Participatory anamnesis. From natural and artificial to society
Everyday places and our territory are the support of our objective memory, that is, we can recognize ourselves, rescue the past and assume the present between vibrations and natural fluids that sneak in as vibratory signals, memories and information are collected that build us as participating citizens. of a space and a territory.
Consequently, transgression and experimentation is achieved in accelerated and slowed down illogical patterns as a game in reality, time and space, which manifest the renewal of being in an amnesiac society. Human memory externalizes forgetting to internalize, which is why we try to collect hearing diversity in this sound project, which reflects the natural and artificial conceptions of man and his environment.
Authors: Jhon Mauricio Chica Martínez, Isys Cielo Lucero Luna Jiménez
- Date
- June 14, 2020
Perfume
3D Room: Herveo Tower
Acoustic composition with some anecdotal sounds and others not evocative, sounds that appear and fade, that inspire images and smells, and at the same time maybe nothing. Sometimes we vaguely recreate a perfume when used and sometimes the sounds are just sounds without implicit meanings, built for the mere pleasure of being transformed into art. Atmospheres that dissolve and move over time, that lengthen, sounds that granulate and glide over resonances that sustain the piece are determining factors in this composition, which is also an attempt to transcend the boundaries of the auditory, evoking images, along auditory inspired by olfactory sensations.
Author: Pilar Martinez- Date
- June 14, 2020
newen
3D Room: Herveo Tower
Newen, a word from the Mapudungun language of the Mapuche indigenous people of Chile and Argentina, which translates as "force" or "energy", is an electroacoustic piece composed in 2020, and conceived from recordings made to the sound of bagpipes (female and male ) and its accompanying idiophone par excellence, the maracón.
Author: Andres Gaona- Date
- June 14, 2020
Nuée.décors, 11:00, Octophonie, 2018
3D Room: Herveo Tower
This electroacoustic piece was made as part of a university course. The object of this piece is to try to make a relationship between recorded sounds that are more organic and synthetic sound made on a computer.
Author: Charles Rainville
- Date
- June 14, 2020
Uma Lethos
3D Room: Herveo Tower
This electroacoustic piece was made as part of a university course. The object of this piece is to try to make a relationship between recorded sounds that are more organic and synthetic sound made on a computer.
Author: Jesus Moreno
- Date
- June 14, 2020
Transmigration
3D Room: Herveo Tower
The piece is created from field recordings, recordings of virtual electroacoustic instruments.
Author: Jorge David Ortiz Trejos
- Date
- June 14, 2020
Participatory anamnesis. From natural and artificial to society
3D Room: Herveo Tower
Everyday places and our territory are the support of our objective memory, that is, we can recognize ourselves, rescue the past and assume the present between vibrations and natural fluids that sneak in as vibratory signals, memories and information are collected that build us as participating citizens. of a space and a territory.
Authors: Jhon Mauricio Chica Martínez / Isys Cielo Lucero Luna Jiménez
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