"DMNNNS"
Belén Alvarez / Ner Suárez (Spain)
DMÑNNS contains all the heart and songs of these last 4 years (some previous), arranged and squeezed as a single story, in 10 songs, all of them cared to the last note, to the last of the words and the last of the silences and dressed for the occasion with visuals by Adrián León Arocha and Belén Á. Doreste.
- Date
- 4 October, 2022
"Metasystem 1 - Tribute to Roland Kayn"
Renzo Filinich (Chile)
Work based on the notion of recursion, a notion adopted by the cybernetic vision of the middle of the last century and which has become the new informational structures for the control of the living.
- Date
- October 5, 2022
"Endless/Xenosite"
Gisela Frick Hassenberg (Chile)
"Endless / Xenosinte" is a sound art piece based on sounds and songs of native and endemic birds of Chile captured in La Campana National Park by ornithologist Peter Boesman and released under creative commons license.
- Date
- October 9, 2022
"Essences. Influences. Premonitions"
Hector Fabio Torres Cardona / Yovanny Betancur Santa (Colombia)
The project proposes three compositions for flute, guitar and control that represent three Latin American cultural components: the essence of the hybridizations of the south from the expanded musical perspectives, the medial hybridizations and a sound bet based on the sonorous mutation of the instrumental medium through electroacoustic processes based on control and spatialization in search of timbres processed by convolutive synthesis models of complex synthesis.
- Date
- October 9, 2022
"iCLO.dBOG"
Roberto Cuervo Pulido / Joaquín Eduardo Llorca Franco / Jonathan Reina Gómez (Colombia)
As a sound bridge between two distant but related spatial realities, the piece iCLO.dBOG is born from a comparative research between the sound identity of the marketplaces of Cali and Bogota. From phonograms collected in both cities, a reduced listening is proposed to the listener after the daily sounds of the markets, loaded with causal meanings, are intervened live and separated from their figurative referent to emphasize their plastic attributes.
- Date
- October 9, 2022
"Tele Espacios Activos IX"
Mario H. Valencia - Oscar "TATA" Ceballos (Colombia)
Directed by Mario H. Valencia and Oscar (TATA) Ceballos and developed by Laboratorio SENSOR in the last eight years within the framework of the International Image Festival, Tel-espacios activos has explored in the last years different forms of telematic creation, It is now in the post-pandemic when it takes on an interesting meaning since a large number of applications and forms of communication previously used by a few have been massified and different collectives, creators and events have adopted the telematic artistic construction as another possibility, not only to face the pandemic but also to expand the expressive, creative and performative possibilities that this interesting space offers.
- Date
- October 9, 2022
"Cleromancy"
Daniel Gomez and Jose Moncada (Colombia)
Cleromancy is a divination ritual present in many different cultures and times that is used as a means to interact with the spiritual world. One of its expressions is based on the I-Ching (the book of changes), a fundamental book in ancient Chinese cosmology. The I-Ching is traditionally consulted by randomly creating a hexagram, obtained by tossing a set of four coins six times, which points to a specific chapter of the book.
- Date
- October 9, 2022
"Bridge"
Adeline Charneau / Pablo Andres Cardona Correa (France - Colombia)
PUENTE. The bridge is the passage. The passage between two worlds. The passage to cross and/or to free oneself from geopolitical and environmental challenges. But it is also, and above all, a place where people cross and sometimes meet.
- Date
- October 9, 2022
"Threshold to a Dream"
María de los Ángeles Herrera Buste / Adina Izarra / David Guerra Layana / Paola G. Olea (Ecuador)
Umbral a un sueño is a sound creation that seeks to create synergy between pre-Columbian sounds, such as flutes, whistles and ocarinas, and digital media. Through the transformation of countless recordings and experimentations on clay wind instruments and voice, spaces are created that narrate a personal sound imaginary of the author.
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