CINEMA (AND) DIGITAL WEDNESDAY, OCTOBER 19TH 


  • Fecha
    9 October, 2022

    "Old Providence"


    Tomas Zuluaga Hurtado (Colombia)

    Implementation of 3D animation loops to complement the musical pieces and generate a more immersive experience.
  • Fecha
    9 October, 2022

    "Vestigios Intermitentes"


    Camila Natib Román (Colombia)

    This project is an audiovisual journey that explores the concepts of memory, space and perception.
  • Fecha
    9 October, 2022

    "Plasticine time"


    Felipe Moreno Salazar (Colombia)

    A child makes trees with plasticine, discovers and uses an 8 mm camera in a country setting with music. A father films, motivates and explains the changes of places and times that cinema allows.
  • Fecha
    9 October, 2022

    "Ritmo 2021"


    Luis Fernando Medina Cardona / Julián David Sandoval (Colombia)

    " Ritmo 2021" is the product of a research-creation process carried out at the Faculty of Arts of the Universidad Nacional de Colombia (Bogotá) by the research group "Espacio de Producción Abierta de Medios" (Open Media Production Space). It is based on a formal experimentation with abstractions initially inspired by the short film "Rhythmus 21" by Hans Richter (Germany, 1921) and proposes the computer code as a new materiality for audiovisual creation.
  • Fecha
    9 October, 2022

    "From the Life of My Old Woman Friend"


    Evelin Stermitz (Austria)

    The video shows the story of a woman from a distant century. Based on images from the popular German novel "Aus dem Leben meiner alten Freundin" by author Wilhelmine Heimburg in 1894, it shows images of suffering and passive women, in which the images have been created by a male artist.
  • Fecha
    9 October, 2022

    "Águas de al-mar"


    Laurita Ricardo de Salles (Brasil)

    Águas de al-mar is a video art work that presents a succession of video clips of the waters of Rio Grande do Norte, Brazil, in a cinematic and metaphorical sound flow to the emotions of the soul. The work is linked to the notions of expanded cinema and exhibition cinema and reflects on their relationships with cutting, framing and scene in the audiovisual. The camera's points of view may or may not be frontal to the movement of the water where the images are not located anywhere, offering direct shots of the movement of the water, without horizons, moving away from the notion of landscape.
  • Fecha
    9 October, 2022

    "Aljibe"


    Pablo Andrés González Rojas (Colombia)

    Aljibe (2020) is an experimental video whose purpose is to reflect on the pain we keep inside us.
  • Fecha
    9 October, 2022

    "The T (h) r uman Show - Preludio I"


    Camilo Gutiérrez Moreno (Colombia)

    The T (h) r uman Show - Prelude I, is an audiovisual piece focused on the development of the concept of Plato's Cave: the relationship between humans as citizens and persons and their ontological and teleological position in existence.
  • Fecha
    9 October, 2022

    "Experiential Extensions"


    Ed Johnston (United States)

    The Experiential Extensions series is a body of work in progress in which I mark moments of my existence through complex and aesthetic means. It involves exploration, photography, 3D digital animation and digital fabrication. This specific series is related to my exploration of different areas of Ann Arbor, Michigan.
  • Fecha
    9 October, 2022

    "REM"


    Pablo Magne (Argentina)

    REM is conceived as an audiovisual work where concrete and abstract sounds and quotations coexist and are transformed into a score to be worked on in conjunction with the visual language proposed by the visuals of the director and audiovisual producer Pablo Magne (Argentina).
  • Fecha
    9 October, 2022

    "Sintonizar con la Natura"


    Laura Cabrera / Sira Cabrera (Spain)

    This video seeks a horizon towards the echoes of life. It proposes to open our senses, to empathize, to respect and to change our relationship of predatory exploitation with Nature.
  • Fecha
    9 October, 2022

    "Urbanografia do Caus"


    Thiago de Andrade Morandi (Brasil)

    In a universe of 25 interviews, the cut of four of them constitutes the first video of "Urbanografia do Caus", which portrays from ethnobiographical stories the daily life of some pixadores and graffiti artists in the metropolitan region of Belo Horizonte.
  • Fecha
    9 October, 2022

    "Autoetnografía"


    Iván Reina Ortiz (Colombia)

    As I assume my non-binary trans gender identity, I review my personal and film archive to rediscover the path that has brought me to where I am.
  • Fecha
    9 October, 2022

    "Somos hombres cascabel"


    Jorge Mario Suárez Iguarán (Colombia)

    Experimental portrait in video art where the author, through audiovisual devices and poetry, emulates dreams in which he recognizes himself as an indigenous Wayuu, despite his upbringing in the Arijuna world (the city). The Wayuu believe in dreams as portals.
  • Fecha
    9 October, 2022

    "Totalidad"


    John Melo (Colombia)

    Experimental video-sound project in which Totality is understood as the form of perception in which the Being is thrown and sustained in the Nothingness, being part of a kind of harmony and order that in turn, are saturated with information and that constantly provokes evocations of altered surrealist landscapes.
  • Fecha
    9 October, 2022

    Kipara: Kincha Uagabadara "Guardianes de la memoria Emberá Dóbida en Bojayá, Chocó"


    Carlos Alberto Molano Monsalve / Alejandra Molina López (Colombia)

    Kipara: Kincha uagabadara. Guardianes de la memoria Emberá Dóbida en Bojayá, Chocó, is an analogous animation that tells the stories that revolve around the ancestral practice of jagua in the indigenous communities of Medio Atrato.
  • Fecha
    9 October, 2022

    "Shur Abelinui wam yo kutri kitrop pichip (Trenzando el pensamiento de shur Abelino)"


    José Antonio Dorado Zúñiga (Colombia)

    Portrait about the taita Abelino Dagua (1926-2015) co-realized in the framework of the Ethnic Intercultural Audiovisual Laboratory, with a group of indigenous peasant students of Ala Kusreik Ya Misak University of the Cabildo Indígena de Wampía (Colombia).
  • Fecha
    9 October, 2022

    "Moscas"


    Erica Daniela Acevedo (Colombia)

    In a forest. On a normal day, one of those in which the body is given the pleasure of breathing, taking off its shoes and feeling the hardness of the stones, the crackling of the grass; the heat that clings to the earth and that approaches, more and more strongly, from the bowels of that omnipotent sun.
  • Fecha
    9 October, 2022

    "Tan solo era un juego"


    Natalia Arredondo Ibarra / Manuel Buelvas Giraldo (Colombia)

    "Tan solo era un juego" is inspired by the poem "Ciudades Transfigurada" by Miriam Montoya, where she captures the innocent look of childhood in the face of such an atrocious subject as violence, where the reality of violence and what it hides is ignored.
  • Fecha
    9 October, 2022

    "Tree Story"


    Rita Casdia (Italy)

    Tree Story (2021) is a stop motion animation in which small clay figures come to life to embody thoughts about the origins and destiny of humans, and about life itself.
  • Fecha
    9 October, 2022

    "IEVA"


    Domas Petronis / Vytautas Plukas (Lithuania)

    Man tries to recreate himself through the vision he has of himself; however, this broken reflection is only lost in the mysterious valley.
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