be made, the Caldas Art Museum and the Banco de la Rep\u00fablica exhibition hall for the exhibitions. And artists from different countries of the world will exhibit their work in new digital formats, among these countries are: Canada, Japan, Germany, France, Spain, the United States, Argentina, Brazil and Finland.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">After carefully reviewing each of the contributions, it was established that the winning proposals are the following:<\/span><\/p>\n<p><b>Cinema (&amp;) Digital:<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Germ <\/span><span style=\"font-weight: 400;\">to say Leonardo Loyal.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">habitography <\/span><span style=\"font-weight: 400;\">to say Monica Bravo and Miguel Bohorquez.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Tower <\/span><span style=\"font-weight: 400;\">to say Sebastian Munera.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">we are not the same <\/span><span style=\"font-weight: 400;\">to say Errata Collective: Andr\u00e9s Santacruz, Danny Londo\u00f1o and Mariana Rubio.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">UFOs, the fury of the real <\/span><span style=\"font-weight: 400;\">to say Juan Camilo Montoya.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Pandemic <\/span><span style=\"font-weight: 400;\">to say Manuel Garcia Plata.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Who is one when there are certain missing pieces of an identity affected by oblivion? <\/span><span style=\"font-weight: 400;\">to say Mariana Jimenez Velez.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">route 60 <\/span><span style=\"font-weight: 400;\">to say Wilson Arango.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Savage 16MM <\/span><span style=\"font-weight: 400;\">to say David Quiroz, Diego Blanco, Angela Gomez, Fabian Hernandez.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">sour lake <\/span><span style=\"font-weight: 400;\">to say Andres Davila.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Tangible<\/span><span style=\"font-weight: 400;\"> to say Laura Castillo.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Ot\u00fan video clips<\/span><span style=\"font-weight: 400;\"> to say Ricardo Bustamante Echeverry.<\/span><\/li>\n<\/ul>\n<p><b>Soundscapes:<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">2000 Plateaus <\/span><span style=\"font-weight: 400;\">by Alejandro Velez.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Scanner Me, Darkly <\/span><span style=\"font-weight: 400;\">by Stephanie Castonguay.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Origo (Live Act) <\/span><span style=\"font-weight: 400;\">by Milton Riano.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">EAST <\/span><span style=\"font-weight: 400;\">Eastern.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Live act from the use of hardware <\/span><span style=\"font-weight: 400;\">of Quinini.<\/span><\/li>\n<\/ul>\n<p><b>sound bridges:<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">&quot;Perfume&quot; <\/span><span style=\"font-weight: 400;\">Pilar Martinez.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Transmigration<\/span><span style=\"font-weight: 400;\"> by Jorge David Ortiz Trejo.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Participatory anamnesis &quot;From the natural and artificial to society&quot;<\/span><span style=\"font-weight: 400;\"> by Jhon Mauricio Chica Mart\u00ednez and Isys Cielo Lucero Luna Jim\u00e9nez.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">&quot;Uma-Lethos&quot; <\/span><span style=\"font-weight: 400;\">of Jesus Moreno.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Nu\u00e9e.d\u00e9cors, 11:00, Octophonie, 2018 <\/span><span style=\"font-weight: 400;\">by Charles Rainville.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">newen<\/span><span style=\"font-weight: 400;\"> by Andres Gaona.<\/span><\/li>\n<\/ul>\n<p><b>posters:<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">The parable of the banana leaf: Analysis of user-object relationships, beyond usability and aesthetics, in the food context <\/span><span style=\"font-weight: 400;\">by Rafael Angel Bravo.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Weaving cultural practices through biocultural heritage<\/span><span style=\"font-weight: 400;\"> by Praxedes Aristizabal Granada&nbsp;<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Behavioral Design for the Choice of University Careers in Bogot\u00e1, Colombia <\/span><span style=\"font-weight: 400;\">by Susan D. Mendez.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Adapting industrial design methodologies for the development of inclusive technical aids for functional diversity<\/span><span style=\"font-weight: 400;\"> by Vaslak Rojas and Gloria Gomez.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Reflections from the interdisciplinary inquiry from the artistic point of view for the exploration of electronic devices as an extension of the body<\/span><span style=\"font-weight: 400;\"> by John F. Atencia Torres.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Biocultural heritage from objects and places. The case of Riosucio (Caldas) and Trujillo (Valle del Cauca) <\/span><span style=\"font-weight: 400;\">by Luisa Fernanda Zapata Arango, Viviana Grisales Pascuaza and Felix Augusto Cardona Olaya<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Open media production space \u2013 ESPAM <\/span><span style=\"font-weight: 400;\">by Luis Fernando Medina Cardona.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Metastructuring for reflections: the usage of art assemblages to create new realities <\/span><span style=\"font-weight: 400;\">by Bianca C. Orsso; Mateus FL Pelanda.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Transcoding Ylama <\/span><span style=\"font-weight: 400;\">by Luis Fernando Herrera.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Educational digital game to prevent cyberbullying in 8 to 13-year-old children<\/span><span style=\"font-weight: 400;\"> by Juliana Diaz Ospina, Jorge E. Valencia Giraldo, Matias Mar\u00edn Casta\u00f1o, Maria Demoya Taveras and Michael Deanda<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Invisible City \u2013 Middle ground <\/span><span style=\"font-weight: 400;\">by Camilo Hermida.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Design Model for Social Norms <\/span><span style=\"font-weight: 400;\">by Juan P. Vel\u00e1squez, Beatriz del Carmen Peralta Duque and Liliana Mar\u00eda Villescas Guzm\u00e1n.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Transformations of a coffee municipality<\/span><span style=\"font-weight: 400;\"> by Maria Paula Jaramillo Gomez.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">San Jos\u00e9 Metaterritory: Transmedia scenario for the symbolic reconstruction of a neighborhood based on its memory <\/span><span style=\"font-weight: 400;\">by Carolina Salguero Mejia<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Cabildo Abierto Comuna San Jos\u00e9 and Plaza de Mercado Manizales: Design and realization of the communal<\/span><span style=\"font-weight: 400;\"> by Johana Andrea Acero Amaya, Juan David Delgado Loaiza, Gilsan Dar\u00edo Quintero S\u00e1nchez, \u00c1lvaro Salazar Mar\u00edn and Germ\u00e1n Vallejo Obando.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Body dressed for the sensitive expression of the encounter with memory and reconciliation <\/span><span style=\"font-weight: 400;\">by Sara Melissa Gallego Quiroz.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Sense of place: palimpsests as significations of collective imaginaries from psychogeography <\/span><span style=\"font-weight: 400;\">by Sergio Andr\u00e9s Restrepo Jaramillo.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Graphic System for Creative Thinking \/ Toolbox <\/span><span style=\"font-weight: 400;\">by Rafael Eduardo Diaz Rey.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Transmedia design strategies for the appropriation of the landscape. Caldas XXI Century Expedition, Florencia Jungle <\/span><span style=\"font-weight: 400;\">by Adriana G\u00f3mez Alzate and Olga Luc\u00eda Hurtado G\u00f3mez<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Design, Technology and Democracy: How can innovation of PD practices for civil society organizations extend and strengthen representation and participation of marginalized citizens in Ecuador? <\/span><span style=\"font-weight: 400;\">by Nathaly Pinto.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">power acoustics <\/span><span style=\"font-weight: 400;\">by Antonia Bustamante Robledo.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Flow \u2013 Creation of an interactive VR experience around water <\/span><span style=\"font-weight: 400;\">by Diego Perez<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">The garden as a cultural activator of the landscape: gestures as heritage <\/span><span style=\"font-weight: 400;\">by Trixi Allina.<\/span><\/li>\n<\/ul>\n<p><b>M.Monogr\u00e1fica \/ Exhibitions \/M.Art:&nbsp;<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Colombian remembrance<\/span><span style=\"font-weight: 400;\"> by Mario Alexander Sanchez Ocampo and Carolina Blandon Ga\u00f1an.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">The landscape of flavors <\/span><span style=\"font-weight: 400;\">by Diana Milena Reyes.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Kaleidoscope <\/span><span style=\"font-weight: 400;\">by Manuel Silva Rodriguez.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">INVISIBLE<\/span><span style=\"font-weight: 400;\"> by Laura Luc\u00eda Serrano Bernal,&nbsp;<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Parallel <\/span><span style=\"font-weight: 400;\">by Santiago Rubio L\u00f3pez and Mar\u00eda A. Mart\u00ednez Wandurraga.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Take my beating heart. Storm. Lightness. Abstraction. Memory <\/span><span style=\"font-weight: 400;\">by Guillermo Restrepo Cervantes.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">La Ruina as a concept for a visual narrative in a transmedia world. Views of Venezuelan immigrants in the city of Manizales <\/span><span style=\"font-weight: 400;\">by Alejandro Jim\u00e9nez Salgado, Carlos Adolfo Escobar Holgu\u00edn and Cristina Sabogal Su\u00e1rez.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">I want to see you! <\/span><span style=\"font-weight: 400;\">by Llu\u00eds Estopi\u00f1an Canals.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Immersive plays with the Op art concept and minimalism content to produce illusions and unlimited perspective <\/span><span style=\"font-weight: 400;\">by Jeremy Oury.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">The Dark Side of the Universe<\/span><span style=\"font-weight: 400;\"> by Sebastian Gonzales.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Ut(r)opical by Martin Groisman.<\/span><\/li>\n<\/ul>\n<p style=\"text-align: left;\">","protected":false},"excerpt":{"rendered":"<p>During the call process carried out by the International Image Festival, whose submission date was February 26, 2020, 210 contributions from different areas of knowledge related to design, art, science and technology were received. ; which seek to enrich the XIX version of ImagenFest that will be held digitally this year and were divided as follows: Cinema (and) Digital: 67 proposals and 11 selected. Soundscapes: 38 proposals and 5 selected. Sound Bridges: 18 proposals and 6 selected. Posters: 30 proposals and 25 selected. M.Monogr\u00e1fica \/ Exhibitions \/M.Art: 57 proposals and 11 selected. From the organizing committee of the International Image Festival and PDC 2020 we feel grateful for the great reception our call received, especially for the persistence that became evident at the moment we had to manifest our change [\u2026]<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[232],"tags":[254,233,253],"class_list":["post-7925","post","type-post","status-publish","format-image","hentry","category-noticias","tag-convocatoria","tag-noticias","tag-resultados","post_format-post-format-image"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/festivaldelaimagen.com\/historico\/en\/wp-json\/wp\/v2\/posts\/7925","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festivaldelaimagen.com\/historico\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/festivaldelaimagen.com\/historico\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/festivaldelaimagen.com\/historico\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festivaldelaimagen.com\/historico\/en\/wp-json\/wp\/v2\/comments?post=7925"}],"version-history":[{"count":0,"href":"https:\/\/festivaldelaimagen.com\/historico\/en\/wp-json\/wp\/v2\/posts\/7925\/revisions"}],"wp:attachment":[{"href":"https:\/\/festivaldelaimagen.com\/historico\/en\/wp-json\/wp\/v2\/media?parent=7925"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/festivaldelaimagen.com\/historico\/en\/wp-json\/wp\/v2\/categories?post=7925"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/festivaldelaimagen.com\/historico\/en\/wp-json\/wp\/v2\/tags?post=7925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}