{"id":13225,"date":"2022-07-25T14:20:24","date_gmt":"2022-07-25T19:20:24","guid":{"rendered":"https:\/\/festivaldelaimagen.com\/?p=13225"},"modified":"2022-10-05T12:19:51","modified_gmt":"2022-10-05T17:19:51","slug":"resultados2022","status":"publish","type":"post","link":"https:\/\/festivaldelaimagen.com\/historico\/en\/resultados2022\/","title":{"rendered":"Results of the XXI International Image Festival call for entries"},"content":{"rendered":"<h2 class=\"wp-block-heading\"><strong>XXI International Image Festival - SURtrop\u00edas<br>\nManizales-Bogota Colombia<br>\nOctober 17th to 21st, 2022<\/strong><\/h2>\n\n\n\n<p><span style=\"font-weight: 400;\">The curatorial and academic committee of the International Image Festival 2022, is pleased to announce the selection of the proposals to participate in the following categories:<\/span><span style=\"font-weight: 400;\">&nbsp;<\/span><\/p>\n\n\n\n<ol class=\"wp-block-list\"><li><strong>Academic Call XVIII International Academic Forum.<\/strong><\/li><li><strong>Artistic Call<\/strong><\/li><li><strong>Interactions<\/strong><\/li><li><strong>IX Market of design, electronic art and technology.&nbsp;<\/strong><\/li><\/ol>\n\n\n\n<p><span style=\"font-weight: 400;\">Thanks to the outstanding participation of researchers, teachers, students, artists and professionals in the areas of design, art, science and technology, we will have the opportunity to meet to discuss from the idea of Surtrop\u00eda, emerging concepts that beyond geopolitical borders, allow us to guide the exploration towards alternative forms of critical and proactive analysis of various realities, thus contributing to the social appropriation of knowledge and continue to be an academic reference in Colombia and Latin America.<\/span><b><\/b><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><b>1. Pre-selected Academic Call XVIII International Academic Forum<\/b><\/h3>\n\n\n\n<p><span style=\"font-weight: 400;\">The selected participants must send their complete proposals through the following platform<\/span><a href=\"https:\/\/www.conftool.org\/festivaldelaimagen2022\/\"> <span style=\"font-weight: 400;\">https:\/\/www.conftool.org\/festivaldelaimagen2022\/<\/span><\/a><span style=\"font-weight: 400;\"> until August 5th, 2022 at 11:59 pm (Colombian Time) to be evaluated for submission and publication with ISBN registration code. The template to be used to upload the complete work can be downloaded from the following link:<\/span><\/p>\n\n\n\n<p><a href=\"https:\/\/festivaldelaimagen.com\/historico\/wp-content\/uploads\/2022\/07\/PLANTILLA-TRABAJOS-FINALES-CONVOCATORIA-ACADEMICA.docx\">https:\/\/festivaldelaimagen.com\/historico\/wp-content\/uploads\/2022\/07\/PLANTILLA-TRABAJOS-FINALES-CONVOCATORIA-ACADEMICA.docx<\/a><\/p>\n\n\n\n<p><span style=\"font-weight: 400;\">Once the final notification of approval is received, it should be noted that in order to obtain the right to present and publish the paper, authors must pay, individually, the registration fee for the event. With this accreditation they will be able to attend the activities programmed in the XXI International Image Festival.<\/span><\/p>\n\n\n\n<p><strong><em>Papers:<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><span style=\"font-weight: 400;\">Marisela Beatriz Jim\u00e9nez &quot;Importance of early training in ecophilosophy&quot;.<\/span><\/li><li><span style=\"font-weight: 400;\">Juan Manuel Henao Berm\u00fadez &amp; Andres Felipe Villegas Hidalgo \u201cLa Parla Org\u00e1nica. Propuesta de Narrativa Cultural Transmedia para los Mercados Org\u00e1nicos y Comunitarios de Cali.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Mar\u00eda Camila Garcia Parada &quot;Web-Geovisual Application: Manrique&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Miguel Arango Mar\u00edn, Marcela Cardona Gonz\u00e1lez, Valentina Mej\u00eda Am\u00e9zquita &amp; Andr\u00e9s Felipe Rold\u00e1n Garc\u00eda \u201cCasadentro, saberes tradicionales de la domesticidad cotidiana en narrativas de mujer.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Jonathan Camilo Portilla Basante &amp; Joaqu\u00edn Rodr\u00edguez Vivas \u201cCiudad Crucero: En la b\u00fasqueda de nuevas formas de vivir la ciudad.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Olimpo Garc\u00eda Beltr\u00e1n, Gabriel Andr\u00e9s G\u00f3mez Valbuena &amp; Daniel Lopera Molano \u201cCo-construcci\u00f3n del dise\u00f1o de signo distintivo y etiqueta para el proyecto \u201cBioproductos para el mejoramiento e inocuidad del cacao (theobroma cacao l) en Colombia\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">John Sebasti\u00e1n Bernal Franco and Andr\u00e9s Felipe Villa Arias \u201cCo-creation of the board game \u00abLa Lucha de Fierito\u00bb from the house of memory in Riosucio Caldas.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Ricardo Cede\u00f1o Monta\u00f1a \u201cColour films formats: from the artificial to the natural rendition of colour.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Ricardo Cede\u00f1o Monta\u00f1a, Sigifredo Escobar G\u00f3mez, Mar\u00eda Camila Garc\u00eda Parada &amp; Yuli Paola Vargas Rodriguez \u201cCompresi\u00f3n: entre \u00e1rboles y s\u00edmbolos.\u201d<\/span><\/li><li>Renzo Filinich \u00abQatipana towards a Future of Latin American Cosmotechnics\u00bb<\/li><li><span style=\"font-weight: 400;\">Luz Mary Castell\u00f3n Valdez, Grethel Alexandra Fl\u00f3rez Sierra, Miguel \u00c1ngel G\u00e9lvez Ram\u00edrez &amp; Indira Andrea Quiroga Dallos \u201cConstrucci\u00f3n territorial a partir de las representaciones Gr\u00e1ficas de juntanzas en el ciberespacio.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Daniela Hern\u00e1ndez Castiblanco &amp; Ignacio Rozo \u201cContinuos y pervivencias en la cultura material del cabildo Muysca de Suba.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Marisela Beatriz Jim\u00e9nez &amp; Luis Carlos Vanegas \u201cCuerpos cofrades.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Investigation Group &quot; \u00bb (Luis Fernando Medina Cardona \u2013 Julian David Sandoval Ospina) (National University of Colombia) <\/span>\u00abFrom the laboratory to the screen: short films based on scientific information. Study of the ScifilmIt case and construction of a new proposal.\u00bb<\/li><li>Andres Mauricio Gaona <span style=\"font-weight: 400;\">\u201cFrom vibrating space to resonant listening: space and listening as aesthetic-creative and performative fields in sound creations for the public sphere.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Adriana Castrill\u00f3n Arango \u201cUnveiling the patriarchalization of Design. Vestiges of gender biases and domination in project activity.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Jos\u00e9 Juli\u00e1n Cadavid &amp; Esteban Guti\u00e9rrez \u201cDide-pixel manipulator: software para la ense\u00f1anza y creaci\u00f3n por manipulaci\u00f3n de im\u00e1genes.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Fabian Leotteau \u201cDirector and Researcher.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Ronald Gonzalo Espitia S\u00e1nchez &quot;Audiovisual edition in artificial intelligence.&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Israel Alejandro L\u00f3pez Garc\u00eda &amp; F\u00e1tima Edith Ram\u00edrez Dom\u00ednguez \u201cEl dominio simb\u00f3lico de la ausencia: dise\u00f1o especulativo de una ciudad a partir de los recuerdos.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Armando Collazos Vidal, Diana Paola Valero Ram\u00edrez &amp; Everett Christopher Dixon \u201cEl haiku como fuente de inspiraci\u00f3n para la imaginaci\u00f3n y la invenci\u00f3n perfom\u00e1tica.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Sebasti\u00e1n L\u00f3pez Ospina, Humberto Antonio Mu\u00f1oz Tenjo &amp; Andr\u00e9s Felipe Sussmann Tobito \u201cEl modelo de cu\u00e1druple h\u00e9lice que subyace a la feria cient\u00edfica Expociencia: Co-proyectando la EXPOCIENCIA 2022.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Camilo Andr\u00e9s Andrade Ojeda, Leidy Vanesa Cruz, Kenia Ortega Rivera, Jenny S\u00e1nchez Ijaji &amp; Luna Guadalupe Zu\u00f1iga \u201cEmprendebrand.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Ra\u00fal Ni\u00f1o Bernal &amp; Iliana Hernandez Garc\u00eda \u201cEntidades en el Devenir.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Jhon Mauricio Chica Mart\u00ednez &quot;Photographic aesthetics of the Chinchin\u00e1 river.&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Rafael \u00c1ngel Bravo \u201cSocial, cultural and folkloric studies, new frontiers for research-creation in visual design and related areas.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Sebasti\u00e1n Bernal, Carlos Betancurth, Diana Carolina Su\u00e1rez Albano &amp; Andr\u00e9s Villa \u201cExperiencia de dise\u00f1o y gamificaci\u00f3n laboratorios Vivos comunitarios Hilando Sociedad.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Nathalie Goffard \u201cFigure (on) the horizon: the limits between the landscape and the cartographic in art.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Juan Manuel Acu\u00f1a, Liliana Hurtado, Sergio Sierra &amp; Alejandro Guzm\u00e1n \u201cHacia el metaformance de Betsab\u00e9 Espinal como propuesta interdisciplinar de creaci\u00f3n.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Ricardo Cede\u00f1o Monta\u00f1a \u201cTowards an experimental system for algorithmic creation.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Fernando Arboleda &quot;Common Identities Crossed Identities.&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Natalia Campo Castro &amp; Mauricio Prieto Muriel \u201cImantaci\u00f3n: Experiencias de un laboratorio de cocreaci\u00f3n en cine expandido.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Andr\u00e9s Rosero &quot;Virtual influencers and their affective and narrative potential in TikTok.&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Ingrid Pab\u00f3n Rodr\u00edguez \u201cOrganizational integration through the process of developing new products in micro-enterprises in the footwear and leather goods sector of Bogot\u00e1.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Oscar Ceballos &amp; Mario Valencia \u201cInvestigaci\u00f3n sobre el tele-espacio activo. una retrospectiva del prototipado evolutivo en el laboratorio sensor entre los a\u00f1os 2012 \u2013 2022.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Liliana Mar\u00eda Villescas Guzm\u00e1n &amp; Beatriz del Carmen Peralta Duque \u201cLa dimensi\u00f3n social de la Conectograf\u00eda en el territorio: \u00bfsociolog\u00eda de la ausencia o de la emancipaci\u00f3n?\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Viviana Moreno &amp; Andr\u00e9s Naranjo \u201cLa lectura significativa como recurso pedag\u00f3gico para sistematizar la creaci\u00f3n de la pieza publicitaria desde los elementos compositivos de las artes pl\u00e1sticas.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Wilson Stiven Boh\u00f3rquez Barrera, Juan Alejandro L\u00f3pez Carmona &amp; Juan David Manco\u00a0 \u201cLas pr\u00e1cticas de resistencia como potencia identitaria en el sector de Barbacoas-Medell\u00edn. Una mirada desde la participaci\u00f3n, el control, el sentido y la expectativa.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Sandra Mercedes Calvachi Arciniegas &quot;The poetic futures of space in 2046.&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Natalia P\u00e9rez Orrego \u201cManifestos and provocations. Bringing to the surface the activism of experience design.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Paula L\u00f3pez Chica &quot;Manizales, creative design district: relational ecosystem of training, cultural entrepreneurship and digital creation.&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Karla Francisca Flores Caldas &amp; Juan P. Velasquez \u201cMeta-dise\u00f1o y Miner\u00eda, perspectivas de desarrollo y progreso: Caso Madre de Dios, Per\u00fa.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Jorge Camacho, Roberto Cuervo, Juanita Gonzalez Tobon, Edgar Hernandez &amp; D.A. Restrepo-Quevedo \u201cMETACOGNITION REBUILD\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Paula Correa Monta\u00f1o &amp; Margarita Villegas \u201cMetodolog\u00edas del dise\u00f1o en los procesos de reivindicaci\u00f3n del territorio. Caso metaterritorio San Jos\u00e9.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Andr\u00e9s Salas \u201cNiobium, a technology-critical element.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Jes\u00fas Esteban Bola\u00f1os Benavides &amp; F\u00e9lix Augusto Cardona Olaya \u201cOcho letras en el olvido, Metaterritorio del centro de Santiago de Cali.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Nicholas Suaterna Malloye &quot;Alternative pattern to the path of the hero.&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Camilo Andr\u00e9s Andrade Ojeda, Luisa Gabriela Armero Mosquera, Santiago Mariaca Guerrero, Rayan Romero Guerrero &amp; Dana Sofia Ruano \u201cPI marc Lab.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Ingrid J Pab\u00f3n Rodr\u00edguez, Alejandro Rosero Pulido &amp; Manuel J Trujillo Su\u00e1rez \u201cReactivaci\u00f3n Econ\u00f3mica de Mypes a trav\u00e9s de la Integraci\u00f3n y el Desarrollo de Nuevos Productos de Protecci\u00f3n Personal en Tiempos de Pandemia.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Ana Teresa Arciniegas Mart\u00ednez &amp; Norberto Fabian Diaz Duarte \u201cRealidades expandidas: gu\u00eda metodol\u00f3gica para el dise\u00f1o de proyectos transmedia de no ficci\u00f3n.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Santiago Mesa Romero &quot;Representations of the Marian icon in the invocation of help in Sabaneta - Antioquia.&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Raquel Caerols Mateo, Felipe C\u00e9sar Londo\u00f1o and DA Restrepo-Quevedo \u201cThe experience in virtual museums as a learning facilitator.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Richard Vickers \u201cThe Society of the Spectacle REDUX #1: Augmented Capitalism.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Eliana Kim &amp; \u00d3scar Dario Villota \u201cTransculturaci\u00f3n e imaginarios inusitados. Relaciones hist\u00f3ricas y est\u00e9ticas entre Corea del Sur y Colombia.\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Juan Sebasti\u00e1n Ospina \u00c1lvarez \u201cOne design a year does hurt: designing for the really diverse world.\u201d<\/span><\/li><\/ul>\n\n\n\n<p><em><strong>posters:<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Maria Paula Castrillon.<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Maria Martha Gama Castro.<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">German Garnica.<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Diane Gutierrez.<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Sebastian Lopez Ospina.&nbsp;<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Edgar Patino Barreto.&nbsp;<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Juan Jose Potes.&nbsp;<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Christian Quintero.&nbsp;<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Alberto Carlos Romero Moscoso.&nbsp;<\/span><\/li><\/ul>\n\n\n\n<p><em><strong>Panels:<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Adriana G\u00f3mez \u00abDimensions and cartographies of regenerative design.\u00bb<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">James Berrett, John Mathew Deepak, Delwyn Remedios, and Max Schleser<\/span> <span style=\"font-weight: 400;\">&quot;Imaginative Storytelling.&quot;<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Adriana G\u00f3mez &quot;PCCC Manifesto.&quot;<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Paulina Avellaneda, Dora Ines Lopez Molina, Daniel Enrique Monje Abril and Yudy Morales Rodriguez \u00abProject XX=XX Wiki format applied to research-creation in dance.\u00bb<\/span><\/li><li aria-level=\"1\">Ceci Arango &amp; Diana Duque<span style=\"font-size: inherit; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">&nbsp;\u00ab<\/span><span style=\"font-weight: 400;\">Plots of textile art: geographies, time and gender.\u00bb<\/span><b><\/b><br>\n<h3><\/h3>\n<\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><b>2. Artistic Call<\/b><\/h3>\n\n\n\n<p><span style=\"font-weight: 400;\">The participants selected in the artistic call will receive a communication from the technical production team to agree on the feasibility of presentation and the conditions of the assembly.&nbsp;<\/span><\/p>\n\n\n\n<p><em><strong>Exhibitions:<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><span style=\"font-weight: 400;\">Elder Manuel Tobar Panchoaga \u00abFuture Codex\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">\u00d3scar (TATA) Ceballos, Jaime Andr\u00e9s Echeverri Guerrero and Mario H. Valencia \u00abEn El Camino Nos Encontramos\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Ana Teresa Arciniegas Mart\u00ednez &quot;Yerberito&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Carolina Salguero Mej\u00eda and Adriana G\u00f3mez Alzate \u00abCartography of interculturality and memory\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Sandrine Deumier \u00abBeyond Matter. In imitation of the survival orchids\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Camilla French and Jemma Foster &quot;Xibalba&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">DA Restrepo-Quevedo and Jorge Luis Bandera Mart\u00ednez \u00abTraces\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Max Schleser &quot;Cinematic Virtual Reality&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Laurita Ricardo de Salles and Aquiles Medeiros Figueira \u201cRobot Dance\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Fernando Enrique Franco Lizarazo, Daniel Pinz\u00f3n Lizarazo (Francisco Jos\u00e9 de Caldas District University, Colombia); Gary Gari Muriel (Francisco Jos\u00e9 de Caldas District University, Colombia); Daniel Steven Marulanda (Francisco Jos\u00e9 de Caldas District University, Colombia). \u00abTextures Memories. Intermediate Device\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Johnny DiBlasi &quot;Beauty&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Adeline Charneau and Pablo Andres Cardona Correa &quot;Bridge&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Carlos Rivera Gonz\u00e1lez \u00abAntimatter\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Sara Melissa Gallego Quiroz \u00abDatascope\u00bb&nbsp;<\/span><\/li><li><span style=\"font-weight: 400;\">Juan Carlos Arroyo Sosa \u00abThe virtual museum Memories of Journalism in Colombia\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Sergio de Moraes Bonilha Filho &quot;The Invisible Force&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Don Ritter &quot;These Essences&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Marta DiFrancesco &quot;The Tower&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Ricardo Munar and Raus Quynza \u201cColombia Resists 360\u00b0\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Florencia Alonso and Naoto Hieda &quot;GlitchMe&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Mar\u00eda Castellanos and Alberto Valverde \u00abBEYOND HUMAN PERCEPTION\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Gregory Lasserre &amp; Anais met den Ancxt -scenocosme- \u00abPulsation\u00bb&nbsp;<\/span><\/li><li><span style=\"font-weight: 400;\">C\u00e9sar Castiblanco Laurada &quot;Life moves us&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Jos\u00e9 Alejandro L\u00f3pez P\u00e9rez &quot;Banish&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Daniel Mart\u00ednez Molkes and Zamir Ni\u00f1o \u00abCrononauts\u00bb&nbsp;<\/span><\/li><li><span style=\"font-weight: 400;\">Nicol\u00e1s Kisic Aguirre \u00abMutated Reality Device\u00bb&nbsp;<\/span><\/li><li><span style=\"font-weight: 400;\">Carlos Alberto Molano Monsalve &quot;Women Cooks of Ideas&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Crist\u00f3bal Enrique Parra Mu\u00f1oz \u00abAndali\u00e9n 19\/31\u00bb&nbsp;<\/span><\/li><li><span style=\"font-weight: 400;\">Pablo Andr\u00e9s G\u00f3mez Granda \u00abArchitectures and Digital Cities\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Jose David Cuartas Correa, Miguel Bohorquez \u2013 Universidad del Valle and Monica Bravo \u2013 Javeriana University \u00abDrawvideo\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Carlos Alberto Molano Monsalve &quot;Animals in war&quot;&nbsp;<\/span><\/li><li><span style=\"font-weight: 400;\">Ramona Rodr\u00edguez-L\u00f3pez \u00abFrom Taubenmarkt\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Gabriel Mario V\u00e9lez and C\u00e1ndida Borges &quot;Medellin Passers-by&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Carlos Fernando Quiceno Montoya &quot;First Interaction&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Francisca Victoria Parra Fernandez &quot;Cerro&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">\u00abCorina Lipavsky Carvallo \u201cTupi, or not Tupi, that is the question\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Cannibal Manifesto. Oswald deAndrade. 1928.\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Carlos Alberto Molano Monsalve &quot;Itinerant Exhibition&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Hwa Young Caruso \u00abArtworks Abstraction\u00bb<\/span><\/li><li>Jose David Cuartas | University of the Valley \u00abSimple Input\u00bb<\/li><\/ul>\n\n\n\n<p><em><strong>Soundscapes:<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><span style=\"font-weight: 400;\">The NoiseBears &quot;Assorted Boxes&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Mar\u00eda A. Valencia and Bibiana Rojas \u00abCurruncho\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Jorge Barco \u00abGeomancy\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Ricardo de Armas &quot;Cinema for the ears&quot;&nbsp;<\/span><\/li><li><span style=\"font-weight: 400;\">Panayiotis Kokoras \u00abQualia\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Julian Scordato \u00abStudy for a Landscape #2\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Mar\u00eda de los \u00c1ngeles Herrera Buste \u00abThreshold to a dream\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Liliana Patricia Correa Rodr\u00edguez \u00abImantaci\u00f3n\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Daniel Gomez Marin &quot;Cleromancy&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Mario Humberto Valencia G. \u00abTele Espacios Activos IX\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Roberto Cuervo Pulido \u00abiCLO.dBOG\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Hector Fabio Torres Cadona \u00abSynthesis\u00bb<\/span><\/li><li>Fernando Laub \u00abElementary of Nature\u00bb<\/li><\/ul>\n\n\n\n<p><em><strong>Soundbridges:<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Andr\u00e9s Mauricio Gaona Ovalle \u00abHalf yellow sun\u00bb<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Juliana Soto Vallejo &quot;With jazz we build peace&quot;<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Jose Luis Cuenca Moncada \u00abExposed\u00bb\u00bb<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Calixto Ra\u00fal Ara\u00fajo Monroy \u00abLa Graciela, P\u00e1ramo de la Sarna, El Salado and Marimba a la can\u00bb<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Carlos Mario Rodr\u00edguez Rodr\u00edguez and Johann Sebasti\u00e1n Alvarado Guatibonza \u00abSound postcards: imaginaries and territory\u00bb&nbsp;<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Jhon Mauricio Chica Mart\u00ednez \u00abThe Challenge of Life\u00bb<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Jader Cartagena &quot;Tear&quot;<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Jose Alonso Rubio Velasquez &quot;Epiphany&quot;<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Edwin V\u00e9lez V\u00e1squez \u00abO\u00cdDOODIO\u00bb<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Carlos Alfonso Vargas Cuesta &quot;The End of History&quot;&nbsp;<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Luisa Mar\u00eda Jaramillo G\u00f3mez \u00abCity for necromancers\u00bb<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Juan David Mora Lozano &quot;Blank&quot;<\/span><\/li><\/ul>\n\n\n\n<p><em><strong>MediaArt Monographic Exhibit:<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><span style=\"font-weight: 400;\">Iker V\u00e1zquez Arteche \u201cAz Reality Lab\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Marina Liliana Hurtado Saenz and Sergio Hern\u00e1n Sierra (Caldas University) \/ Jes\u00fas Alejandro Guzm\u00e1n Acu\u00f1a (Eafit University) \/ Juan Manuel Acu\u00f1a Guzm\u00e1n (Western Autonomous University) \u00abMetaformance through Betsab\u00e9 Espinal\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Jos\u00e9 Alejandro L\u00f3pez P\u00e9rez &quot;O-cousin&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Diana Paola Valero Ram\u00edrez (Professor of the Department of Design at the Universidad del Valle) &quot;Maestro Alejandro Serna&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Realities Research Group (Escola de Comunica\u00e7\u00e3o e Artes da Universidade de S\u00e3o Paulo, ECA-USP \u201cInMemoriam\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Alejandro Jim\u00e9nez Salgado and Diana Reyes \/ University of Manizales &quot;Family Portrait&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Mauricio Rivera Henao \u00abROUTES. University Stories of Peace in Colombia\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Ana Teresa Arciniegas and Norberto Fabian Diaz &quot;Transmedia Nodes&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Juli\u00e1n Garc\u00eda \u00abAccompany me to be alone\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Maria Camila Garcia Parada &quot;Geoviaual&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Rihards Vitols \u201cMe\u017es\u201d (Forest)<\/span><\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><b>3. Interactions<\/b><\/h3>\n\n\n\n<p><em><strong>Workshops<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><span style=\"font-weight: 400;\">Maria del Pilar Mart\u00ednez Villegas \u00abElectroacoustic\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Jos\u00e9 Juli\u00e1n Cadavid Sierra \u201cAndean fauna and digital co-creation\u201d<\/span><\/li><li><span style=\"font-weight: 400;\">Juan Pablo (Hastur) Mora Benavides \u00abThe overlap as visual poetic possibility\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Diana Carolina Godoy Acosta and Leonardo Mauricio Rivera Bernal &quot;Woven Stories&quot;<\/span><\/li><li><span style=\"font-weight: 400;\">Valentina Quintero Aguilar and Andres Pacheco Jaimes \u00abIncoyage. Technocollage and biocollage: images and incendiary fictions\u00bb<\/span><\/li><li>Jos\u00e9 David Cuartas \u00abSimple: A programming language in Spanish for artists and designers.\u00bb<\/li><\/ul>\n\n\n\n<p><em><strong>Conversations:<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><span style=\"font-weight: 400;\">Lupe Laserna Cano, Natalia Arango and Adriana Luc\u00eda Nova S\u00e1nchez \u00abHave you ever been told that what you say does not match what you do?\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Rafael \u00c1ngel Bravo \u00abBetween leaves: Portraits and explorations in front of the banana palm\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Rafael \u00c1ngel Bravo \u00abHonest Textures: Photographic representation of the utilitarian craft artifact in popular markets\u00bb<\/span><\/li><li><span style=\"font-weight: 400;\">Jos\u00e9 Anton\u00edo Dorado Z. \u201cThe Misak from the Earth to the Screen, Audiovisual Creation Laboratory in the Wampia Indigenous Reserve\u201d.&nbsp;&nbsp;<\/span><\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><b>4. IX Market of design, electronic art and technology<\/b><\/h3>\n\n\n\n<p><em><strong>Trigger Talks:<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Rafael Eduardo Gonz\u00e1lez Otoya Barrera &quot;Falling Rocks&quot;<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Edward Leandro Mu\u00f1oz Ospina \u00abDr. Splendor&quot;<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Rafael Eduardo Gonz\u00e1lez Otoya Barrera \u00abBim\u00bb<\/span><\/li><\/ul>\n\n\n\n<p><em><strong>Encounters: platforms and festivals for the circulation of creative and cultural contents:<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Amanda Triano&nbsp;<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Jhan Francisco Quijano Rodriguez<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Javier Enrique Posso Jimenez<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Daniel Esteban Velasquez Moreno<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Valentina Venegas Lippi&nbsp;<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Red joven de Arte &amp; Emprendimiento<\/span><\/li><\/ul>\n\n\n\n<p><strong><em>Showcases:<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">jose michael moon<\/span><\/li><li aria-level=\"1\">Julian Andres Restrepo Buitrago<\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Jah Lous<\/span><\/li><li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Harbey Urue\u00f1a<\/span><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>XXI International Image Festival \u2013 SURtrop\u00edas Manizales-Bogot\u00e1 Colombia October 17 to 21, 2022 The Curatorial and Academic Committee of the International Image Festival 2022, is allowed to inform the selection of the proposals to participate in the following categories: Academic Call XVIII International Academic Forum. Artistic Call. interactions. IX Design, electronic art and technology market. Thanks to the outstanding participation of researchers, teachers, students, artists and professionals in the areas of design, art, science and technology, we will have the opportunity to meet to discuss from the idea of Surtrop\u00eda, emerging concepts that, beyond the geopolitical borders, allow exploration to be directed towards alternative forms of critical and propositional analysis of various realities, in order to thus contribute to the social appropriation of knowledge and continue to be an academic reference in Colombia and Latin America. 1. Pre-selected Academic Call XVIII International Academic Forum The participants [\u2026]<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[232],"tags":[254,233,253],"class_list":["post-13225","post","type-post","status-publish","format-image","hentry","category-noticias","tag-convocatoria","tag-noticias","tag-resultados","post_format-post-format-image"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/festivaldelaimagen.com\/historico\/en\/wp-json\/wp\/v2\/posts\/13225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festivaldelaimagen.com\/historico\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/festivaldelaimagen.com\/historico\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/festivaldelaimagen.com\/historico\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festivaldelaimagen.com\/historico\/en\/wp-json\/wp\/v2\/comments?post=13225"}],"version-history":[{"count":0,"href":"https:\/\/festivaldelaimagen.com\/historico\/en\/wp-json\/wp\/v2\/posts\/13225\/revisions"}],"wp:attachment":[{"href":"https:\/\/festivaldelaimagen.com\/historico\/en\/wp-json\/wp\/v2\/media?parent=13225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/festivaldelaimagen.com\/historico\/en\/wp-json\/wp\/v2\/categories?post=13225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/festivaldelaimagen.com\/historico\/en\/wp-json\/wp\/v2\/tags?post=13225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}