INTERNATIONAL SEMINAR 21ST INTERNATIONAL IMAGE FESTIVAL
- Date
- October 9, 2022
"SURtropies"
Cristian Tapies Goldenberg / Sergio Mora-Diaz / Cristóbal Olivares / Sofía Garrido / Felipe Prado / Renzo Filinich / Esteban Agosin and Cristóbal Parra (Chile) Moderator: Felipe César Londoño
- Date
- October 9, 2022
"Creative Processes in Art and Science"
Tania Aedo (Mexico) - Cleomar Rocha (Brazil) - Ricardo Dal Farra (Canada) - Daniel Cruz (Chile) - Felipe C. Londoño (Colombia)
- Date
- October 9, 2022
"What is the future of Art?"
Rejane Cantoni (Brazil)
If we consider that 95% of the Universe is invisible to the human perceptual apparatus, developing mechanisms to expand the human senses is a fundamental task.- Date
- October 9, 2022
KEPES Magazine Presentation
Walter Castañeda Marulanda (Colombia), Marco Vinicio López Paredes (Ecuador), Victoria Martínez Vérez, Antonio Montero Seoane and Alba Sardá Miragaya (Spain), Andrés Felipe Roldán García and Paula Andrea Escandón Suárez (Colombia)
Revista Kepes is a scientific publication that has become a reference in the region and in Ibero-America. The magazine has been known for publishing topics that contribute and guide in the understanding of experiences, research production in the areas of design, communications, images, new media and other topics related to contemporary audiovisual culture.- Date
- October 9, 2022
"VR Storytelling: Things I've learned making Biolum"
Abel Kohen (France)
An immersion into the creation of Biolum, from its inception as a web series to its launch as a virtual reality narrative experience.- Date
- October 9, 2022
"Art and technology for transformation"
Discussion Asher Remy Toledo - Billy Clark (United States) / Toby Heys (United Kingdom)
CultureHub (USA), School of Digital Arts (SODA) of Manchester Metropolitan University (UK) and Hyphen-Hub (USA) are proposed as collective spaces to explore the possibilities of technologies in contemporary creation, in the perspective of social and productive transformations.
- Date
- October 9, 2022
"Against necropolitics: biomaterialities as producers of the in-common."
Jenny Fonseca (Colombia)
The production of the in-common, through collaborative and/or collective artistic methodologies, has the potential to be a tactic of subversion to necropolitics - a term coined by the Cameroonian philosopher Achille Mbembe.- Date
- October 9, 2022
Artist Residency: "Audiocephalea"
Martina Paz Mella Yáñez (Chile)
Audiocefalea consists of an auditory-sound research that revolves around the dehumanization of listening, and how anthropic intervention has been modifying the different sound ecosystems in the area of Manizales.- Date
- October 9, 2022
"Dance and (in)Virtual Reality: dancer and public as co-creators of a dance"
Ivani Santana (Brazil)
Dance has been related to electronic and digital devices since the last century, proposing different forms of configuration and interaction between the work and the audience.- Date
- October 9, 2022
"ECOS: A project of dance and (in) virtual reality"
Ivani Santana (Brazil) / Daniel Argente (Uruguay)
ECOS is the result of a partnership between dance artist Ivani Santana (Brazil) and artist Daniel Argente (Uruguay). The project is a joint research between the Grupo de Pesquisa Poética Tecnológica: corpoaudiovisual, (Technological Poetic Research Group: corpoaudiovisual), coordinated by Ivani, and the CSIC research group - "Realidades Expandidas" - of the Universidad de La República (Uruguay), coordinated by Daniel.- Date
- October 9, 2022
"Sustainable design in engineering"
David Delgado (Mexico)
Engineering plays a leading role in sustainable development, since its designs can improve the use of resources.- Date
- October 9, 2022
"Artificial Life Ecosystems"
Martin Groisman (Argentina)
- Date
- October 9, 2022
"Art and quantum mechanics · Starting a project"
Jose Manuel Berenguer (Spain)
Art, like all thought, experienced a strong contagion of the new ideas brought at the beginning of the 20th century, but we are already far away from that time, so I feel that we need an approach that transcends the previous history.
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