- Date
- October 12, 2022
"Technosexual pleasures: towards a transhuman sexuality"
Valeria Radrigán (Chile)
Table C - Conectographies
The paper analyzes sex-affective experiences with new technologies designed for erotic (and eventually amorous) satisfaction such as toys, robotics and artificial intelligences. It is considered that the use of these devices reveals the emergence of post-human bonds that force the need to culturally redefine what we understand by love and sex, until now experiences strongly anchored in human and corporeal inter-subjectivities.- Date
- October 12, 2022
"From vibrating space to resonant listening: space and listening as aesthetic-creative and performative fields, in sound creations for the public sphere"
Andrés Mauricio Gaona Ovalle (Colombia)
Table C - Conectographies
Our study is based on some concrete questions in relation to space, listening, and the resulting articulation of both issues. This is reflected in the aesthetic implications of this occurrence in the field of creation already referred to; whether as a creative act (the spatial); as an experience of contemplation-perception (listening); and as an expanded perspective of the creator-work-spectator interrelation (poetics of public space) which, in this work, points towards a relational, non-linear conception of radical interdependence between these three components of the musical act.- Date
- October 12, 2022
"Manifesto and Provocation: Bringing Designer Activism to the Surface for the Interaction Experience"
Natalia Perez-Orrego (Colombia)
Table C - Conectographies
This text is a manifesto and a provocation that declares activism as the creative force of interaction experience design. If the material world we construct is determined by the ways in which we conceive of our ways of acting in it, then experience design focuses on devising action as a strategy for intervention and relationship with the world.- Date
- October 12, 2022
"Virtual influencers and their affective and narrative potential on TikTok"
Andres Rosero (Colombia)
Table C - Conectographies
The purpose of this research is the study and conceptualization of virtual influencers in the social network TikTok, specifically, it is proposed that they have an affective and narrative potential within the social network, at the same time that they can be methodological resources for research, as is the case of this study.- Date
- October 12, 2022
"Ecosystems of an artificial life. Presentation of 5 MAEDI-LAB Projects"
Martin Groisman / Alejandro Papa / Diego Alberti (Argentina)
Table C - Conectographies
Laboratorio de Medios (MAEDI-LAB) is the space of continuous and systematized practice of the Master in Interactive Design, where the conceptual developments obtained in the different blocks of study, converge through practice in new theoretical results.«The quadruple helix model underlying the Expociencia science fair: Co-projecting EXPOCIENCIA 2022.»
«The quadruple helix model underlying the Expociencia science fair: Co-projecting EXPOCIENCIA 2022.»
- Date
- October 12, 2022
"The quadruple helix model underlying the Expociencia science fair: Co-projecting EXPOCIENCIA 2022."
Sebastián López Ospina / Humberto Antonio Muñoz Tenjo / Andrés Felipe Sussmann Tobito (Colombia)
Table C - Conectographies
This article corresponds to the results of research that inquires about the quadruple helix relationship in the framework of the science fair Expociencia Ibagué Tolima 2022, with the intention of identifying a model of communication / management of scientific knowledge that underlies the fair.- Date
- October 12, 2022
"Towards an experimental system for algorithmic creation"
Ricardo Cedeno Montano (Colombia)
Table C - Conectographies
This paper argues that the nature of research-creation is the experimental. The text introduces the concept of experimental system, coined by the historian of science Hans-Jörg Rheinberger, to consider the experimental as a material practice that articulates the production of instruments, models, tests, recording devices and laboratories with the generation of objects of knowledge and creation.- Date
- October 12, 2022
"Colour film formats: from the artificial to the natural rendition of colour"
Ricardo Cedeno Montano (Colombia)
Table C - Conectographies
This article addresses the way in which technological media assimilate scientific ideas and knowledge into materials, techniques and formats. Although a ubiquitous and banal technology, media formats and their related patents are the places where the intimate relationship between scientific ideas and theories about our senses and the materiality of technical media can best be observed.
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