"Mutated Reality Device"
Nicolas Kisic Aguirre (Peru)
El Dispositivo de Realidad Mutada is a habitable ambisonic sculpture. Inside, space expands far beyond its compact walls to, through a spatial listening experience, navigate worlds resulting from artificial intelligence-assisted experiments in linguistic disobedience.
- Date
- October 10, 2022
"La Graciela"
Calixto Raúl Araújo Monroy (Colombia)
The title refers to a herd called "La Graciela", between the towns of Aguazul and Maní in the Department of Casanare, an area where we went to learn about the history and the music. The initial sound reference is the recording of birds and insects in the bush at dawn and dusk.
- Date
- October 10, 2022
"Tear"
Jader Cartagena (Colombia)
Lágrima, is a sound art piece that refers to the (digital) tears of the Russian "influencers" when they lose their source of income and the feeding of their ego due to the collateral effect of the war in Ukraine; immediately the plaintive singing of Alfredo Sadel appears as something that cannot be understood rationally and that can only be perceived through the phenomenon of sound simultaneity.
- Date
- October 10, 2022
"Yellow Half Sun"
Andres Gaona (Colombia)
Medio sol amarillo' is an electroacoustic piece inspired by the sound of the gaitas, traditional Colombian Caribbean aerophone instruments, native to the 'Kogui' indigenous community of the Sierra Nevada de Santa Marta.- Date
- October 10, 2022
"Marimba in a can"
Calixto Raúl Araújo Monroy (Colombia)
The Alabao and the Gualíes are the songs with which the blacks of the Afro communities of the Colombian Pacific, accompany the ritual of farewell of their dead; with the belief that with the song they help the passage of the deceased to eternity. The alabaos are for adults and the gualíes for children.
- Date
- October 10, 2022
"HEAR HATE"
Edwin Velez (Colombia)
ÓÍDOODIO is a piece of sound art that reflects on noise and its organization of knowledge and power over society. The noise that by making music or voice feeds media interference on knowledge is the noise that defines us and makes us subjects.- Date
- October 10, 2022
"Paramo de la Sarna"
Calixto Raúl Araújo Monroy (Colombia)
The idea arose from a massacre that occurred on December 1, 2001 on the road that leads from Sogamoso, the city where I live, to the Orinoquía region. There, 15 people who were traveling on an intermunicipal bus were murdered. The paramilitaries stopped the bus in that lonely place known as El Páramo de la Sarna, took the people down and executed them.
- Date
- October 10, 2022
"Study for a landscape #2"
Julian Scordato (Italy)
This work proposes different scenes of rural life through electroacoustic narration, in which the characters assume various forms: rivers, animals, humans and machines. The story is framed in the context of dynamic landscapes that are mixed according to acoustic similarities (timbre, rhythm, grain and dynamic profile).
- Date
- October 10, 2022
"Sound postcards: imaginaries and territory"
Carlos Mario Rodríguez Rodríguez and Johann Sebastián Alvarado Guatibonza (Colombia)
"Postales sonoras: imaginarios y territorio" was a creation laboratory that stimulated the generation and exchange of sound files virtually between inhabitants of the departments of Boyacá and Santander in Colombia.
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