Julian Scordato is a composer and artist whose work focuses mainly on sound, graphics, algorithms and interactivity. He studied composition and electronic music at the Venice Conservatory and sound art at the University of Barcelona.
Co-founder of the Arazzi Laptop Ensemble, coordinator of the SaMPL - Sound and Music Processing Lab, he is a professor of electroacoustic music composition and performance at the Conservatory of Padua, Italy. As a technologist, Scordato has written articles and presented research results related to interactive systems for music performance and graphic notation at conferences and master classes.
His award-winning electroacoustic and audiovisual works have been performed and exhibited at international festivals and institutions such as the Venice Biennale, the Institute of Contemporary Art (London), the Center for Contemporary Culture in Barcelona, the Quadrennial of Design and Performance Space in Prague, the International Festival of Electronic Language (Sao Paulo), the Cervantes Institute (Rio de Janeiro), the Festival Internacional de la Imagen (Manizales), Gaudeamus Music Week (Utrecht), Centre for Contemporary Arts (Glasgow), Sonorities Festival (Belfast), Seoul International Computer Music Festival, Art & Science Days (Bourges), Kochi-Muziris Biennale, Center for Computer Research in Music and Acoustics (Stanford), Athens Digital Arts Festival, ZKM Center for Art and Media (Karlsruhe), Spektrum Art Science Community (Berlin), and New York City Electroacoustic Music Festival. His music has been broadcast by Radio UNAM, NAISA Webcast, Resonance FM, RAI Radio3, RadioCemat, Radio Papesse, RadioCona, Radiophrenia, Radio Gracia, Radio Círculo, Radio Tsonami, and other stations. His scores have been published by Ars Publica and Taukay Edizioni Musicali.
Soundbridges: “Study for a landscape #2”