• Date
        June 10, 2020

        M. Teli, M. Foth, M. Sciannamblo, I. Anastasiu, P. Lyle

        Full Papers

        The group of authors of “Tales of Institutioning and Commoning” includes five individuals who, before authoring this paper, have been connected in small groups through a history of at least three different research projects over the course of more than five years. The biographies of the authors and of the research projects span over two continents, multiple countries, and a variety of languages, both spoken and listened to, understood or not. There is no uniqueness in this description, as it reflects academic and design work in the interconnected world of global production, but there is individuality, the situated perspective of the bodies who have materially engaged with the production process of this specific academic paper. Institutionally, these individuals are known as Maurizio Teli, Marcus Foth, Mariacristina Sciannamblo, Irina Anastasiu, and Peter Lyle. The following few lines provide general information on them.

      • Date
        June 10, 2020

        N. Sawhney, A. Tran

        Full Papers

        See full biographies by clicking the 'Read more' button. 

      • Date
        June 10, 2020

        C. Wolf, J. Blomber

        Beeyond Academy

        See full biographies by clicking the 'Read more' button.

      • Date
        June 10, 2020

        L. Custers, O. Devisch, L. Huybrechts

        Exploratory Papers

        The three authors of the papers are related to the research group Spatial Capacity Building at the Faculty of Arts and Architecture of the Hasselt University (BE). The Spatial Capacity Building research group critically debates and researches the public and political character of everyday spatial infrastructures. In order to research these questions we advance, explore and experiment with the concept, process and methods of participatory design and participatory planning. We use and develop different approaches to understand, connect, reflect and act on these questions. In these processes we pay great attention to people's collective capabilities to engage in these often complex discussions and processes. Our research processes have long-term aims and involve long-term engagements in the daily context of communities. However, they are driven by short term projects with clear design outcomes to allow diverse groups to relate to processes in tangible, understandable ways. 

      • Date
        June 10, 2020

        Errata Collective


        Colombia

        Screenwriter and consultant with 15 years of experience in writing, teaching and film criticism. He has worked as a scriptwriter for El Piedra (international premiere at the Ibero-American Festival of Huelva and Inaugural Film of Cinema in the Neighborhoods of FICCI 2019); and the projects Soy Feroz (FDC Stimulus for script 2015 and Ibermedia for Development 2016); Tumbadores (FondoCine Panamá 2017 and Ibermedia Desarrollo 2018); Desechable (FDC to Desarrollo de Animación 2019) and the documentary Nocaut, among others.
      • Date
        June 10, 2020

        Santiago Rubio Lopez


        Colombia

        Visual designer and Master in Design and Interactive Creation. He has taught the Master's in Design and Interactive Creation, the Master's in Arts, the Department of Visual Design at the University of Caldas, the University of Research and Development UDI and the University of Pamplona (Norte de Santander). His projects address themes that relate image, sound and interaction from experimental proposals. He currently produces music and image for the projects Monster Cyclone, Ruido de Páramo, ShikiMan, among others. Explore interactive media from the image/sound relationship. It has been presented at different events with performative and installation proposals.
      • Date
        June 10, 2020

        Maria A. Martinez Wandurraga


        Colombia

        Colombia (1989). Master in Visual Arts from the National Autonomous University of Mexico (UNAM). Master of Fine Arts from the Industrial University of Santander (UIS). Visual artist, illustrator and teacher. His work, mostly drawing, seeks to be visually attractive with an emotional and symbolic charge, through the use of the line, the point, unconventional supports and the absence of color in specific areas, he seeks to achieve this goal. His visual work is current in the artistic field of the region.
      • Date
        June 10, 2020

        EAST


        Colombia

        ORIENTE is an audiovisual collective formed in the visuals by Steve Montenegro, AKA AntípodaVJ, (Col), and Santiago Barboza, AKA SanTsan, (Arg) in music. The concept of the ensemble is initially linked to the geographical meeting point of the two artists and, later, to the coincidences around the meanings of the word ORIENTE.
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