Results of the call for the XIX International Image Festival

During the call process carried out by the International Image Festival, whose submission date was February 26, 2020, 210 contributions from different areas of knowledge related to design, art, science and technology were received. ; which seek to enrich the XIX version of the ImagenFest that will be held digitally this year and were divided as follows:

• Cinema (&) Digital: 67 proposals and 11 selected.
• Soundscapes: 38 proposals and 5 selected.
• Sound Bridges: 18 proposals and 6 selected.
• Posters: 30 proposals and 25 selected.
• M.Monográfica / Exhibitions /M.Art: 57 proposals and 11 selected.

From the organizing committee of the International Image Festival and PDC 2020 we are grateful for the great reception our call received, especially for the persistence that became evident at the moment we had to manifest our change of format due to the emergency health caused by COVID-19.

The exhibits, soundscapes, posters and sound bridges will be made on digital platforms that allow virtual interaction through WebXR, a new format that allows experiencing mixed realities such as AR (augmented reality) and VR (virtual reality) taking a new step to interact with the exhibited works from any device with internet access.

There will be virtual replicas of iconic city spaces such as the Torre de Herveo where the soundscapes will be made, the Caldas Art Museum and the Banco de la República exhibition hall for the exhibitions. And artists from different countries of the world will exhibit their work in new digital formats, among these countries are: Canada, Japan, Germany, France, Spain, the United States, Argentina, Brazil and Finland.

After carefully reviewing each of the contributions, it was established that the winning proposals are the following:

Cinema (&) Digital:

• Germ to say Leonardo Loyal.

• habitography to say Monica Bravo and Miguel Bohorquez.

• Tower to say Sebastian Munera.

• we are not the same to say Errata Collective: Andrés Santacruz, Danny Londoño and Mariana Rubio.

• UFOs, the fury of the real to say Juan Camilo Montoya.

• Pandemic to say Manuel Garcia Plata.

• Who is one when there are certain missing pieces of an identity affected by oblivion? to say Mariana Jimenez Velez.

• route 60 to say Wilson Arango.

• Savage 16MM to say David Quiroz, Diego Blanco, Angela Gomez, Fabian Hernandez.

• sour lake to say Andres Davila.

• Tangible to say Laura Castillo.

• Otún video clips to say Ricardo Bustamante Echeverry.

Soundscapes:

• 2000 Plateaus by Alejandro Velez.

• Scanner Me, Darkly by Stephanie Castonguay.

• Origo (Live Act) by Milton Riano.

• EAST Eastern.

• Live act from the use of hardware of Quinini.

sound bridges:

• "Perfume" Pilar Martinez.

• Transmigration by Jorge David Ortiz Trejo.

• Participatory anamnesis "From the natural and artificial to society" by Jhon Mauricio Chica Martínez and Isys Cielo Lucero Luna Jiménez.

• "Uma-Lethos" of Jesus Moreno.

• Nuée.décors, 11:00, Octophonie, 2018 by Charles Rainville.

• newen by Andres Gaona.

posters:

• The parable of the banana leaf: Analysis of user-object relationships, beyond usability and aesthetics, in the food context by Rafael Angel Bravo.

• Weaving cultural practices through biocultural heritage by Praxedes Aristizabal Granada 

• Behavioral Design for the Choice of University Careers in Bogotá, Colombia by Susan D. Mendez.

• Adapting industrial design methodologies for the development of inclusive technical aids for functional diversity by Vaslak Rojas and Gloria Gomez.

• Reflections from the interdisciplinary inquiry from the artistic point of view for the exploration of electronic devices as an extension of the body by John F. Atencia Torres.

• Biocultural heritage from objects and places. The case of Riosucio (Caldas) and Trujillo (Valle del Cauca) by Luisa Fernanda Zapata Arango, Viviana Grisales Pascuaza and Felix Augusto Cardona Olaya

• Open media production space – ESPAM by Luis Fernando Medina Cardona.

• Metastructuring for reflections: the usage of art assemblages to create new realities by Bianca C. Orsso; Mateus FL Pelanda.

• Transcoding Ylama by Luis Fernando Herrera.

• Educational digital game to prevent cyberbullying in 8 to 13-year-old children by Juliana Diaz Ospina, Jorge E. Valencia Giraldo, Matias Marín Castaño, Maria Demoya Taveras and Michael Deanda

• Invisible City – Middle ground by Camilo Hermida.

• Design Model for Social Norms by Juan P. Velásquez, Beatriz del Carmen Peralta Duque and Liliana María Villescas Guzmán.

• Transformations of a coffee municipality by Maria Paula Jaramillo Gomez.

• San José Metaterritory: Transmedia scenario for the symbolic reconstruction of a neighborhood based on its memory by Carolina Salguero Mejia

• Cabildo Abierto Comuna San José and Plaza de Mercado Manizales: Design and realization of the communal by Johana Andrea Acero Amaya, Juan David Delgado Loaiza, Gilsan Darío Quintero Sánchez, Álvaro Salazar Marín and Germán Vallejo Obando.

• Body dressed for the sensitive expression of the encounter with memory and reconciliation by Sara Melissa Gallego Quiroz.

• Sense of place: palimpsests as significations of collective imaginaries from psychogeography by Sergio Andrés Restrepo Jaramillo.

• Graphic System for Creative Thinking / Toolbox by Rafael Eduardo Diaz Rey.

• Transmedia design strategies for the appropriation of the landscape. Caldas XXI Century Expedition, Florencia Jungle by Adriana Gómez Alzate and Olga Lucía Hurtado Gómez

• Design, Technology and Democracy: How can innovation of PD practices for civil society organizations extend and strengthen representation and participation of marginalized citizens in Ecuador? by Nathaly Pinto.

• power acoustics by Antonia Bustamante Robledo.

• Flow – Creation of an interactive VR experience around water by Diego Perez

• The garden as a cultural activator of the landscape: gestures as heritage by Trixi Allina.

M.Monográfica / Exhibitions /M.Art: 

• Colombian remembrance by Mario Alexander Sanchez Ocampo and Carolina Blandon Gañan.

• The landscape of flavors by Diana Milena Reyes.

• Kaleidoscope by Manuel Silva Rodriguez.

• INVISIBLE by Laura Lucía Serrano Bernal, 

• Parallel by Santiago Rubio López and María A. Martínez Wandurraga.

• Take my beating heart. Storm. Lightness. Abstraction. Memory by Guillermo Restrepo Cervantes.

• La Ruina as a concept for a visual narrative in a transmedia world. Views of Venezuelan immigrants in the city of Manizales by Alejandro Jiménez Salgado, Carlos Adolfo Escobar Holguín and Cristina Sabogal Suárez.

• I want to see you! by Lluís Estopiñan Canals.

• Immersive plays with the Op art concept and minimalism content to produce illusions and unlimited perspective by Jeremy Oury.

• The Dark Side of the Universe by Sebastian Gonzales.

• Ut(r)opical by Martin Groisman.