Xavier Andrade
This exhibition presents a selection of experimental videos by the Mexican philosopher Manuel DeLanda that deal centrally with the urban architectural language and the ontology of images. Although based on the disfigurement and reconfiguration of the visual and the aural, his works unleash a type of immersion that puts the merely spectator stay in crisis by showing the emergent character of the filmic work itself and the experience that it provokes when confronting it spatially. Just as his theoretical work is concerned with the origins of material forms, DeLanda's film deliveries provide a legacy that forces us to think about a contemporary life close to chaos and the implosion of material, social and virtual relationships.
curatorship: X. Andrade/Laboratory of AnthropologyVia Visual, University of Los Andes.
- Date
- May 10, 2019
ism ism ism
Starting in September 2017 through January 2018, the Los Angeles Filmforum's Ismo, Ismo, Ismo: Experimental Cinema in Latin America film series will take place during Pacific Standard Time: LA/LA. Ism, Ism, Ism is the first comprehensive US-based film program and catalog to address the breadth of Latin America's vibrant experimental filmmaking. The film series will feature key historical and contemporary works from Argentina, Brazil, Bolivia, Chile, Colombia, Cuba, Ecuador, Mexico, Paraguay, Peru, Uruguay, Venezuela, Puerto Rico, and the United States. Revisiting classic names and forms from the experimental canon, the exhibition boldly places them in an entirely new scope and breadth.
- Date
- May 10, 2019
Valentino Catricalà
Italy
Valentino is currently a curator at SODA's MODAL Gallery in Manchester and a teacher. He is responsible for the digital art area of La Quadriennale di Roma and co-curator, together with Barbara London (MoMA), of the D'ORO/D'ART project in collaboration with the D'ORO Collection and Marian Goodman Gallery.
- Date
- May 10, 2019
Daniele Puppi
Born in Pordenone in 1970, lives and works in Rome, he is among the most interesting Italian artists of his generation. The technologies normally used (video projectors, synchronizers, amplifiers, subwoofers, loudspeakers, microphones) function as activators and amplifiers of the perceptual abilities of the spectators, mainly visual and auditory. The viewer, as an integral part of the work, is called to enter a new alienating spatial-sensory dimension.
- Date
- May 10, 2019
ChDH Collective
The chdh collective studies image/sound relationships by creating visual and audio algorithmic synthesizers. They mainly use these audiovisual instruments in live performances. Using equations that describe natural mechanisms, they generate abstract choreographies of particles whose minimalist matter reveals underlying structures of great complexity, formed by strange organic attractors. In search of a synesthetic radicality, his hypnotic performances work on joint movements between image and sound and belong as much to experimental cinema as to improvised music in the way they are performed.
- Date
- May 14, 2019
Lucia Santaella
Brazil
She is a 1A researcher at CNPq, a tenured professor at PUC-SP. She has been a visiting researcher at several European and Latin American universities. He has published 55 books and organized 32, in addition to the publication of almost 500 articles in Brazil and abroad. He has received the Jabuti Award (2002, 2009, 2011, 2014), the Sergio Motta Award (2005) and the Luiz Beltrão Award (2010).
- Date
- May 16, 2019
Derrick of Kerckhove
Presented by Icetex - Fellows Colombia
He is the Director of the McLuhan Program in Culture and Technology, author of The Skin of Culture and Connected Intelligence, and University Professor in the Department of French Language at the University of Toronto. He is currently a professor at the Faculty of Sociology of the University of Studies of Naples Federico II.
- Date
- May 16, 2019
Diego Pombo
Musician, painter, plastic artist, set designer, cultural manager, theater actor and illustrator. Pombo has not limited himself to his own creation as an artist, because like many who venture into this medium, he has worked in the design and illustration of advertising posters.
- Date
- May 16, 2019
Luc Courchesne
Snow and Hollis Frampton, embraced computer technologies. First delving into interactive portraiture, a great artistic tradition re-articulated in a new mold with Portrait One (1990), his work became landscape, another important genre, with Landscape One (1997).
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