The being of the artistic piece and its condition of possibility: a bio-generative/constructive process
Rolando Rodríguez Guízar – Jessica Arianne Rodríguez Guízar
The construction processes of artistic pieces are at a crossroad. The fact that artistic production is unlimited in terms of blending techniques, theories and knowledge; intersecting areas and disciplines that do not recognize boundaries between them; methodological proposals; eclecticisms of methods and models that adapt to the context and the construction of reality itself; materials and multiplicity of the same ones that the technology has built for us to use them, have made that, within the current art system, that responds to a market model, we have to rethink how to think the production processes of artistic pieces.
From this perspective, the being of the piece, which contains its own condition of possibility through a bio-generative/constructive process, has led us to rethink the question: what is the artistic piece? Thus, increasingly, we move away from occupations like who decides what artistic is, what aesthetic is, the artistic critic to build criteria, and focus on sharing the process and experience of the being of the piece that doesn’t recognize any category or definition.