INTERNATIONAL SEMINAR 21ST INTERNATIONAL IMAGE FESTIVAL
- Fecha
- 9 October, 2022
"SURtropías"
Cristian Tapies Goldenberg / Sergio Mora-Diaz / Cristóbal Olivares / Sofía Garrido / Felipe Prado / Renzo Filinich / Esteban Agosin y Cristóbal Parra (Chile) Modera: Felipe César Londoño
- Fecha
- 9 October, 2022
"Procesos creativos en Arte y Ciencia"
Tania Aedo (México) - Cleomar Rocha (Brasil) - Ricardo Dal Farra (Canadá) - Daniel Cruz (Chile) - Felipe C. Londoño (Colombia)
- Fecha
- 9 October, 2022
"¿Cuál es el futuro del Arte?"
Rejane Cantoni (Brasil)
If we consider that 95% of the Universe is invisible to the human perceptual apparatus, developing mechanisms to expand the human senses is a fundamental task.- Fecha
- 9 October, 2022
Presentación Revista KEPES
Walter Castañeda Marulanda (Colombia), Marco Vinicio López Paredes (Ecuador), Victoria Martínez Vérez, Antonio Montero Seoane y Alba Sardá Miragaya (España), Andrés Felipe Roldán García y Paula Andrea Escandón Suárez (Colombia)
Revista Kepes is a scientific publication that has become a reference in the region and in Ibero-America. The magazine has been known for publishing topics that contribute and guide in the understanding of experiences, research production in the areas of design, communications, images, new media and other topics related to contemporary audiovisual culture.- Fecha
- 9 October, 2022
"VR Storytelling: Things I’ve learned making Biolum"
Abel Kohen (Francia)
An immersion into the creation of Biolum, from its inception as a web series to its launch as a virtual reality narrative experience.- Fecha
- 9 October, 2022
"Arte y tecnología para la transformación"
Conversatorio Asher Remy Toledo - Billy Clark (Estados Unidos) / Toby Heys (Reino Unido)
CultureHub (USA), School of Digital Arts (SODA) of Manchester Metropolitan University (UK) and Hyphen-Hub (USA) are proposed as collective spaces to explore the possibilities of technologies in contemporary creation, in the perspective of social and productive transformations.
- Fecha
- 9 October, 2022
"Contra la necropolítica: biomaterialidades como productoras del en-común."
Jenny Fonseca (Colombia)
The production of the in-common, through collaborative and/or collective artistic methodologies, has the potential to be a tactic of subversion to necropolitics - a term coined by the Cameroonian philosopher Achille Mbembe.- Fecha
- 9 October, 2022
Residencia Artística: "Audiocefalea"
Martina Paz Mella Yáñez (Chile)
Audiocefalea consists of an auditory-sound research that revolves around the dehumanization of listening, and how anthropic intervention has been modifying the different sound ecosystems in the area of Manizales.- Fecha
- 9 October, 2022
"Danza y (in)Realidad Virtual: bailarín y público como co-creadores de una danza"
Ivani Santana (Brasil)
Dance has been related to electronic and digital devices since the last century, proposing different forms of configuration and interaction between the work and the audience.
- Fecha
- 9 October, 2022
"ECOS: Un proyecto de danza y(en) realidad virtual"
Ivani Santana (Brasil) / Daniel Argente (Uruguay)
ECOS is the result of a partnership between dance artist Ivani Santana (Brazil) and artist Daniel Argente (Uruguay). The project is a joint research between the Grupo de Pesquisa Poética Tecnológica: corpoaudiovisual, (Technological Poetic Research Group: corpoaudiovisual), coordinated by Ivani, and the CSIC research group - "Realidades Expandidas" - of the Universidad de La República (Uruguay), coordinated by Daniel.- Fecha
- 9 October, 2022
"Diseño sustentable en ingeniería"
David Delgado (México)
Engineering plays a leading role in sustainable development, since its designs can improve the use of resources.- Fecha
- 9 October, 2022
"Ecosistemas de la vida artificial"
Martín Groisman (Argentina)
- Fecha
- 9 October, 2022
"Arte y mecánica cuántica · Inicio de un proyecto"
Jose Manuel Berenguer (España)
Art, like all thought, experienced a strong contagion of the new ideas brought at the beginning of the 20th century, but we are already far away from that time, so I feel that we need an approach that transcends the previous history.
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