CINEMA (AND) DIGITAL TUESDAY, OCTOBER 18TH


  • Fecha
    9 October, 2022

    "Índice"


    Yeison Loaiza (Colombia)

    Within the investigative focus of the archive and the intervention, in addition to memory as a creative incentive and anthropological contribution, the objective was to restore images belonging to a key period of the country, from the end of 1993, when the armed conflict persisted and intensified. The audio and sound editing and restoration of the tape was used to generate a universe that would return to an atmosphere of the 90's.
  • Fecha
    9 October, 2022

    "Mantén el café caliente"


    Juan Carlos García-Sampedro Ferrero (Spain)

    A denunciation of the objectification of women, especially in the audiovisual media, cinema and advertising. The image of women is usually represented as an assistant to men, a figure that serves for men to develop their role, express their concerns and make visible their leading role in the film or in the corresponding audiovisual product. Rarely does her role have its own profile and defined independently from the one played by the male protagonist, and it is often a simple stage show.
  • Fecha
    9 October, 2022

    "1001 nights"


    Anabela Costa (France)

    The collective unconscious adopts certain myths. This is the reason why a world of popular stories/ tales populate the western imaginary with Aladdin, Scheherezade, Ali Ababa for example. Tales that are between representation and imaginary, colored environments, movements, flying objects, all bringing to the world the message that it should never stagnate, giving us the great lesson of the Dream.
  • Fecha
    9 October, 2022

    "Privacy-GrDN.info"


    S4RA (Portugal)

    { hybrid emulation that deals with coding as the backbone structure of a semiotic container / . }
  • Fecha
    9 October, 2022

    "Variations"


    Fran Orallo (Scotland)

    The video consists of an experimental abstract animation, divided into a series of sequences of approximately 30 seconds each, made using creative coding software.
  • Fecha
    9 October, 2022

    "Persona Non Grata"


    Fran Orallo (Scotland)

    "Persona non grata" takes as a reference a contemporary person who, in one way or another, and always, in my opinion, stands out for his antisocial actions, for attacking people's freedom, people who do not respect human rights, or who attack minorities.
  • Fecha
    9 October, 2022

    Human Behavior


    Fran Orallo (Scotland)

    We live in the information age. Every day we receive countless news items that exceed our capacity to discern all the information. We are overwhelmed by events and happenings that we are unable to process.
  • Fecha
    9 October, 2022

    "Acción Ruidosa"


    Osvaldo Cibils (Spain)

    Videoperformance, noisy action with electronic gadgets and the body exaggerated with things and stuff from nature and stuff from the internet and 3d stuff and 2d stuff.
  • Fecha
    9 October, 2022

    "Jardín para la siempreviva"


    Juan Alonso (Colombia)

    "Jardín para la siempreviva" is a video-poem in homage to Sandra Catalina Vásquez, a 9-year-old girl murdered in the Germania Police Station, in Bogotá, Colombia, in 1993.
  • Fecha
    9 October, 2022

    "No ser"


    Jorge Luis Linares Morales (Guatemala)

    This video art is a reflection on the cycle of life and death, as a natural process that every human being inexorably has to face. For people, to live is to be, and to die is to cease to be; death is equivalent to non-being.
  • Fecha
    9 October, 2022

    "Beautiful City"


    Susana Ojeda (Colombia-Austria)

    This experimental road movie takes us on a journey through Bogotá's Parkway. This linear park designed by Karl Brunner, an Austrian architect, summarizes the European concepts of the garden city. The images of this walk through the park gradually begin to be replaced by 3D images that transform the viewer into an actor in a journey that becomes a bad journey.
  • Fecha
    9 October, 2022

    "Water"


    Carlos Fernando Rodríguez B (Colombia)

    It is an audiovisual essay about water and what it represents, impacts, excites, conceptualizes, evokes in us. It is to go to the depths of the senses to find an analogy with water as the principle of life.
  • Fecha
    9 October, 2022

    "LUNA"


    Emmanuel René Florance / José María Casanova (Argentina)

    LUNA is an ephemeral intervention that took place on April 5, 2019 in Laguna de Gómez, Junín, Buenos Aires.
  • Fecha
    9 October, 2022

    "Fragmento Caminante"


    Gonzalo Mauricio Cueto Vera (Chile)

    The video, bets for an action that appeals from the dramatic tension, apparently in puga with the end that is glimpsed. An action that carries a signifier embodied in a dissonant opening, of a nature that besieges progress through organic life that imposes itself in a new and possibly catastrophic sense for the possibly human, quoted from its last shot.
  • Fecha
    9 October, 2022

    "NOSOTR_S SEREMOS"


    Crisálida Cine (Colombia)

    "Nosotr_s seremos", speculates the embryonic state of a new species, where his desire for the dilution of the boundaries between identity, gender and animality, sprouts in the midst of a primordial broth.
  • Fecha
    9 October, 2022

    "Arakiruma Bi-rúa"


    Viviana Grisales (Colombia)

    Arakiruma Bi-rúa. Heartfelt thanks to the land of deer: Five young people from the ancestral territory of San Lorenzo, in Riosucio, Caldas narrate, from their daily life, their experiences, feelings and knowledge about the territory.
  • Fecha
    9 October, 2022

    "El alma de los pueblos"


    Carlos Cruz (Colombia)

    El alma de los pueblos tells from different voices, the life experiences of those who have been part of the program throughout its history, from its beginnings to the present.
  • Fecha
    9 October, 2022

    "Sek Buy - Ritual al Sol"


    William Cayapur Delgado(Colombia)

    Aurora, a restless and mischievous indigenous girl, begins a fantastic adventure, exploring her own culture with pride and joy, while discovering her identity.
  • Fecha
    9 October, 2022

    "entrEEspecies"


    Laura Cabrera / Sira Cabrera (Spain)

    The video art "entrEEspecies" is a metaphorical contribution to biodiversity. Humans reject our own animal nature and are destroying animals and the habitability of the planet.
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