"IEVA"

Domas Petronis / Vytautas Plukas (Lithuania)

Man tries to recreate himself through the vision he has of himself; however, this broken reflection is only lost in the mysterious valley.

  • Date
    October 9, 2022

    Old Providence


    Tomas Zuluaga Hurtado (Colombia)

    Implementation of 3D animation loops to complement the musical pieces and generate a more immersive experience.
  • Date
    October 9, 2022

    "Flashing Vestiges"


    Camila Natib Roman (Colombia)

    This project is an audiovisual journey that explores the concepts of memory, space and perception.
  • Date
    October 9, 2022

    "Plasticine time"


    Felipe Moreno Salazar (Colombia)

    A child makes trees with plasticine, discovers and uses an 8 mm camera in a country setting with music. A father films, motivates and explains the changes of places and times that cinema allows.
  • Date
    October 9, 2022

    "Rhythm 2021"


    Luis Fernando Medina Cardona / Julian David Sandoval (Colombia)

    " Ritmo 2021" is the product of a research-creation process carried out at the Faculty of Arts of the Universidad Nacional de Colombia (Bogotá) by the research group "Espacio de Producción Abierta de Medios" (Open Media Production Space). It is based on a formal experimentation with abstractions initially inspired by the short film "Rhythmus 21" by Hans Richter (Germany, 1921) and proposes the computer code as a new materiality for audiovisual creation.
  • Date
    October 9, 2022

    "From the Life of My Old Woman Friend"


    Evelyn Stermitz (Austria)

    The video shows the story of a woman from a distant century. Based on images from the popular German novel "Aus dem Leben meiner alten Freundin" by author Wilhelmine Heimburg in 1894, it shows images of suffering and passive women, in which the images have been created by a male artist.
  • Date
    October 9, 2022

    "Waters of the sea"


    Laurita Ricardo de Salles (Brazil)

    Águas de al-mar is a video art work that presents a succession of video clips of the waters of Rio Grande do Norte, Brazil, in a cinematic and metaphorical sound flow to the emotions of the soul. The work is linked to the notions of expanded cinema and exhibition cinema and reflects on their relationships with cutting, framing and scene in the audiovisual. The camera's points of view may or may not be frontal to the movement of the water where the images are not located anywhere, offering direct shots of the movement of the water, without horizons, moving away from the notion of landscape.
  • Date
    October 9, 2022

    "Cistern"


    Pablo Andres Gonzalez Rojas (Colombia)

    Aljibe (2020) is an experimental video whose purpose is to reflect on the pain we keep inside us.
  • Date
    October 9, 2022

    "The T(h)rüman Show – Prelude I"


    Camilo Gutierrez Moreno (Colombia)

    The T (h) r uman Show - Prelude I, is an audiovisual piece focused on the development of the concept of Plato's Cave: the relationship between humans as citizens and persons and their ontological and teleological position in existence.
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