Understanding and interacting with reality entails adopting an attentive and profound attitude toward its sounds—an intention mediated by senses, interests, and power. Listening is, above all, a political act.

I work within a condition of listening in which, as a listener, I bear witness, for sounds and silences are inseparable traces of the events that have surrounded me: a demolished house, an unburied corpse, a postponed mourning, a dry river, a silenced song…

Sound, as a subtle, transparent, formless substance—yet also a vibratile and ductile force—has allowed me to shape the experience of the body and space within a flow of temporal and affective intensities. In my artistic work, I seek to make time for listening, to feel sounds and their interpellations, to stubbornly explore ways of engaging the body in the act of listening, to make bones resonate, to let sounds pass through the heart once more.

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