"Reception"
Falon Canyon (Colombia)
performance
About the artist:
An artist based in the city of Bogota, her plastic work is traversed by an interest in rethinking the concepts of aesthetics and a deep exploration of electronic waste and its functional possibilities. Her work is composed of a series of machines built from waste circuits, motors and other technological artifacts. These elements articulate a discourse that invites us to reflect on the way in which today's society faces consumerism, waste, saturation and excessive production, both of objects and information.
Her machines interact with the viewer through sound, light or movement, offering an aesthetic experience beyond contemplation. The construction of the pieces shows Cañón's interest in vindicating the role of the artist as a generator of objects and in exploring the aesthetic value of the work of art.
- Date
- October 5, 2022
"Qatipana towards a Future of Latin American Cosmotechnics"
Renzo Filinich (Chile)
Table A - Persistences
The present essay revolves around the concepts and processes of Becoming and Individuation through a hybrid ecosystem whose architecture is called Qatipana (a Quechua word that denotes the flow of information processing systems), although it cannot be considered as a systems theory, it is useful to explain some empirical observations presented here; and where a functional model based on the articulation of an information processing system supported by the approaches of the philosopher Gilbert Simondon is evidenced.- Date
- October 5, 2022
"Voices whisper tales of the cosmos"
Cristian Tapies Goldenberg (Chile)
The work rescues the landscape and the voice of Mapuche poetry, through the poem " Círculo" by Elicura Chihuailaf, National Literature Prize 2020, from where we explore the Wallmapu, an ancestral territory that continues to resist the Winka invasion and persists in the recovery of its ancestral territory.- Date
- October 5, 2022
"Mineral Traces"
Sergio Mora Diaz (Chile)
Rastros Minerales is a series of generative video pieces that visualize data on the extraction, movement and export of the main raw materials in Chile, which are used industrially for energy transmission and the development of electronic devices.- Date
- October 5, 2022
"Public Confessional"
Sofia Garrido and Felipe Prado (Chile)
Confesionario Público is an interactive installation where the visitor is the one who generates the content of the work. The installation consists of 12 screens, a video camera, a reed microphone and a circle drawn on the floor (sticker).- Date
- October 5, 2022
"They are marking us"
Cristobal Olivares (Chile)
The Chilean rebellion began on October 18, 2019. The trigger was the 4.1% increase in the subway fare ($30 CLP = $0.039 USD). This provoked massive evasions of the subway, at first by high school students but then generalized and expanded throughout the country.- Date
- October 5, 2022
"Imaginary Machine Landscapes"
Esteban Agosin (Chile)
"Paisajes Maquínicos Imaginarios" is a sound experience and an ecosystem produced by the dialogue between the situational soundscape and the machine interpretation of the environment. Through an Artificial Intelligence system, this object/machine creates new imaginary soundscapes from what this machine hears and interprets from the environment, generating new territorialities from a specific place and its sounds, but also from its social and cultural aspects.
- Date
- October 8, 2022
"Andalien 19/31"
Cristóbal Enrique Parra Munoz (Chile)
Andalién 19/31 is a creative research project around the productive flows and industrial technologies of territories marked by the mechanisms of production. Using photography, videomapping, programmed laser and soundscape, an action is configured that investigates two political and geographical currents: on the one hand the flows of accelerated and industrial production, and on the other hand the water flows of rivers and basins of these territories.
- Date
- October 8, 2022
"transits"
El Giro, Artistic Collective (Colombia)
Tránsitos is an experimentation from dance, video, text, music and photography, where the edition of the body in a space gives way to the fusion of the language and look of the audiovisual director with the choreography, using different photographic frames to edit the body movements that incorporate micro choreographies exploring with the body fragmentation the everyday life from the prosaic.
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