This project is a machinima (video game-based video) showing the Bayan Obo mine site in Mongolia, highlighting its crucial role in the extraction of rare earths for the production of modern technology. Including mobile devices, electric car batteries and wind farm turbines.
The project makes evident the relationship between the virtualization of reality and the realization of virtuality. Our so-called IRL ("in real life") existences are affected by the decisions we make online and this realm, in turn, shapes our daily lives offline.
It delves into the processes of extraction and colonization in anthropocenic landscapes, highlighting how resource exploitation brings benefits for some and devastating consequences for others, all while reflecting on the aesthetic dissonance that arises from the contradiction between visual beauty and environmental destruction.
Leaving Digital: A Critical Reading of Nicholas Negroponte’s Being Digital
Nanette Wylde - United States
Browser-based animated project that reconsiders Nicholas Negroponte's influential and visionary 1995 book, "Being Digital", nearly 30 years after its initial publication. The text for this piece was extracted from a physical copy of the book, "Being Digital".
Digital animation, a collaborative work strategy with rural women's communities to strengthen empowerment and social entrepreneurship.
Claudia Isabel Rojas Rodríguez - Lorena María Alarcón Aranguren - Martha Fernández Samacá - Henry Enrique García Solano - Colombia
This proposal is framed within the framework of the fifth Sustainable Development Goal (SDG 5), specifically seeking to contribute to the empowerment of rural women and gender equality. In the context of the research, empowerment is understood as the individual and collective recognition of the knowledge, skills and capacities of the women who make up a productive community.
VillaBotero, a 3D single player video game designed for computers, reinterprets historical and heritage sites in Medellín's commune 9, Buenos Aires, such as the Café Sol de Oriente, the Puente de la Toma and the Cristo del Salvador.
Ana Teresa Arciniegas - Professor Pontificia Universidad Javeriana - Bogota - Colombia
It is a transmedia work on the archaeological, architectural and gastronomic heritage of eastern Colombia. Through audiovisuals, photographs, audios, texts and geo-spatial location, it tries to approach the material and immaterial heritage of the region.
Sonority as a corporeal element underlies an infinity of realities, conjectures, transmutations, and transfigurations. The elementality of the voice and its repercussion as an entity of wonder, is embodied in the oratory of historical narratives that enrich and eventually allow the subversion of reality.
José Alejandro López Pérez - Profesor Universidad Nacional de Colombia - sede de la Paz - Colombia
It is necessary that diverse powers have distances, approaches and intertwining in order for life to emerge. This also happens with our species, whose existence is gestated in the womb of women.