• Date
      May 26, 2023

      AI as no emotions


      Anne Hotel - France

      ‌AI as no emotions is a series of digital creatures created by Anne Horel, which explore the sensitive and affective possibilities of Artificial Intelligences, investigating their abilities to show emotions and consciousness. Using neural models, Horel trains his creatures to show sensitive and emotional responses when interacting with music.
    • Date
      May 26, 2023

      Corollaries


      Sara Montoya - Colombia

      ‌Corollaries is a series of landscapes co-created by artist Sara Montoya and an artificial intelligence (AI) algorithm. To create these pieces, Montoya produced texts from which the AI algorithm began to generate images. Following this methodology known as prompt engineering, as the artist writes, the AI generates new images or refines the ones it has previously produced, thus learning about the artist's preferences and preferred styles, in a kind of training. or co-learning between both parties.
    • Date
      May 26, 2023

      TREELEMMA


      Oscar Santillan - Ecuador

      ‌In order to explore blockchain technology as an artistic medium, seeking its own native qualities, TREELEMMA consists of an NFT series that mixes artificial intelligence and ecology. Based on data obtained from forest monitoring satellites, the NFT detects every time a forest burns; This unfortunate event causes an artificial intelligence system to write a generative poem, which materializes from the ashes and sparks released by burning trees.
    • Date
      May 26, 2023

      DICTR


      Gabriel Pulecio - Colombia

      ‌D.ICTR is an interactive collage device in real time whose functionality turns it into an absurd artifact in order to show a whole series of images generated by Artificial Intelligence, based on the paradox of functionality taken to the extreme.
    • Date
      May 26, 2023

      Speculative Treasures


      Juan Covelli - Colombia

      ‌Spectulative Treasures is based on a Generative Adversarial Network (GAN) trained to reconstruct images of goldsmith pieces belonging to the Quimbaya Treasure. The images are generated using a Machine Learning algorithm, which is designed to create two-dimensional representations of the original artifacts currently housed in the Museo de América in Madrid.
    • Date
      May 26, 2023

      the mystery of the flowers


      Michael Hurtado - Peru

      ‌Throughout his research, Michael Hurtado understands the interaction between human and machine not as a confrontation, but as a symbiotic collaboration, a dance between natural and machine intelligence. He embarks on a journey towards a convergence that is perceived to be unattainable, but which inevitably invites exploration. In The Mystery of Flowers, the AI immerses itself in the botanical world, producing dynamic mutations of the landscape from the interaction with its plant elements.
    • Date
      May 26, 2023

      STILL-LIFE


      Fito Segrera - Colombia

      ‌STILL-LIFE uses online software to search, in real time, for images tagged under the category "still life", whether they are paintings or photographs. It uses an artificial intelligence engine to identify the objects present in the image, their scale, their location and their color palette. The work presents a synthesized version of each "still life" in a cold, digital and mechanical way. STILL-LIFE uses language, logic and minimalism to algorithmically construct a post-conceptualist form of still life.
    • Date
      May 26, 2023

      Critically Extant


      Sofia Crespo - Argentina

      ‌Critically Extant explores the scarce information that circulates about the natural world, while pointing out the possibilities offered by AI when interacting with various forms of life to formulate speculative ecologies. Crespo trained algorithms from millions of images in the public domain of some ten thousand species in serious danger of extinction. The resulting models were used to generate visual representations of species with little or no presence on the Internet. Originally, the project was inaugurated as a digital exhibition using social platforms, in order to contribute to the daily consumption of digital content, understanding it as a means of raising awareness, and, potentially, of commitment in favor of ecosystems at risk.
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