«PCCC Manifesto / Colombian Coffee Cultural Landscape»
Adriana Gómez Alzate / Juan Carlos Olivares / Fabio Rincón / María Cristina Moreno (Colombia)
OPP Observatory for the sustainability of heritage in landscapes. UNESCO Chair.
Cultural landscapes are the result of the interactions and joint adaptations of nature as means and culture as agents, in a given space and time, which implies a holistic vision of the biocultural heritage as a whole and constitutes an ideal tool to overcome the traditional duality between natural and cultural heritage by incorporating them in an integrating framework.
The proposal to promote a social pact for the integral sustainability of heritage in the Coffee Cultural Landscape of Colombia (CCLC) implies the consolidation of an interdisciplinary, intercultural and intergenerational network that, through transformative actions, contributes to identify and resolve problems and needs related to the appropriation and preservation of the biocultural, urban, rural and landscape heritage of our environments, peoples and territories in the PCCC.
The proposal of a Manifesto from the Observatory for the Sustainability of Heritage in Landscapes (OPP), is to issue a warning against the risk of disappearance of the original conditions that gave it recognition as a World Heritage Site, due to poor management and intensive and inappropriate use of its water and forest resources, as well as the loss of its construction, craft and productive traditions, since, being a cultural landscape with a high biodiversity and a diverse living culture, it is highly vulnerable.
- Date
- October 17, 2022
"Wefts of textile art: geographies, time and gender"
Ceci Arango / Diana Duque (Colombia)
Panels
As a discipline, textile art or fiber art manifests itself in the connectivity between design, art and craftsmanship. In recent decades, the fields of art and art history have engendered a growing public, artistic, and scholarly interest in textile art.[1] In the last few decades, the fields of art and art history have engendered a growing public, artistic, and scholarly interest in fiber art.[1- Date
- October 17, 2022
"Imaginative Storytelling"
Max Schleser / James Berrett / Delwyn Remedios / Deepak John Mathew (Australia)
Panels
This presentation will explore the practices and processes of immersive storytelling, leading to the development of novel visual grammars for immersive experiences.- Date
- October 18, 2022
"Project XX=XX Wiki format applied to research-creation in dance"
Daniel Enrique Monje Abril / Yudy Morales Rodriguez / Dora Inés Lopez Molina / Paulina Avellaneda / Ana Cecilia Vargas Núñez (Colombia)
Panels
The XX=XX project was developed as a research-creation space of the Dance Art Program of the Faculty of Arts ASAB between January and August 2021. The research-creation methodological proposal was carried out with an autoethnographic approach, based on the existence of a virtual space that operates as a platform for creation and documentation system at the same time.- Date
- October 20, 2022
"Dimensions and cartographies of regenerative design"
Jorge Andrés Rivera Pabón / Adriana Gómez Alzate / María Cristina Ascuntar / Valeria Cardona / Diana Figueroa / Juan Sebastián Trujillo (Colombia)
Panels
The concept of "regenerative progress" includes and transcends sustainability. Regenerate means to amend, reform, reconstitute, renew, correct, rehabilitate or recover, as well as to have the efficiency, virtue or efficacy to regenerate or regenerate.- Date
- October 20, 2022
"PCCC Manifesto / Coffee Cultural Landscape of Colombia"
Adriana Gómez Alzate / Juan Carlos Olivares / Fabio Rincón / María Cristina Moreno (Colombia)
Panels
Cultural landscapes are the result of the interactions and joint adaptations of nature as means and culture as agents, in a given space and time, which implies a holistic vision of the biocultural heritage as a whole and constitutes an ideal tool to overcome the traditional duality between natural and cultural heritage by incorporating them in an integrating framework.
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