«Niobium, a technology-critical element»

Andrés Salas (Canada) Table B – Hybridizations

Many materials are extracted in the indigenous territories of the Americas. This extraction has significant impacts on surrounding communities, living organisms and ecosystems. This study will take the example of niobium, an important mineral for many emerging technologies and physics research, to examine the complex contemporary interactions between science, emerging technologies, extractive industries and indigenous communities in Brazil and Quebec.

Niobium is unique in its place in the development of new technologies, from supercolliders to spacecraft, and in its role in contemporary technoscientific imaginaries about the future of human life. This study explores the cultural representations of this future that are stimulated by these technologies both within the scientific community and within indigenous communities at the extraction sites of: Araxá, in Minas Gerais, Brazil, and Niobec, located within the Mashteuiatsh reserve, Pekuakamiulnuatsh First Nation, Innu territories, in Saint-Honoré, Quebec.

The research has two objectives 1) critical examination of how discourses about the future involving niobium emerge from particular cultural, economic, and political histories and how these narratives legitimize certain extraction processes over others, and 2) to investigate and artistically produce alternative narratives that demonstrate the possibilities of building collaborative relationships between communities and scientists while rethinking knowledge production in relation to materials, place, ecosystems, and histories of settler colonialism.

 

  • Date
    October 9, 2022

    stock


    Alexei Dmitriev (Germany)

    Stock.
  • Date
    October 9, 2022

    "liminal"


    Jhonny Carvajal Orozco (Colombia)

    Liminal: A state of transience between something that has gone and something that is yet to come.
  • Date
    October 9, 2022

    "DIE SONNE DER MOND"


    Carlos Mauricio Gomez (Colombia)

    Video art work that reflects an existential metaphor of the stage of a soul through 3 clips where I have maintained a close relationship between documentary and video art formats, was that I set out to create a way in which to merge these elements.
  • Date
    October 9, 2022

    "Aphaeresis"


    Sebastian Jaimes Marin (Colombia)

    A person travels through time through a mnemic space, trying to unfold the folds of his or her memory in order to preserve the memory of another being.
  • Date
    October 9, 2022

    "Affordance"


    Jean-Michel Rolland (France)

    Around a low tree with twisted branches, a man seeks rest. He doubles up. One lifts his paw, clings to a branch, the other sits in an awkward curve, like a monkey trying to make his nest. Now there are three, then four to explore the possibilities of action offered by the plant. This tree was waiting for him.
  • Date
    October 9, 2022

    "Beijing Bicycles"


    Jean-Michel Rolland (France)

    The endless round of images morphs, slowly moving from an undefined form to the -constructed- one of the cyclists, never stopping at the original shot.
  • Date
    October 9, 2022

    "Memory"


    Mariana Daniela Torres Valencia (Mexico)

    "Memoria" shows the passage of time from a musical rhythm linked to nature and emotions. The images slowly mix different landscapes and abstract textures. The piece displays changes in temperature in relation to the seasons of the year from the point of view of an insect.
  • Date
    October 9, 2022

    "Mapu Kutran. The disease of the earth"


    Roberto Urzua (Chile)

    Mapu Kutran is a word in Mapudungun, which describes a disease with no apparent cause that strikes when humans damage nature.
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