María Paula Orjuela Campos - Pablo Andrés Gómez Granda - Colombia
Framed in the post-conflict period in Colombia, this immersive installation gives voice to the victims to highlight the territorial and symbolic regeneration of collective memory.
To pollinate is to fertilize, it is the way plants make love and reproduce. A plant has neither hands nor feet and it is very difficult for it to find a mate and even more difficult for it to have sex, so it uses pollinators to get its male cells to the ovules of another plant and fertilize it, and have sex at a distance.
This exhibition is part of a series that uses 3D scans through photogrammetry to interpret landscapes, converting light measurements into representations of trees, geography and flora.
On February 22nd, 2019, the implosion of the Monaco building, owned by Pablo Escobar, took place, generating a debate on historical memory and the denial of the conflict.
This expanded cinema installation presents two animated short films, “Habitography(two)” and “Habitography(three)”, projected in a loop over two intaglios using the video-mapping technique.
Claudia Leguizamón - Paula Leguizamón - Paula Correa - Paula Bermudez - Manuel Soto - Santiago Moncada - William Ospina - Colombia
The project “RETURN” is a transdisciplinary initiative that unites the Departments of Visual Design and Performing Arts of the Universidad de Caldas to create a work that reflects on climate action and the fight against climate change.
Andrés Uriel Pérez Vallejo, Sebastían Rivera Ruiz, Paula Alejandra Garcia, Juan Manuel López Pasos (Semillero de investigación en artes mediales SIAM) - Colombia
This work is presented as a performative-visual installation that invites the viewer to contemplate the fragility of the technological past and the transformation of the body into a posthuman state.