Proteiform artist. He develops in a universe where music, theater, dance and video intersect. Performer, composer and theater director, his work encompasses multiple practices, from the concert to the Gesamtkunstwerk (total work of art).
Professor at the University of Montpellier 3 with specialization in Conversation Analysis - Technologies for synchronous communication - Sémantique transactionnelle - Cognition située - History of technologies in Language Sciences. He holds a PhD in Language Sciences from the Ecole des Hautes Etudes en Sciences Sociales.
Ricardo Dal Farra
Canada - Argentina
Dr. Ricardo Dal Farra is a composer, educator, researcher, curator, and historian, specializing in contemporary/electroacoustic music and electronic arts. He is Professor in the Department of Music at Concordia University, Canada and Founding Director of the Center for Experimentation and Research in Electronic Arts (CEIArtE) at the Universidad Nacional de Tres de Febrero, Argentina.
Asher Remy-Toledo is a Colombian-American cultural producer, instigator of collaborative models that are redefining the boundaries of artistic fields. He is currently the director and co-founder of Hyphen Hub, a New York-based organization working at the intersection of art and emerging technology.
Caroline A Jones
Caroline A Jones studies modern and contemporary art, with a particular focus on its technological modes of production, distribution, and reception. Trained in visual studies and art history at Harvard, she did graduate work at the Institute of Fine Arts in New York before completing her PhD at Stanford University in 1992.
Paulo Eduardo Fonseca
Associate Professor at the Faculty of Architecture and Urbanism of the University of São Paulo (FAUUSP), where I founded and coordinated the digital manufacturing laboratory FAB LAB SP and the Research Group DIGI-FAB - Digital manufacturing technologies applied to the production of Contemporary Design and Architecture.
In his work as director of the Media Art Biennial of Santiago, Enrique Rivera Gallardo develops the research of audiovisual installations through the use of methodologies for documentary filmmaking, the hybridization between past and present contexts, and the distribution of tangible and intangible objects in immersive contexts.
Artist and scientist. From June 2006 until June 2012, he was a member of the artistic/scientific staff of KHM, Academy of Media Arts Cologne, working at Lab3.