One of the most prestigious piano performers today, and also one of the most peculiar. As a pianist, Tomoko is acclaimed for her vivid interpretations of both historical and modern compositions. He has played with many prestigious orchestras and ensembles around the world, including Ensemble Modern (Frankfurt, Germany), London Sinfonietta (London, United Kingdom), Ensemble Intercontemporain (Paris, France), Royal Concertgebouw Orchestra (Amsterdam, The Netherlands). Tomoko's unique approach to the piano has inspired several composers, including Louis Andriessen, to write works for her. For two decades she has also developed as a visual artist, which has led her to rethink the concert space as a setting for installations and performances, in which music is combined with contemporary dance, fashion and visual art.
Julio Victoria and Daniel Iregui present VAPOR, an immersive show that combines Victoria's house and techno compositions with light projections that Iregui creates to visualize sound. This mix puts the audience in a multi-sensory space where music can be seen and light can be touched. Each version is different, dictated by the space and improvisation of the two artists who seek to break the conventional format of music and visuals.
'For Hannah' is a piece dedicated to the king cobra (Ophiophagus Hannah). "I wrote it because the first time I heard his hiss I was shocked at how the musical sounded."
Soundscape of the traditional San Victorino neighborhood, Santa Fe locality in the city of Bogotá. Sound recording made between December 2018 - February 2019. The recording was made with low-tech equipment.
The sound piece stems from his own sensory experience, where inanimate objects are stripped of their innate purpose, revealing when listening to the material vibration generating unpleasant sounds, alluding to an evolutionary past as a response to our instinct to escape from the unknown. .
Transmedellín is an acousmatic work that investigates the transformation of the urban landscape in growing cities.
When the voice manages to penetrate the objects, the resulting sound reaches the highest level of its matter, it becomes the supernatural expression of the object itself, noise that does not have the same unity as the original object because it comes from its sound transduction to another positive sound construction. I send a wetransfer file, you have to request it again.