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Corporeal Cinema: Tactility and Proprioception in Participatory Art

Corporeal Cinema: Tactility and Proprioception in Participatory Art

Raivo Kelomees / Estonia
Estonian Academy of Arts
Paper
http://www.artun.ee

In this article I analyse performances, artworks and installations in audiovisual and contemporary art which emphasise tactile and corporeal experiences. This tendency can be observed in technological art, cinema and large visual attractions. I aim to demonstrate that due to technical developments and new tools, the possibilities now exist for new aesthetic experiences in which the body’s position and its biological reactions play a decisive role.