Online Times

TUESDAY JUNE 16 6:30-7:30 pm

A sound reflection of the current conditions of the world, society, culture and artists. A world in confinement that still demands a free art or freedom in art?
Authors: Duo: "Children of a different mother" : Fede Ragessi (Córdoba, Argentina) / Franco Pellini (Córdoba, Argentina) / Oscar “Tata” Ceballos (Manizales, Colombia)
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Povera Electronics

WEDNESDAY JUNE 17 5:55 pm

It's listening for the electromagnetic field of discarded electronics, such as small fans, toys with crooked circuits, a ready scanner head. Through the phenomenon of Induction, it is possible to amplify the sound of electric currents; revealing hidden resonances, impulses and glitches, otherwise inaudible.
Author: Stephanie Castonguay (Canada)
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East

THURSDAY JUNE 18 5:30-6:30 pm

It is a live audiovisual performance, which constitutes the first work of the duo of the same name, formed in the visuals by Steve Montenegro, AKA AntipodaVJ, (Col) and Santiago Barboza, AKA SanTsan, (Arg) in the music. This work is an immersive experience where the viewer enjoys a journey towards the concept of the EAST, which addresses the seductive, hypnotic, sordid, invasive, as well as the spiritual, light, force. It is a dialogue that transmutes between analog and digital, between form and free experimentation. ORIENTE uses the architecture of space as a canvas for audiovisual pieces, combining animations, videos, software programming, illustrations and TV collages with sound textures of electronica, world music, noise, jazz and soundscapes. The particularities of the place affect the performance of the work, making each presentation unique. Through synthesis, coding and real-time processing, the aim is for the public to enter a dimension where the audiovisual and attention come together in the narrative of various trips, seeking to meet in remote places.
Authors: Steve Montenegro "AKA" AntipodaVJ (Col) / Santiago Barboza "AKA" SanTsan (Arg)
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Origo

THURSDAY JUNE 18 5:30-6:30 pm

Origo (Live Act) is an audiovisual composition created from the visualization / geographic exploration in real time of physical and virtual spaces. These spaces are traversed by means of a body that can move inside them and that becomes the point of origin of the act of creation. The movement and range of activity of this body generate previously studied sound sequences, from which an experimental music composition is created inspired by the feelings / relationships that spaces house for the body and the connections that these generate with their origin. . The Live Act uses an application (software) and an instrument for visualizing geographic information and sound synthesis controlled in real time by the artist and developed as part of his research-creation project in art and technology at the University of Montreal, Canada.
Author: Milton Riaño (Col)
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Quinini

THURSDAY JUNE 18 5:30-6:30 pm

Live act from the use of hardware. The work consists of a succession of musical ideas developed under the creative possibilities and limitations of the Korg Electribe EMX and ESX sequencers. The ideas or musical pieces take shape from a process of writing on the sequencer and improvisation. The timbral characteristics of percussions and melodies are molded on the sequenced material in the digital synthesis engines typical of the electribes and in modular synthesizers. The modular system receives musical information via MIDI messages from the sequencers and from this the timbral characteristics are shaped already in a completely analog environment. the EMX electribe is responsible for triggering and processing samples of sampled synth percussion and ancestral voices. The modular system was assembled by hand and contains two subsystems: a drum machine based on a topographic sequencer and a subtractive synthesis voice. On the other hand, the overall sound result is mainly given by a high degree of improvisation which affects the creative process in its different stages, until it ends in a sea of live, latent sounds, at the mercy of the sensibility of the interpreters in a spontaneous way.
Authors: Juan Sebastián Torres Campos (Col) / Pablo Mauricio Guchuvo Monroy (Col)
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TIME FREEZE HELIX

FRIDAY JUNE 19 5:30 pm

PERFORMANCE online Premier of SpaceTime Helix TIME FREEZE HELIX is a joint performance with a real-time opto-acoustic instrument “SpaceTime Helix” invented by Michela Pelusio in 2012 and real-time processed guitar strings by Vance Galloway. SpaceTime Helix is ​​an audiovisual Kinetic show featuring a giant wave that rotates on a white rope, forming a large helicoid up to the ceiling.
Author: Michela Pelusio(Italy) & Vance Galloway(Usa)
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QUANTUM-TON

FRIDAY JUNE 19 5:30-6:30 pm

QUANTUM-TON is the third chapter of his Hyper Serial Music project/series.
The project expands on the history of serialism, a major 20th-century method of musical composition used by Arnold Schönberg, Karhleinz Stockhausen, and Pierre Boulez, among others, by incorporating new technologies and new perspectives, including artificial intelligence. In the history of music technology, Hyper-Serial-Music will add innovation to the three-point principle of serialism: "structural", "complex" and "loud". These sounds are at the limits of human auditory perception, and cognition. Evolution of past works. In this work, Tatsuru developed and evolved towards a more complex and higher quality result, unfolding the relationship between sound and quantum energy as a functional science. And the relationship itself builds Dramaturgy. Through algorithmic simulation, the principles that design the audiovisual substance are directly correlated by showing the physical side of the Universe through human perception.
Author: Arai Tatsuru (Japan)
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