DIRECTOR: Juliana Antunes / PRODUCTION COMPANY: Ventura Cine / CAMERA: Alice Drummond / SOUND DESIGN AND MIXING: Pedro Durães / MONTAGE: Gabriel Martins - Luísa Lanna / ART DIRECTION: Dayse Baretto
The year is 2016. A right-wing political coup topples the first elected woman president in Brazil. In this dystopian political context, Marcela uses her cell phone's teleportation service to leave the country. But when she runs out of credit, she ends up lost among the antennas and the television of the 90s.
The computer turns on to reveal a green hill behind which memories of a virtualized childhood in the 2000s pile up. The cyber-café aesthetic recalls the days of a primitive Internet where - like today - turning on a virus was the order of the day.
As José Luis Marzo would say: "every mist breathes a chilling beauty". Las Fauces is a sensory exploration of violence in an enigmatic territory charged with tension and mysticism. The mist blurs the boundaries between reality and fantasy, enveloping the protagonist in a luminous way in a suspended universe that struggles between chaos and an apparent harmony.
Bogotá at dawn, the fog disperses the light of the street lighting, everyone sleeps and someone wants to start dreaming without forgetting that he is sleeping, the voice meets others who share the same desire, a portal of luminous clashes opens.
A still life out of the ordinary, a still life that keeps the imagination alive. Animation gives life to the parts of a painting, generating new compositions that at the same time form a narrative transit.
Entelechy is the Aristotelian term used to indicate the inner purpose inherent in every being or reality, a kind of state of perfection of a thing that has reached the purpose for which it was intended.
Homo makes visible the experience of intimacy of a human being who inhabits an interior space, private and reserved for the solitude of a single inhabitant. The room, as a metaphor for the primordial house, is the image of lost intimacies.