• Date
        May 6, 2018

        From MUSIC–VISUAL to FULLDOME

        Ricardo Dal Farra / Concordia University
        Argentina – Canada
         
        The presentation “From MUSIC-VISUAL to FULLDOME. (Processes of experimentation, research and creation, between art, science and new technologies)” includes examples from both the history and current production of visual-music. It covers the work of artists, and the development of technologies, carried out by creators-researchers from Russia, Canada, Argentina, Colombia, the United States, Australia, Brazil, and Mexico, among others. Special attention is given to the work that has been carried out in the FULLDOME format, and that intertwines art, science and technology, whose expansion occurs notably through Planetariums in America and Europe.
      • Date
        May 6, 2018

        reconciliation stories

        Calos Santa & Rubén Monroy / Caldas Symphony Orchestra
        Colombia
         
        Reconciliation Stories is a transmedia project that interprets the stories of some victims of violence in Colombia. In its realization we have had the support and work of hundreds of artists -animators, musicians and researchers-, with whom we have built a 90-minute animated feature film using different techniques, directed by Carlos Santa and Rubén Monroy.
        The soundtrack of Reconciliation Stories was composed by maestro Fabio Miguel Fuentes, performed by the Symphony Orchestra of the University of Caldas and conducted by maestro Leonardo Marulanda.
        The web page that contains the interviews, related data as a complement to a transmedia narrative and an invitation to other artists to contribute their interpretation.
        Reconciliation Stories has also been a comprehensive research project, whose purpose is for young talents to explore different techniques and narratives. The theme on which we have built has allowed our team to generate a closer relationship with what war, peace, reconciliation and violence mean for Colombia. Their contribution has been commitment to the protagonists of the stories, respect by their look and their conscience in front of their role as political subjects.
        At the Image Festival you will be able to appreciate the live show of the Symphony Orchestra in dialogue with the animated stories. A dialogue and a catharsis in which art serves as a means for the construction of historical memory and symbolic repair.
         
      • Date
        May 7, 2018

        What's Technology Got to Do with It?

        Barbara London
        USA
        Presented by Hyphen Hub
         

        Video and media have attracted artists for decades. At first, painters, sculptors, musicians, and dancers saw the new and constantly updated electronic tools as both relevant and open ground to reclaim. During its relatively short life, media art has progressed from a defiant fringe to being considered museum-worthy and remarkably mainstream.

        Acceptance of the field has coincided with market-driven technological advances. Today's ubiquitous and easy-to-use devices are indispensable and at the heart of everyday life. Speaker Barbara London describes the transformation.

      • Date
        May 7, 2018

        Strategic design: scenarios for innovation

        Carlo Franzato / Unisinos University
        Brazil
         

        The conference deals with design as a process that stimulates creative ecosystems. The strategic possibilities of design make it possible to promote an innovation derived, not only from the appropriation of technologies, but also from the ethical and aesthetic questions that the projectual action proposes for society. In this area, the development of scenarios to imagine alternative futures that challenge the current trajectories of organizational, social and cultural development becomes central.

        Image: Jorinde Voigt, Scenes of Lovemaking (mid 1680's),"Japanese Erotic Art, 17th - 19th Century"

      • Date
        May 7, 2018

        THE AGING OF DESIGN

        Claudia Rebola / University of Cincinnati
        Argentina–USA
        Presented by Icetex - Fellows Colombia
         

        Coordinator of Graduate Studies and Associate Professor of Industrial Design at the University of Cincinnati. His work brings together design, science and technology to experiment, design and prototype innovative interactive products in the field of health and inclusion. His specific interests lie in application areas designed for aging, with an emphasis on humanizing technology, empowering users, engaging communities, and celebrating the value of simplicity and tangibility in user-product interactions.

      • Date
        May 7, 2018

        The image is nothing. Your thirst is everything. Image, fetish and merchandise.

        Jose Alejandro Restrepo
        Colombia
        Presented by Banco de la República
         

        Approach to the old and always persistent concept of fetishism. Image fetishism and commodity fetishism share and exchange strategies and values in contemporary society, including the world of art. Study of cases where images, image-producing devices and image corporations update their ideological projects.

      • Date
        May 7, 2018

        The Creative Process on Broadway

        Marc Routh/Broadway Asia
        USA
        Presented by Hyphen Hub
         

        Award-winning international Broadway producer Marc Routh will take audiences through the steps of creating commercial entertainment from the first spark of an idea to opening night and beyond, explaining the different development steps and refinement of each. element to the extent that the creative process develops. It will also explain the international distribution of post-opening productions and the integration of new technological advances in theater production, as well as their implementation both in the development process and in actual productions.

      • Date
        May 7, 2018

        The Collisions Between

        Mike Stubbs/FACT
        USA
        Presented by Hyphen Hub
         

        An exploration of contexts for experimentation in the media arts, breaking down the barriers between art, people and technology through recent case studies and the work of FACT, Liverpool.

        Topics covered How can we create collisions between art and science, social commitment and creative industries? What contexts can we create to make relevant and politicized programs that address issues such as climate change or the future of the world of work through art and artists?

        What does a Think Can Do lab look like? How can we reinvent art centers through social relationships to create deeper affection?

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