SOUND BRIDGES 21ST INTERNATIONAL IMAGE FESTIVAL


  • Fecha
    10 October, 2022

    BIOCENOSIS “Un Mundo Por Descubrir”


    Jhon Mauricio Chica M (Colombia)

    This proposal investigates the territory of the Chinchiná River through the act of walking and knowing how to listen, because it is not a matter of coming and going, since it is quite the opposite; this walking is transformed into a poetic action of feeling the landscape from a sense of hearing.
  • Fecha
    10 October, 2022

    "Ciudad para nigromantes"


    Luisa María Jaramillo Gómez (Colombia)

    This sound work resonates in the warning signs of a system that determines to throw oneself into the void catalogued as an incident, but the suicidal act, of the one who throws himself into that void does not refer to a banal and passing fact, he shows us an accident, an unforeseen event that implies human losses inscribed in the structure of the current capitalist system. These sounds are edited to perceive the warning signal.
  • Fecha
    10 October, 2022

    "El salado"


    Calixto Raúl Araújo Monroy (Colombia)

    The "bullerengue senta'o", so called because of its paused character, begins the piece with a somewhat mysterious entrance of the gaita accompanied by a drum roll on timbales, over which an accentuated rhythm appears on taiko drums, over which the gaita sings a phrase repeated three times, accentuating its soloist presence.
  • Fecha
    10 October, 2022

    "El fin de la historia"


    Carlos Alfonso Vargas Cuesta (Colombia)

    El Fin de la Historia is the pilot in podcast format, a collective creation whose purpose is to encourage reflection on heritage, history and identity, where from the thematic appropriation of young high school students, a scenario is proposed that transits between reality and fiction, articulating forms of enunciation or expression that raise collective imaginaries.
  • Fecha
    10 October, 2022

    "Epifanía"


    Jose Alonso Rubio Velásquez (Colombia)

    Epifanía is an experimental piece that explores the expressive and sonic possibilities of a modular synthesizer, a sequencer and a digital mixer, to explore some ideas about the activities that take place during the first days of each year in the traditional neighborhood of Egypt in Bogota.
  • Fecha
    10 October, 2022

    "Exposed"


    Jose Luis Cuenca Moncada (Ecuador)

    Exposed is a sound piece resulting from the processing of an interactive audiovisual interpretation system that dynamically combines visualizations and sound in real time. In this project, the sound is the result of the reading of the data obtained from the transformation of images into data by an algorithm designed to analyze biometric information, as a continuation of the Organic::Data project, this time the system analyzes videos from closed circuit cameras (CCTV).
  • Fecha
    10 October, 2022

    "La Graciela"


    Calixto Raúl Araújo Monroy (Colombia)

    The title refers to a herd called "La Graciela", between the towns of Aguazul and Maní in the Department of Casanare, an area where we went to learn about the history and the music. The initial sound reference is the recording of birds and insects in the bush at dawn and dusk.
  • Fecha
    10 October, 2022

    "Lágrima"


    Jader Cartagena (Colombia)

    Lágrima, is a sound art piece that refers to the (digital) tears of the Russian "influencers" when they lose their source of income and the feeding of their ego due to the collateral effect of the war in Ukraine; immediately the plaintive singing of Alfredo Sadel appears as something that cannot be understood rationally and that can only be perceived through the phenomenon of sound simultaneity.
  • Fecha
    10 October, 2022

    "Medio sol amarillo"


    Andrés Gaona (Colombia)

    Medio sol amarillo' is an electroacoustic piece inspired by the sound of the gaitas, traditional Colombian Caribbean aerophone instruments, native to the 'Kogui' indigenous community of the Sierra Nevada de Santa Marta.
  • Fecha
    10 October, 2022

    "Marimba a la lata"


    Calixto Raúl Araújo Monroy (Colombia)

    The Alabao and the Gualíes are the songs with which the blacks of the Afro communities of the Colombian Pacific, accompany the ritual of farewell of their dead; with the belief that with the song they help the passage of the deceased to eternity. The alabaos are for adults and the gualíes for children.
  • Fecha
    10 October, 2022

    "OIDOODIO"


    Edwin Vélez (Colombia)

    OÍDOODIO es una pieza de arte sonoro que reflexiona sobre el ruido y su organización de saber y poder sobre la sociedad. El ruido que al hacerse música o voz alimenta la interferencia mediática sobre el conocimiento, es el ruido que nos define y que nos hace ser sujetos.
  • Fecha
    10 October, 2022

    "Páramo de la Sarna"


    Calixto Raúl Araújo Monroy (Colombia)

    La idea surge de una masacre ocurrida el 1 de diciembre de 2001 en la carretera que conduce de Sogamoso, ciudad en donde resido, hacia la región de la Orinoquía. Allí fueron asesinadas 15 personas que viajaban en un bus intermunicipal. Los paramilitares detuvieron el bus en ese sitio solitarios conocido como El Páramo de la Sarna, bajaron a las personas y las ejecutaron.
  • Fecha
    10 October, 2022

    "Study for a landscape #2"


    Julian Scordato (Italia)

    This work proposes different scenes of rural life through electroacoustic narration, in which the characters assume various forms: rivers, animals, humans and machines. The story is framed in the context of dynamic landscapes that are mixed according to acoustic similarities (timbre, rhythm, grain and dynamic profile).
  • Fecha
    10 October, 2022

    "Postales sonoras: imaginarios y territorio"


    Carlos Mario Rodríguez Rodríguez y Johann Sebastián Alvarado Guatibonza (Colombia)

    "Postales sonoras: imaginarios y territorio" was a creation laboratory that stimulated the generation and exchange of sound files virtually between inhabitants of the departments of Boyacá and Santander in Colombia.
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