- Date
- October 12, 2022
"Imantación: Experiences of a co-creation laboratory in expanded cinema"
Natalia Campo Castro / Mauricio Prieto Muriel (Colombia)
Table A - Persistences
There is a good amount of input to unravel the languages and meanings of expanded cinema since 1965 when Stan VanDerBeek proposed this concept. Discussions are available and increasing in number, since the expanded cinema has been present for several decades in recognized festivals, institutions and academies that in their different programs already give it a preeminent place.- Date
- October 12, 2022
"Thinking-with decorator crabs: oceanic feminism and material remediation in the multispecies aquarium"
Elizabeth Burmann Littin (Chile)
Table A - Persistences
This presentation will explore the artistic research project on which the article 'Thinking-with decorator crabs: Oceanic feminism and material remediation in the multispecies aquarium', written with Jianni Tien, friend, colleague and academic at the University of Technology, Sidney, which was published in the latest volume of the Journal Feminist Review entitled 'Oceans'.- Date
- October 12, 2022
"Entities in becoming"
Raul Niño Bernal - Iliana Hernández - García (Colombia)
Table B - Hybridizations
The evolutionary computation of imaging technologies at the digital level exposes new scenarios in which it is important to explore the term of entities, since, as proposed by Yuval Harari [1], it is a becoming related to data processing.- Date
- October 12, 2022
"To figure (in) the horizon: the limits between the landscape and the cartographic in art"
Nathalie Goffard (Chile)
Table B - Hybridizations
Landscape has historically been defined as a portion of territory observed from a certain point of view, earthly and human. Apparently, there would be no landscape without a human body that perceives it organized by a horizon.- Date
- October 12, 2022
"Photographic aesthetics of the Chinchiná River"
John Mauricio Chica (Colombia)
Table B - Hybridizations
The objective of the Estéticas fotográficas del río Chinchiná project focuses on addressing water pollution through a methodology of artistic creation based on contemporary artistic practices, such as: the digital image and its deconstruction based on ancient photographic techniques.- Date
- October 12, 2022
"Haiku as a source of inspiration for imagination and performative invention"
Diana Paola Valero Ramírez / Armando Collazos Vidal / Everett Christopher Dixon (Colombia)
Table B - Hybridizations
The problem of combining elements of art from different disciplines, including poetry, music, dance, theater, design and plastic arts in general, to generate a performative exhibition, requires a dramaturgical procedure that allows their interaction.- Date
- October 12, 2022
"The symbolic domain of absence: speculative design of a city from memories"
Fatima Edith Ramírez Domínguez / Israel Alejandro López García (Mexico)
Table B - Hybridizations
The transversal condition of memory and its meanings allow us to allude to the mnemonic posture in the generation of images, where the resource of remembering the lived conditions the configuration of a present, speculating on the objects erected dozens of years ago allows us to reconfigure the vision of the lived.- Date
- October 12, 2022
"Towards the metaformance of Betsabé Espinal as an interdisciplinary creation proposal"
Sergio Sierra / Liliana Hurtado / Alejandro Guzmán / Juan Manuel Acuña / Diego Fernando Zuñiga / Pablo Andrés Sánchez (Colombia)
Table B - Hybridizations
Between January and August 2022, an interdisciplinary group composed of actors, designers, animators and filmmakers set out to explore and put into practice the concept of "metaformance", proposed by Claudia Gianetti, in the specific context of motion capture technology, in integration with the Unreal interactive platform that allows, among other things, the synchronous animation of virtual characters inserted in artificial universes of varying degrees of iconicity.
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