- Fecha
- 21 October, 2022
"Memoria de tiempo circular"
Novideo-1 (Colombia)
Multimedia video-installation where the concepts of time and movement are integrated in the technologies used, using an engine, tube televisions, digital video editing and code, on the other hand through the experience, this installation seeks to give an objectual space to the memory creating a temporal window juxtaposing layers of an immediate past and the remote past.
- Fecha
- 21 October, 2022
"Glotonería Capitalista"
Carolina Rosso (Colombia)
Video installation
- Fecha
- 21 October, 2022
edit "dél" mismo
Camilo "Huntertexas" Acosta (Colombia)
How many ephemeral traces of oneself can fit in a space that contains nothing?
- Fecha
- 23 October, 2022
Hastur Mora
Colombia
He is an audiovisual and multimedia artist, whose real name is Juan Pablo Mora Benavides, this pseudonym in the words of the artist "constitutes for me a religious, political and gender decision, consequently, I sign my work under this name.
- Fecha
- 23 October, 2022
Maria del Pilar Martínez Villegas
Colombia
She has a degree in Music from the Universidad de Caldas and a Master's Degree in Composition with New Technologies from the Universidad Internacional de la Rioja. She has worked as a university professor in different centers of the country. She studied electroacoustic music in France with Denis Dufour at the Department of Sound Creation of the CRR in Paris.
- Fecha
- 23 October, 2022
Valentina Quintero Aguilar
Colombia
Anthropologist from the Pontificia Universidad Javeriana, collagist and contemporary dancer. She has been interested in research from the body, affects, images and memory substances, as well as performative action in the social mobilization of women.
- Fecha
- 23 October, 2022
Andres Pacheco Jaimes
Colombia
Anthropologist dedicated to photographic, audiovisual and collage production with an ethnographic and documentary perspective. He is also co-creator of incorrage and in his experience as an anthropologist and artist he has worked with the reconstruction of historical memory from social research, audiovisual production and visual arts in: the treatment of archives of the student movement of the Universidad Nacional.
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