«Uará»

Pompeya Gareca & Iván Verdugo (Chili)

The work consists of the exhibition of poems that inhabit the wi-fi networks, and can be read by entering the wi-fi configuration of the cell phone. A device capable of creating wi-fi points of various configurable names is programmed to create as many networks as verses, and through the ASCII code are ordered to appear as a text that lives in the air, and can be decoded with a tool that we use on a daily basis.

The support of the poem are the various networks, making a change of purpose of these and using them in a creative way. Uará is a collective that constantly experiments with the use of technologies in the service of art, and this work belongs to a series around hacking as an artistic support.

They also have several works such as poems made on hacked cameras, self-developed light costumes, and a live transmedia show with poetry, visuals, music, and light.

 

  • Date
    October 21, 2022

    "Field Listening"


    Victoria Keddie (United States)

    Arrangement for binaural and 3-channel spatial sound composition for Sonic Chair with video. Geophonic microphone installed approximately 5 meters underground in a field in Wüsten-Buchholz, Germany in August 2022. Subfrequencies were reproduced on a subwoofer in the center of the ground.
  • Date
    October 21, 2022

    "Latent Seeds" [we are the environment]


    Daniel Neumann & Alarm Will Sound (United States)

    "Latent Seeds" developed as a multi-stage process of improvised listening and playback via the Internet: a reflection on spatial awareness, of being present and part of an acoustic environment that extends beyond the limitations of spatially insolated spaces. As a starting point, or the "seed," Alarm Will Sound musicians were asked to listen to and record unique sounds from their individual environments (running water, creaking floors, rattling radiators, etc.).
  • Date
    October 21, 2022

    "Circular Time Memory"


    Novideo-1 (Colombia)

    Multimedia video-installation where the concepts of time and movement are integrated in the technologies used, using an engine, tube televisions, digital video editing and code, on the other hand through the experience, this installation seeks to give an objectual space to the memory creating a temporal window juxtaposing layers of an immediate past and the remote past.
  • Date
    October 21, 2022

    "Capitalist Gluttony"


    Carolina Rosso (Colombia)

    Video installation
  • Date
    October 21, 2022

    edit "of" himself


    Camilo "Huntertexas" Acosta (Colombia)

    How many ephemeral traces of oneself can fit in a space that contains nothing?
  • Date
    October 21, 2022

    "Reception"


    Falon Canyon (Colombia)

    performance
en_USEnglish