MEDIA ART 21ST INTERNATIONAL IMAGE FESTIVAL


  • Fecha
    10 October, 2022

    "Andalucía"


    Eric Szerman / N2U

  • Fecha
    16 October, 2022

    "Cerro"


    Francisca Parra (Chile)

    As a starting point the impossibility of attending for months to the main hill of the central sector of the city of Santiago de Chile, which was closed during the most critical moment of the pandemic and that symbolizes an important and unique place for the artist, since it is one of the few landscapes with abundant nature in the city, the work consists of the creation of a virtual space that simulates a specific point of the hill, which becomes visitable through the location of this simulation on the web.
  • Fecha
    10 October, 2022

    "O-primo"


    José Alejandro López Pérez (Colombia)

  • Fecha
    16 October, 2022

    "Desterrar"


    José Alejandro López Pérez (Colombia)

    "Desterrar" is a video installation, a triptych, that gives voice to three Colombian victims of forced displacement, but instead of focusing on the violent acts they suffered, it concentrates on some of their routines before and after displacement, showing how their lives were and are.
  • Fecha
    10 October, 2022

    "Desde Taubenmarkt"


    Ramona Rodríguez (España)

    " Desde Taubenmarkt ", soundscape of the Austrian city of Linz and electronic sounds (computer programs). This work is the result of a research stay carried out in 2018, it traces a kind of journey between biophonic and anthropophonic sounds, manipulated and mixed to recreate a quasi-musical atmosphere.
  • Fecha
    10 October, 2022

    "Arquitecturas y Ciudades digitales"


    Pablo Andrés Gómez Granda (Colombia)

    Arquitecturas y Ciudades digitales. Teoría e Historia de la arquitectura en la época de la transformación digital is a Multimedia in digital environment resulting from the application of technological resources to analyze case studies of the theory and history of architecture in response to the need to adapt their learning during the transition from face-to-face to virtuality in the framework of the COVID-19 pandemic at the Universidad de Bogotá Jorge Tadeo Lozano.
  • Fecha
    10 October, 2022

    "Beyond Matter - in imitation of the survival orchids"


    Sandrine Deumier (Francia)

    Intermingling animal orchids and expanding mineral matter, mutating fungal forms, plant embryos and melting hybrid residues, this work questions our ability to perceive the living world as a complex, hybrid and ever-interacting entity."
  • Fecha
    10 October, 2022

    "Datascopio"


    Sara Melisa Gallego / Alejandro Duque (Colombia)

    Datascopio is a collective art project that explores the database of the project Tenemos que hablar Colombia. Through artistic interpretation, different ways of visualizing, listening and feeling the data resulting from the conversations of about 5000 citizens and approximately 30,000 records are proposed.
  • Fecha
    16 October, 2022

    "El metaformance a través de Betsabé Espinal."


    Sergio Hernán Sierra Monsalve / Marina Liliana Hurtado Sáenz / Juan Manuel Acuña Guzmán / Jesús Alejandro Guzmán Ramírez (Colombia)

  • Fecha
    10 October, 2022

    "Dispositivo de Realidad Mutada"


    Nicolas Kisic Aguirre (Perú)

    El Dispositivo de Realidad Mutada is a habitable ambisonic sculpture. Inside, space expands far beyond its compact walls to, through a spatial listening experience, navigate worlds resulting from artificial intelligence-assisted experiments in linguistic disobedience.
  • Fecha
    10 October, 2022

    "GlitchMe"


    Florencia Alonso & Naoto Hieda (Alemania, Argentina, Japón)

    "GlitchMe" is a laboratory of witchcraft around the composition of scenic objects and the decomposition of algorithms invoking a network of feedback loops. Digitality can become dreams that move and interact in multiple spaces in non-linear time.
  • Fecha
    10 October, 2022

    "InMemoriam"


    Grupo de Investigación Realidades (Escola de Comunicação e Artes da Universidade de São Paulo, ECA-USP) (Brasil)

    InMemoriam is a tribute to the victims of covid-19 in Brazil. The pixels on the first page of the section "Fundamental Rights and Guarantees", present in the Brazilian Federal Constitution of 1988, represent the number of deaths, day by day, throughout the period. The exponential sequencing of the pandemic associates the failure of national public and health policies with the alienation of acquired rights.
  • Fecha
    10 October, 2022

    "Az Reality Lab"


    Iker Vázquez Arteche (España)

    The installation is the result of the work developed in an Artistic Laboratory of Reality, an ephemeral space for experimentation and creation of Augmented Reality (AR). In the laboratory, possible AR work processes were investigated, mainly oriented to 3D digitalization and its expressive potentialities, creating new layers of reality.
  • Fecha
    10 October, 2022

    "Nodos Transmedia"


    Ana Teresa Arciniegas y Norberto Fabian Diaz (Colombia)

    The storytelling proposal consists of an interactive documentary, a dataweb and a podcast. The interactive documentary brings together a network of people who have been involved with transmedia in Colombia (filmmakers, producers, designers, programmers, academics, agents and jurors), a polyphony of voices that interrelate discourses, concepts and practices related to the creation, development, audiences, markets and circulation of transmedia proposals made in the country.
  • Fecha
    10 October, 2022

    "Crononautas"


    Daniel Martínez Molkes (Colombia)

    Through participatory action research and action reflection, iteration processes were generated to frame the problem and generate a conceptual structure that would designate the design response. The resulting proposal is an interpretation-narrative tool where young Palermanos assume the role of time travelers (chrononauts) with the mission of preserving and prolonging the collective memory of its inhabitants.
  • Fecha
    10 October, 2022

    "Transeuntes Medellin"


    Gabriel Mario Vélez / Cándida Borges (Colombia - Brasil)

    Research-creation project in which the recovery and reactivation of a photographic archive made in the context of a commercial practice called Fotocinería is carried out. The performance is composed of different resources, such as the use of social networks, web design, installation, virtual reality and narrative based on minimal stories.
  • Fecha
    10 October, 2022

    "RUTAS. Relatos Universitarios de Paz en Colombia"


    Mauricio Rivera Henao / Paula Rendón Cardona (Colombia)

    Relatos Universitarios de Paz en Colombia RUTAS, is a web platform that presents the analysis of news belonging to journalistic media that are part of the Colombian Network of University Journalism, which deal with the Armed Conflict in Colombia, the Memory of the Victims and the Peace Process between the years 2000 and 2021.
  • Fecha
    10 October, 2022

    "Mežs"


    Rihards Vitols (Latvia)

    "The artwork "Mežs" (Forest) is a speculative look into the future of nature and relates to my growing interest in the application of AI and forests. Combining tree species data collection of trees from trees from different environments and StyleGans217, an ML image creation technique, the artwork proposes new computer generated tree species, and also tracks their habitats by composing the soundscapes surrounding them.
  • Fecha
    10 October, 2022

    "The Tower"


    Marta Di Francesco (Reino Unido)

    "The Tower" is an exploration of hubris and chaos, movement and paralysis. An architecture of oppression inspired by the myth of Babel, the tower produces a reality of extraction, efficiency and productivity.
  • Fecha
    10 October, 2022

    "Cartografía de la interculturalidad y la Memoria"


    Carolina Salguero Mejía / Adriana Gómez Alzate (Colombia)

    The exhibition "Cartografía de la interculturalidad y la memoria" is part of the classroom research project " Mapa de la Memoria", of the Interculturality Chair of the Universidad de Caldas, which is conceived as a projection program and a formal course of open and participatory character based on co-creation processes from interculturality, accompanied by a group of undergraduate and graduate students who are part of the Semillero de Investigación en Interculturalidad (Interculturality Research Seminar).
  • Fecha
    10 October, 2022

    "APOSTASÍA"


    Pamela Iglesias Carranza (Colombia)

  • Fecha
    10 October, 2022

    "Bar Huerequeque"


    Felipe Arturo Perez (Colombia)

    The Bar Huerequeque audiovisual archive is part of the documentary and artistic research on the narrative work of Enrique Bohórquez, Huerequequeque, an inhabitant of Iquitos, who participated as an actor in Werner Herzog's film Fitzcarraldo.
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