Anabelle Playe (France)
- Date
- October 12, 2022
"Eight letters in oblivion: Metaterritory of the center of Santiago de Cali"
Felix Augusto Cardona Olaya (Colombia)
Table A - Persistences
Based on the emerging theory of southern designs, the issue of miscegenation as a vector of Latin American identity should begin to be analyzed from design as a discipline to the extent that designs have been detected with which processes of localization have been achieved and make visible autonomy with respect to hegemonic systems, which, among many other factors, have in miscegenation a particular factor of identity over cultural and natural resources.- Date
- October 12, 2022
"Economic Reactivation of Mypes through the Integration and Development of New Personal Protection Products in Times of Pandemic."
Manuel J. Trujillo-Suárez / Ingrid J. Pabón-Rodríguez / Alejandro Rosero-Pulido (Colombia)
Table A - Persistences
A plan was proposed to reduce the supply of personal protective equipment (PPE) for informal vendors at risk of COVID-19, due to the lack of biosafety protocols for use and production.- Date
- October 12, 2022
"The Society of the Spectacle REDUX #1: Augmented Capitalism"
Richard Vikers (UK)
Table A - Persistences
This article discusses the re-release of Guy Debord's film The Society of the Spectacle, released in 1974 as "a cinematic analysis of consumer culture" based on his influential 1967 book of the same name, which uses found footage and détournement in a radical Marxist critique of mass marketing and its role in the alienation of modern society.- Date
- October 12, 2022
"Imantación: Experiences of a co-creation laboratory in expanded cinema"
Natalia Campo Castro / Mauricio Prieto Muriel (Colombia)
Table A - Persistences
There is a good amount of input to unravel the languages and meanings of expanded cinema since 1965 when Stan VanDerBeek proposed this concept. Discussions are available and increasing in number, since the expanded cinema has been present for several decades in recognized festivals, institutions and academies that in their different programs already give it a preeminent place.- Date
- October 12, 2022
"Thinking-with decorator crabs: oceanic feminism and material remediation in the multispecies aquarium"
Elizabeth Burmann Littin (Chile)
Table A - Persistences
This presentation will explore the artistic research project on which the article 'Thinking-with decorator crabs: Oceanic feminism and material remediation in the multispecies aquarium', written with Jianni Tien, friend, colleague and academic at the University of Technology, Sidney, which was published in the latest volume of the Journal Feminist Review entitled 'Oceans'.- Date
- October 12, 2022
"Entities in becoming"
Raul Niño Bernal - Iliana Hernández - García (Colombia)
Table B - Hybridizations
The evolutionary computation of imaging technologies at the digital level exposes new scenarios in which it is important to explore the term of entities, since, as proposed by Yuval Harari [1], it is a becoming related to data processing.- Date
- October 12, 2022
"To figure (in) the horizon: the limits between the landscape and the cartographic in art"
Nathalie Goffard (Chile)
Table B - Hybridizations
Landscape has historically been defined as a portion of territory observed from a certain point of view, earthly and human. Apparently, there would be no landscape without a human body that perceives it organized by a horizon.- Date
- October 12, 2022
"Photographic aesthetics of the Chinchiná River"
John Mauricio Chica (Colombia)
Table B - Hybridizations
The objective of the Estéticas fotográficas del río Chinchiná project focuses on addressing water pollution through a methodology of artistic creation based on contemporary artistic practices, such as: the digital image and its deconstruction based on ancient photographic techniques.
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