Inspired by early radio sounds, radio art, historical speeches, and current mixing techniques, Radioperas' work is an exploration of historical sound archives, memory practices, and political and social commentary.
Interférence (String Network) is an audiovisual performance that explores the possibilities of performing an electroacoustic work in real time through gestural interaction with a unique device. Alexis Langevin -Tétrault- builds a network of strings to interact with the control light and create a sound universe between industrial noise, electronics and acoustic music. Through the staging of corporeality and the dialectical relationship between the human and the machine; This work presents an allegory of the globalized and interconnected modern world.
Richard Garet and Daniel Neumann will deliver a live audiovisual presentation for single screen video and multi-channel sound to a speaker field, spread throughout the theater. The loudspeakers are placed in an idiosyncratic relationship with the existing architecture, creating a sound environment that activates the acoustics and physical structures of the space. The images will consist of disparate sources and interpolated views, imaginative transformations and multi-layer arrangements to build the viewing experience in real time.
Concert pianist, Persian performer, interdisciplinary composer, researcher-creator, educator, and posthuman thinker, Anoush Moazzeni enjoys a performing career that has often taken her around the world. After completing his undergraduate studies in piano and musicology, he specialized in a master's degree in contemporary piano and is currently pursuing his individualized doctoral studies in Artistic Research in Creative Music Practice.
Inspired by Claude Shannon's information theory, Deciban is an investigation into the perception of digitally generated noise that aims to propose a new type of synesthetic experience. It is the new audiovisual performance by CHDH Collective in which sound and visual forms emerge from noise, a video similar to the “snow” of old analog televisions throughout the space. This hypnotic material, with its sound altered by two performers in real time, using laptop computers. Noise acquires a structure, a topology, patterns. Shapes emerge, visual and sound movements appear. The public is lost in the perception of this world full of illusions. In Deciban, phenomena drown in a universe of noise: noise is information.
He worked with the World Soundscape Project, editing their Handbook for Acoustic Ecology, and has published a book on acoustic communication dealing with sound and technology. In 1991 his work, Riverrun, was awarded with the Magisterio en la Internacional. Electroacoustic Music Competition in Bourges, France. Soundscape compositions are frequently performed at concerts and festivals around the world.
The meaning of life. The meaning of the things we do. The direction in which we move. Where are we going. The complications and complexities that are smoothed over time, in one way or another, by hook, sometimes by crook. Time is a fiction that surprises us. After the action, the surprises, the interventions and the infinite searches, the reflection, and one step after the previous one, among the thousands of the way.
This initiative was organized by the Electronic Arts Research Center (CEI) of the National University of Tres de Febrero, Argentina, in collaboration with the Climate Center of the Red Cross / Red Crescent and the support of UnBalance-Desequilibrio. International Program, and Concordia University. The following works will be heard during the 2019 Image Festival: “One minute in two minutes” by Concha García (Spain); “Minus One” and “SONOM” by Massimo Vito Avantaggiato (Italy); “Subsoma” and “Subsoma 2” by Michaela Davies (Australia); “Monarchs After the Storm” by Rob Mackay (England); “Soundscape” and “Extremos (Tarkas y Voces)” by Jeanette Fligler (Germany);” Timing is Key “by Jules Bryant (England);” From the First “by Alex Stooshinoff (Canada);” Frozen Realities” and “Acid Rain” by Fernando Laub (Argentina/Austria); “Temporal Observations” by Oliver Owen (England); “Multivertz-Timescales” by Nod Akami (France); “Pollution” by Gintas Kraptavicius (Lithuania) and “Artic Wail” by Nick Lavigne (Canada).