Invitados 2014 | Festival Internacional de la Imagen

De la ambición humana-Demian Schopf
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De la ambición humana-Demian Schopf
0
Date
16 April, 2024
Of human ambition

Demian Schopf-Chile

The lecture is about the work in progress De la ambición Humana. This work is derived from the works Máquina Condor 1.0 (2006), Máquina Condor 3.0 (2012) and Máquina Condor 4.0 (2016). That implies that it should be mentioned and briefly described. Afterwards, the Human Ambition project (2022-in progress) will be read. The reading will be commented and will involve questions to the public in order to ensure a progressive understanding of the algorithm that constitutes it.
Image, imaginario y arte público-Armando Silva
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Image, imaginario y arte público-Armando Silva
0
Date
16 April, 2024
Image, imaginary and public art

Armando Silva-Colombia

The relationship between public art and urban imaginaries becomes explicit as the field of contemporary image becomes more complex and diverse. Urban imaginaries do not correspond to the image of the city, as in the classic studies of Kevin Lynch; in our approach we conceive it from that subjective one born from the citizens, the imagined one.
Concordia University | Field School 2024 Art, Music, Design, and Science Interactions.
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Concordia University | Field School 2024 Art, Music, Design, and Science Interactions.
0
Date
16 April, 2024
Concordia University | Field School 2024 Art, Music, Design, and Science Interactions.

Concordia University Students | Canada Dr. Ricardo Dal Farra | Canada - Argentina

In 2024, the Concordia University - Field School "Art, Music, Design, and Science Interactions @ Colombia" takes place again with Professor Ricardo Dal Farra leading a group of undergraduate and graduate students who travel from Canada to work on individual and collective projects during the week of the International Image Festival in Bogotá, and present their productions publicly, during the end of the Festival.
How to research and generate an imagined city
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How to research and generate an imagined city
0
Date
19 April, 2024
How to research and generate an imagined city

Armando Silva Colombia

Studying urban imaginaries corresponds to a theory of social perceptions, which follows the studies born in philosophical, semiotic, psychoanalytic and public art fields, but establishes a new look based on what we call "citizen urbanism", not that of architects but that of citizens, in their daily lives.
Daniel G. Andújar
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Daniel G. Andújar
0
Date
19 April, 2024
Daniel G. Andújar

Spain

Visual artist, theoretician and activist who works and lives in Barcelona. Through interventions in public space and a critical use of digital media and the communication strategies of the corporations connected to it, the theoretical and artistic work developed by Daniel G. Andújar (Almoradí, Alicante, Spain, 1966) oscillates between territories that are real (the city) and virtual (the Net).
Alfredo Salazar-Caro
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Alfredo Salazar-Caro
0
Date
19 April, 2024
Alfredo Salazar-Caro

Mexico - United States

Creator and world builder who lives and works between Mexico City, New York and Online. His works are a fusion of portraiture, installation, documentary, video, XR, social sculpture and speculative architecture.
Anne Horel
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Anne Horel
0
Date
21 April, 2024
Anne Horel

France

Multi Award-winning Digital Artist based in Paris. Her work has been seen all around the world (Germany, Switzerland, Netherlands, Japan, Colombia, Miami, Dubai, Istanbul, New York, Paris) in galleries, museums, Art fairs, Festivals, amongst prestigious institutions like Art Basel Miami, Palais de Tokyo, Time Square & AWE. She is represented by Julie Caredda Gallery in Paris.
“It’s not the wand, It’s the wizard” – A conscious approach to AI tools in the Creative field
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“It’s not the wand, It’s the wizard” – A conscious approach to AI tools in the Creative field
0
Date
21 April, 2024
“It’s not the wand, It’s the wizard” - A conscious approach to AI tools in the Creative field

Anne Horel-France

Generative tools are evolving really fast, aiming at more realistic outputs. Concomitantly, we can see a lot of reluctancy toward AI Art – categorized in «not real Art».