Ursula Damm Colombia She studied at the Dusseldorf Academy of Art and completed a postgraduate degree at the KHM Academy of Media Arts in Cologne with Valie Export. In 1995, he began to develop interactive installations dedicated to the movement of people in public space. He led a research project for the development of tracking software for interaction in real time and space, www.inoutsite.de. He has shown his work at the Goethe Institute in New York; Ars Electronica, Linz, Austria; Ludwig Forum for International Art in Aachen, Germany; Ludwig Museum in Koblenz, Germany; Kunstmuseum Düsseldorf and at the Kunstverein Düsseldorf. http://ursuladamm.de/

Nina Czegledy

Hungary - Canada

Artist, curator, educator, works internationally on collaborative art & science & technology projects. The changing perception of the human body and its environment as well as paradigm shifts in contemporary art shape the focus of her projects. She has exhibited widely, won awards for her artwork and has lead and participated in workshops, forums and festivals worldwide. Czegledy curated numerous international touring projects and published extensively.

Andrea Polli

USA

Multimedia artist and Master of Fine Arts in Time Arts from the School of the Art Institute of Chicago. She is an Associate Professor in Fine Arts and Engineering at the University of New Mexico. His work, which involves science, technology, and media, has been widely featured in more than 100 exhibitions and performances internationally. He has been recognized by numerous fellowships, residencies, and awards, including: NYFA Artist's Fellowship, the Fullbright Specialist Award, and the UNESCO Digital Arts Award. . He has published several book chapters, audio CDs, DVDs, and print documents, including in MIT Press and Cambridge University Press magazines. She is the artistic director of ISEA 21012, which will take place in Albuquerque, USA.    

http://www.andreapolli.com/

valentina valentini

Italy

Valentina Valentini, studious of the problemi dello spettacolo nel Novecento, insegna e Teoriche dell'immagine elettronica per lo spettacolo presso il departimento di Arti e Scienze dello Spettacolo dell'Università "La Sapienza", Roma. He has dedicated several historical and theoretical studies to the theater of the Novecento: Il dibattito sul teatro negli USA: Schechner e TDR (1974); The theory of performance (1985) and a redefinition of the dramatic categories with Dopo il teatro moderno (1989), an extensive studio dedicated to the rich construction of the prime messe in scene by Gabriele D'Annunzio, Il poema visible (1993) and all'theatrical aesthetics of the poet, The modern and Mediterranean tragedy (1991).    

http://www.c3.hu/scca/butterfly/Valentini/cv.html

José Iges and Concha Jérez Spain PhD in information sciences. He is a composer and Intermediate artist, as well as an Industrial Engineer. He began creating with electroacoustic means at the ALEA Laboratory in Madrid and later at the University of Pau (France), and at the Royal Conservatory of Music in Madrid. In 1989 he began his collaboration with the artist Concha Jerez in sound and visual spaces, performances, radio works and intermediate concerts. The fundamental axes of his creative work are the interaction of conventional instruments with recorded sounds and/or live electronics, and his personal use of the scenic and radio language. http://joseiges.com/

Cristina Venegas

USA

Director of the Department of Film & Media Studies at the University of California, Santa Barbara, USA, and Associate Professor of Film & Media Studies. He is Ph.D. in Critical Studies, School of Cinema-¬‐TV, University of Southern California. Cristina Venegas focuses her research on international media, with an emphasis on Latin America, Spanish-language film and television in the US, and digital technologies.    

http://www.filmandmedia.ucsb.edu/index.html

Anne Marie Duguet

France
www.anarchive.net

Anne-Marie DUGUET is Professor Emeritus at Paris 1 Panthéon-Sorbonne University and an art critic. His publications include: Vidéo, la mémoire au poing (Hachette, 1981), Jean-Christophe Averty (Dis-voir, 1991), Déjouer l'image. Creations électroniques et numériques (Éditions Jacqueline Chambon, 2002).

Curator of the exhibitions "Jean-Christophe Averty. Collages, découpagesdz (Espace Electra, Paris 1991), DzThierry Kuntzeldz (Jeu de Paume, Paris, 1993), DzSmile Machinesdz (Akademie der Kunst, Berlin, 2006), Dzpeter campus video ergo sumdz (Jeu de Paume, Paris, 2017).

Jose M Monguet Fierro

Spain

With a degree in Literature from the Pontificia Universidad Católica del Perú, his professional development has taken him from graphic production to editorial graphic design. He created the collection of Peruvian poetry books Álbum del Universo Bakterial (2002–). He was a graphic producer for the Truth and Reconciliation Commission (2003). He started his studio Sputnik (2007–), an editorial graphic design space, created to share creative processes with cultural, commercial or independent companies, with a special interest in the development of books, printed media and content reading. He is a professor at the Centro de la Imagen (2010–) in the city of Lima, and author of the book “Cieloextenso” (AUB, 2002).    

http://www.sputnik.pe