John Melo (Colombia)

Experimental video-sound project in which Totality is understood as the form of perception in which the Being is thrown and sustained in the Nothingness, being part of a kind of harmony and order that in turn, are saturated with information and that constantly provokes evocations of altered surrealist landscapes.

It is a work articulated with native wind instruments, from their construction to their interpretation, play and experimentation with electronic synthesizers.

For this project it was essential that the conceptual, visual and sound process was guided by the hand of friends who know the medicine of yagé from the Sibundoy Valley (Tabanok) in the upper Putumayo in ancestral ceremonies.