• Date
      October 9, 2022

      "Aphaeresis"


      Sebastian Jaimes Marin (Colombia)

      A person travels through time through a mnemic space, trying to unfold the folds of his or her memory in order to preserve the memory of another being.
    • Date
      October 9, 2022

      "Affordance"


      Jean-Michel Rolland (France)

      Around a low tree with twisted branches, a man seeks rest. He doubles up. One lifts his paw, clings to a branch, the other sits in an awkward curve, like a monkey trying to make his nest. Now there are three, then four to explore the possibilities of action offered by the plant. This tree was waiting for him.
    • Date
      October 9, 2022

      "Beijing Bicycles"


      Jean-Michel Rolland (France)

      The endless round of images morphs, slowly moving from an undefined form to the -constructed- one of the cyclists, never stopping at the original shot.
    • Date
      October 9, 2022

      "Memory"


      Mariana Daniela Torres Valencia (Mexico)

      "Memoria" shows the passage of time from a musical rhythm linked to nature and emotions. The images slowly mix different landscapes and abstract textures. The piece displays changes in temperature in relation to the seasons of the year from the point of view of an insect.
    • Date
      October 9, 2022

      "Mapu Kutran. The disease of the earth"


      Roberto Urzua (Chile)

      Mapu Kutran is a word in Mapudungun, which describes a disease with no apparent cause that strikes when humans damage nature.
    • Date
      October 9, 2022

      "No subject"


      Guillermo Moncayo (Colombia)

      Just as he tries to recreate a relationship with his daughter, whom he barely knows, a zookeeper is involved in a serious traffic accident.
    • Date
      October 9, 2022

      "Two-Spirit"


      Monica Taboada (Colombia)

      For Georgina, an indigenous trans woman, life in the desert is lonely and cruel.
    • Date
      October 9, 2022

      "Fags"


      Carlos Alberto Molano Monsalve / Alejandra Molina López (Colombia)

      Subienda de Muñecas Negras en el Atrato is a collective effort to narrate and make visible through the performing and audiovisual arts the experience of transgender women, lesbians and gay men from Riosucio, Chocó, who are affected by the political and economic violence suffered by the territory.
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