CINEMA (AND) DIGITAL FRIDAY, OCTOBER 21


  • Fecha
    9 October, 2022

    "Upside-Down"


    Jean-Michel Rolland (France)

    "Upside-Down" is a series of five photovideographic artworks that follow a similar basic rule: the photographs used are upside-down at the beginning of the video and end upside-down. But what is important is what happens between these two moments: the colors migrate upside-down and downside-up at different speeds, leaving trails in their wake.
  • Fecha
    9 October, 2022

    "Rogamos disculpen las molestias"


    Juan Carlos García-Sampedro Ferrero (Spain)

    It often seems that we have to ask permission to exist. The world does not adapt to anyone. Neither does fate. It is as if in our daily lives, shrinking to fit or stretching to reach is an uncomfortable constant.
  • Fecha
    9 October, 2022

    "Nadie vendrá a rescatarnos"


    Juan Carlos García-Sampedro Ferrero (Spain)

    Sometimes the vertigo of not knowing what awaits us confronts us with forces that are outside ourselves, but everything seems to indicate that we must have faith. Faith in whom or in whom? Faith in what? When storms, armies or meteorites advance and the only thing that inhabits us is vertigo, there is a nothingness that leaves us out in the open and the only thing left is the determination to reach the other side of the human struggle.
  • Fecha
    9 October, 2022

    "Lo importante es no perder el compás"


    Juan Carlos García-Sampedro Ferrero (Spain)

    There are times when the creation is not marked by a traced idea, but it is modulated as if it had its own will or a voice that builds its own discourse and asks to be heard.
  • Fecha
    9 October, 2022

    "Testament"


    Fran LEJEUNE (France)

    Testament is a video art film made in 2022 whose story is an allegory of illness and death. This film tells the misadventure of a woman-soldier (myself) who crosses a wormhole (a parable of therapy) to travel through time, in order to escape an alien invasion (a metaphor for cancer).
  • Fecha
    9 October, 2022

    "Este título está aquí"


    Raquel Páez Guzmán (Colombia)

    We are beings of codification, meaning appears because we have established it. We have configured that when we say color we are thinking of color and not heat, but if you understand heat instead of color, we get confused.
  • Fecha
    9 October, 2022

    "•õ°"


    David Arango Valencia (Colombia-Canada)

    "The nuptials between ו יום and לילה are the bed of the creative primordial negation between light and its darkness that repelling each other attract each other, and denying each other they clarify each other." - Juan Sebastian Hernandez.
  • Fecha
    9 October, 2022

    "Narciso, la sal del mar"


    Jose Luis Triviño (Colombia)

    A story as poetic, rapturous and vital as the unforgettable character it portrays: Sabas Libertad Esperanza y Constancia Ancestral (Sabas Freedom, Hope and Ancestral Constancy).
  • Fecha
    9 October, 2022

    "Bagatelas"


    Ferrán Vergara (Chile)

    This documentary essay is a reflection on the importance of the everyday for historiography, based on the re-signification of recycled archival images from newsreels and commercials of Chilean television in the 1980s, which were silenced to promote an ideological discourse during the Pinochet dictatorship.
  • Fecha
    9 October, 2022

    "These essense"


    Don Ritter (Canada)

    A contemplative video shows an evolution of form and color within various flowing substances, each of which corresponds to an ancient metaphor essences = water(blue + beginning) + mud(brown + growth) + plants(yellow + life) + fire(red + destruction) + smoke(white + transcendence).
  • Fecha
    9 October, 2022

    "Metamorphosis"


    Juan Alonso (Colombia)

    This film is a tribute to Kafka's metamorphosis, where a strange being can enter other living bodies.
  • Fecha
    10 October, 2022

    "The Chinese Pavillon"


    Eric Szerman / N2U

  • Fecha
    9 October, 2022

    "Borde de Nieve"


    Juan Francisco Rodríguez Cuéllar (Colombia)

    In the tropics, a new landscape emerges where the snows we used to call perpetual disappear. Humans build the first artificial super moor: a monument to the high mountain, and at the same time, a portal to travel to that ancient time of ice. Different audiovisual materials are brought together to build a heterogeneous idea about the thaw and possible origin of the Páramo landscape.
  • Fecha
    9 October, 2022

    "Eterno retorno"


    Jorge Benjardino (Argentina)

    Audiovisual dictionary that covers some concepts of daily use during the Covid-19 pandemic in Argentina.
  • Fecha
    9 October, 2022

    "Los colores del níspero"


    Daniel Huertas Nadal / María Camila Gómez (Colombia)

    De viviendas y nispereros' and 'Estrategias de Proyecto para la construcción de Hábitat en las Comunidades Negras y Campesinas de la Región Caribe', are the projects with which Daniel Huertas Nadal, professor of the Faculty of Architecture and Design of the Universidad de los Andes, has been working for the last three years with the community of El Níspero in the Montes de María.
  • Fecha
    9 October, 2022

    "PRESAGIO"


    Crisalida Cine (Colombia)

    Raise our own thinking to anger. Raise our own anger to the point of burning.
  • Fecha
    21 October, 2022

    "Beyond Human Perception"


    María Castellanos / Alberto Valverde (Spain - Norway)

    The piece is a video installation that allows the public to visualize the reactions of humans and plants and compare the response of both living beings to a common stimulus; live music.
  • Fecha
    21 October, 2022

    "Ciclo rosa"


    Esteban Gutiérrez Jiménez (Colombia)

    During the year 2020, urban societies around the globe have experimented with social distancing in order to reduce the spread of a new virus.
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