Invitados 2011 | Festival Internacional de la Imagen

"City for Necromancers"
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"City for Necromancers"
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Date
October 10, 2022
"City for Necromancers"

Luisa Maria Jaramillo Gomez (Colombia)

This sound work resonates in the warning signs of a system that determines to throw oneself into the void catalogued as an incident, but the suicidal act, of the one who throws himself into that void does not refer to a banal and passing fact, he shows us an accident, an unforeseen event that implies human losses inscribed in the structure of the current capitalist system. These sounds are edited to perceive the warning signal.
"The salty"
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"The salty"
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Date
October 10, 2022
"The salty"

Calixto Raúl Araújo Monroy (Colombia)

The "bullerengue senta'o", so called because of its paused character, begins the piece with a somewhat mysterious entrance of the gaita accompanied by a drum roll on timbales, over which an accentuated rhythm appears on taiko drums, over which the gaita sings a phrase repeated three times, accentuating its soloist presence.
"The end of the story"
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"The end of the story"
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Date
October 10, 2022
"End of Story"

Carlos Alfonso Vargas Cuesta (Colombia)

El Fin de la Historia is the pilot in podcast format, a collective creation whose purpose is to encourage reflection on heritage, history and identity, where from the thematic appropriation of young high school students, a scenario is proposed that transits between reality and fiction, articulating forms of enunciation or expression that raise collective imaginaries.
"Epiphany"
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"Epiphany"
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Date
October 10, 2022
"Epiphany"

Jose Alonso Rubio Velasquez (Colombia)

Epifanía is an experimental piece that explores the expressive and sonic possibilities of a modular synthesizer, a sequencer and a digital mixer, to explore some ideas about the activities that take place during the first days of each year in the traditional neighborhood of Egypt in Bogota.
«exposed»
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«exposed»
0
Date
October 10, 2022
"exposed"

Jose Luis Cuenca Moncada (Ecuador)

Exposed is a sound piece resulting from the processing of an interactive audiovisual interpretation system that dynamically combines visualizations and sound in real time. In this project, the sound is the result of the reading of the data obtained from the transformation of images into data by an algorithm designed to analyze biometric information, as a continuation of the Organic::Data project, this time the system analyzes videos from closed circuit cameras (CCTV).
"La Graciela"
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"La Graciela"
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Date
October 10, 2022
"La Graciela"

Calixto Raúl Araújo Monroy (Colombia)

The title refers to a herd called "La Graciela", between the towns of Aguazul and Maní in the Department of Casanare, an area where we went to learn about the history and the music. The initial sound reference is the recording of birds and insects in the bush at dawn and dusk.
"Tear"
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"Tear"
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Date
October 10, 2022
"Tear"

Jader Cartagena (Colombia)

Lágrima, is a sound art piece that refers to the (digital) tears of the Russian "influencers" when they lose their source of income and the feeding of their ego due to the collateral effect of the war in Ukraine; immediately the plaintive singing of Alfredo Sadel appears as something that cannot be understood rationally and that can only be perceived through the phenomenon of sound simultaneity.
"Yellow Half Sun"
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"Yellow Half Sun"
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Date
October 10, 2022
"Yellow Half Sun"

Andres Gaona (Colombia)

Medio sol amarillo' is an electroacoustic piece inspired by the sound of the gaitas, traditional Colombian Caribbean aerophone instruments, native to the 'Kogui' indigenous community of the Sierra Nevada de Santa Marta.