Invitados 2011 | Festival Internacional de la Imagen

«Beyond Matter – in imitation of the survival orchids»
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«Beyond Matter – in imitation of the survival orchids»
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Date
October 10, 2022
"Beyond Matter - in imitation of the survival orchids"

Sandrine Deumier (France)

Intermingling animal orchids and expanding mineral matter, mutating fungal forms, plant embryos and melting hybrid residues, this work questions our ability to perceive the living world as a complex, hybrid and ever-interacting entity."
«Datascope»
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«Datascope»
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Date
October 10, 2022
"Datascope"

Sara Melisa Gallego / Alejandro Duque (Colombia)

Datascopio is a collective art project that explores the database of the project Tenemos que hablar Colombia. Through artistic interpretation, different ways of visualizing, listening and feeling the data resulting from the conversations of about 5000 citizens and approximately 30,000 records are proposed.
"Mutated Reality Device"
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"Mutated Reality Device"
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Date
October 10, 2022
"Mutated Reality Device"

Nicolas Kisic Aguirre (Peru)

El Dispositivo de Realidad Mutada is a habitable ambisonic sculpture. Inside, space expands far beyond its compact walls to, through a spatial listening experience, navigate worlds resulting from artificial intelligence-assisted experiments in linguistic disobedience.
"Glitch Me"
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"Glitch Me"
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Date
October 10, 2022
"Glitch Me"

Florencia Alonso & Naoto Hieda (Germany, Argentina, Japan)

"GlitchMe" is a laboratory of witchcraft around the composition of scenic objects and the decomposition of algorithms invoking a network of feedback loops. Digitality can become dreams that move and interact in multiple spaces in non-linear time.
«InMemoriam»
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«InMemoriam»
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Date
October 10, 2022
"InMemoriam"

Realities Research Group (Escola de Comunicação e Artes da Universidade de São Paulo, ECA-USP) (Brazil)

InMemoriam is a tribute to the victims of covid-19 in Brazil. The pixels on the first page of the section "Fundamental Rights and Guarantees", present in the Brazilian Federal Constitution of 1988, represent the number of deaths, day by day, throughout the period. The exponential sequencing of the pandemic associates the failure of national public and health policies with the alienation of acquired rights.
"Az Reality Lab"
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"Az Reality Lab"
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Date
October 10, 2022
Az Reality Lab

Iker Vazquez Arteche (Spain)

The installation is the result of the work developed in an Artistic Laboratory of Reality, an ephemeral space for experimentation and creation of Augmented Reality (AR). In the laboratory, possible AR work processes were investigated, mainly oriented to 3D digitalization and its expressive potentialities, creating new layers of reality.
«Transmedia nodes»
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«Transmedia nodes»
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Date
October 10, 2022
"Transmedia nodes"

Ana Teresa Arciniegas and Norberto Fabian Diaz (Colombia)

The storytelling proposal consists of an interactive documentary, a dataweb and a podcast. The interactive documentary brings together a network of people who have been involved with transmedia in Colombia (filmmakers, producers, designers, programmers, academics, agents and jurors), a polyphony of voices that interrelate discourses, concepts and practices related to the creation, development, audiences, markets and circulation of transmedia proposals made in the country.
"chrononauts"
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"chrononauts"
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Date
October 10, 2022
"chrononauts"

Daniel Martinez Molkes (Colombia)

Through participatory action research and action reflection, iteration processes were generated to frame the problem and generate a conceptual structure that would designate the design response. The resulting proposal is an interpretation-narrative tool where young Palermanos assume the role of time travelers (chrononauts) with the mission of preserving and prolonging the collective memory of its inhabitants.