• Date
      May 7, 2018

      MEDIASCAPE, from cinema to Instagram: towards a methodology of analysis of the mediated urban landscape

      Joaquin Llorca / Colombia



      The scope of current image capture and dissemination technologies has blurred the border between the urban landscape (urban landscape) and the mediatized landscape (mediascape). Just as painting was fundamental until the 19th century and cinema and photography portrayed the 20th century, the clues about the space of the 21st century are in social networks, data-dense platforms that not only show places chosen for their artistic or journalistic interest, but a broader and more democratic heritage that enthrones everyday life. Based on a methodological proposal that has used the cinematographic apparatus as a document of the mediated urban landscape of the 20th century (Llorca, 2017), the workshop proposes to the participants to trace the clues of the contemporary landscape from images from Instagram, a mobile application launched in 2010 which has become a medium in itself, given its capacity for format unification (Manovich, 2017).
    • Date
      May 7, 2018

      CongoFilms

      Colombia
      www.http://www.congofilms.tv/
       

      Congo Films is a film and television equipment rental and sale house located in Colombia, Chile and Panama, with coverage for all of Latin America. We have unique equipment in the area of Film and HD, Electric and Grip cameras, such as the Milo and the Modula Rig Motion Control, Tyler helicopter mounts, the Russian Arm, the stabilized Flight Head, Technocrane ST-30, SoftSuns 50kw, 10Kw and 3.3Kw, Lightning Strikes, Phantom Flex, Alexa XT, Amira, Red Epic Dragon, Sony F-55, HAWK V-Lite optics, Cooke 5/i and S4/i, Master primes, Ultra primes, Canon C35 , Optimo Zooms, Alura and many more. A human team of 100 employees and 400 freelance technicians make it possible to provide a cinematography service to its clients throughout Latin America, including countries such as Mexico, Costa Rica, Guatemala, Ecuador, Brazil, Argentina, Uruguay, Paraguay, Bolivia and Venezuela. In the Sales area, the extensive technical knowledge and excellent service have opened the doors to the distribution of film and television equipment in the main television channels and universities in the region.

    • Date
      May 7, 2018

      Creative Code and Critical Data Visualization

      Claudia Oliveira / Portugal
      www.claudia-oliveira.net


      Claudia Oliveira is a designer and new media artist. He has a Master's Degree in Digital Arts from Pompeu Fabra University (Barcelona) and a Bachelor's Degree in Communication Design from the School of Fine Arts of the University of Porto. His work sits at the intersection of design, art, and technology. Working primarily with and outside of digital media, his projects often make use of the limitations of the digital world as an expressive tool, creating work that questions the perception of reality mediated and manipulated by technology.
    • Date
      May 7, 2018

      Parallel Utopias – Hidden Realities

      Donna Verheijdeninamarca / Netherlands
      www.donnaverheijden.nl


      During the Parallel Utopias - Hidden Realities workshop, we will make short visual stories looking at our changing landscape of images (digital and social). Why do you only have cute animal videos on your feed? We explore various information flows, sources, channels, walls and streams.
    • Date
      May 7, 2018

      Typography approach workshop

      Teck24 / Colombia
    • Date
      May 7, 2018

      Emilio Ocelotl Reyes

      Mexico
      UNAM



      Emilio studied Sociology and Music Technology at UNAM (Mexico). He is currently involved in electroacoustic musical composition. His research focuses on the study of the loop between the practice and theory of musical technologies.
    • Date
      May 7, 2018

      Land of Desire – Happy is the New Black

      Donna Verheijden / Netherlands
      www.donnaverheijden.nl


      Marketers create behavioral profiles that reveal more about us than our DNA: by tracking our desires using metadata retrieved from apps, social media, and websites. To what extent is what we long for affected by what others want us to long for? Land of Desire questions today's increasingly consumerist society and our desire-driven media landscape. What behavior does desire lead us to?
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