• Date
      May 22, 2017

      WanderingScapes

      Karla Brunet and Enrique Franco Lizarazo / Brazil-Colombia
      Institute of Humanities, Arts and Sciences-UFBA
      karlabru.net/site
      Wandering Scapes is an audiovisual performance about journeys on nature. It is wandering on different scapes such as landscape, cityscape, townscape, roofscape; riverscape, seascape, waterscape, snowscape… It is going into field trips as nature immersions and bringing back a miscellaneous of videos and sounds. This audiovisual performance is the outcome of the lived experience in different environments. It is glitched, rusted, noised as the experience cannot be (re)lived. It is just performed with simple body movements, instruments and objects created by us.
    • Date
      May 22, 2017

      Alain Ruche

      Belgium
      www.kosmosjournal.org/contributor/alain-ruche/

      I started my professional career in Peru and Guatemala with the International Labor Office. I went back to university as a research assistant at the Institute for Developing Countries in Leuven-la-Neuve (Belgium). After working with the EC (Rwanda) and the World Bank (Senegal), I was appointed as the EU Representative in Haiti and the Dominican Republic, and later I address the EU in various delegations: Morocco, Bangladesh, Argentina and Nicaragua, Trade, economy, information and political affairs.
    • Date
      May 22, 2017

      The Soundwalk as an Art Form: Building Bridges to Peace

      Andrea Williams / USA
      Rensselaer Polytechnic Institute
      www.listeninglistening.com/isea-2017-colombia.html
      The Soundwalk as an Art Form: Building Bridges to Peace presents an overview of the history of the participatory walk as an art form, including the soundwalk and its key concepts and development, while providing a theoretical tool box for creating ones own soundwalk as a transformative art experience. When leading a soundwalk we are combining the perceiver and the perceived, the participant and observer in an improvisatory way in the physical environment. Soundwalks guide us on a path primarily created by our ears. Sound artist, Andrea Williams, will lead a 45-minute soundwalk at Parque Antonio Nariño, located in the Manizales Downtown, an open space consisting of flower gardens, urban structures, and a small square for events. The park has been created to "eliminate segregation and contribute to healthy living". The soundwalk will focus on: How can we be in peace and harmony with our surroundings? What does peace sound like? How do we feel connected non-verbally to other beings? How can observing other species bring us a sense of peace that we can translate to being at peace with fellow human beings? Following the walk, there will be 45 minutes of break-out groups for discussion posted on the URL.
    • Date
      May 22, 2017

      Forward/Backward/Upward/Downward - Perceptions of the Manizales Aerial Cable

      Jason Martz / USA
      independent
      www.jasunmartz.com
      My audiovisual work explores and symbolizes all that is new (technology), versus all that is old (non-technology) and the conflicts that come with it. It is an interdisciplinary soundscape project, and it will be a performance (or more) of a sound, music and visual art show, which will be inspired by the Manizales Aerial Cable. The performances will take place in the Antonio Nariño - Cable Park and (possibly) in other stations: Los Cámbulos - Fundadores, Camino de la Palma - Los Yarumos and Los Cámbulos - Villamaría. The work will feature a three-movement "symphony of sound", which represents the cultural identity of Manizales, inspired by the people of the city who travel the Cable Aéreo. It is a multidisciplinary amalgamation of electroacoustic music, sound, theater and visual arts. It uses "new school" technologies in art, interactivity, electronic and digital innovations (coding and programming, digital sound manipulation, computer synthesized and sampled sounds, and digital looping), but also uses "old school" techniques. : primitive drums, theater and performance art, paintings on large canvases.
    • Date
      May 22, 2017

      Sound Dialogues

      Gonzalo Biffarella, Gustavo Alcaraz and Julio Catalano / Argentina
      National University of Cordoba
      abctrio.blogspot.com.ar
      In this exhibition, we have made a clear division between the production of academic instrumental music and the sound art experiences with the new technologies that are present in our universities. We believe that a dialogue is an opportunity to overcome this situation that has been going on for so many years. To reduce the divide, we propose an interdisciplinary space that brings together sound artists from diverse academic backgrounds, instrumentalists, improvisers, and composers. As well as those entering the fields of software programming, interactive systems, detection, and database management. We propose a project that articulates a workshop and an artistic presentation. In this way, we will build bridges between different types of knowledge and ways of making sound art to be interdisciplinary, interactive and inclusive.
    • Date
      May 22, 2017

      Data.Nature.Anagenesis

      Hyungjoong Kim / Korea
      independent
      Where are we come from? How do we define ourselves who are evolved from a chance occurrence of microbes' random movement?
    • Date
      May 22, 2017

      Whose Weather is it Anyway?

      Sharath Chandra ramakrishnan / India
      Srishti Institute of Art Design and Technology
      https://radiospock.tumblr.com/
      'Whose Weather is it Anyway' is part of a series of interventions that seeks to decipher, expose and contrast informational patterns that exist in natural ecosystems and that of man-made informational representations of command, control and dissemination mediated by its infrastructural aspects. Amidst narratives and decisions surrounding recreational tourism, festivities, food, livelihood, calamities and stock prices to which weather conditions are central, lies the colonization of local and global weather information into an intellectual property regime that often makes weather reporting and predictions through opaque informational conglomerates that fuel climate change debates and environmental policy. This project explores the interplay between 'the climate of economies' & 'the economies of climate' in the age of networked Big Data, critically examining these interfaces while engaging the audience using emerging methods in data sonification and networked media art practices.
    • Date
      May 22, 2017

      Raymond Bellour

      France
      proyectoidis.org/raymond-bellour
      Guest year Colombia-France 2017
      Critic and theoretician of cinema and literature. He studied letters, founded the magazine Artsept. He published Le Livre des autres, a great book of interviews with Michel Foucault, Claude Lévi-Strauss, Roland Barthes, Pierre Francastel, etc., making great thinkers of some past generation widely known. He participated in a famous exhibition on images, Passages de l'image, de (1989), at the Center Georges Pompidou, with Christine Van Assche and Catherine David. In 1991, with Serge Daney, he created the magazine Trafic. In his research The body of cinema: hypnosis, emotions, animalities, published in 2009, he fundamentally contributes to the understanding of the functioning of the cinematographic image. Touching the themes: historical conjunction between psychoanalysis and cinema; direct relationship between hypnosis and cinema; and the animal as a symbol in the cinematographic narrative. For many years, one of his main areas of research was what he himself called "L'Entre-Images", a permanent reassessment of mutations and exchanges between different image media, in which he tries each time more focused on installations and different image and sound devices, from the avant-garde of cinema and plastic arts.
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