EXHIBITIONS 21ST INTERNATIONAL IMAGE FESTIVAL


  • Fecha
    8 October, 2022

    "Andalién 19/31"


    Cristóbal Enrique Parra Muñoz (Chile)

    Andalién 19/31 is a creative research project around the productive flows and industrial technologies of territories marked by the mechanisms of production. Using photography, videomapping, programmed laser and soundscape, an action is configured that investigates two political and geographical currents: on the one hand the flows of accelerated and industrial production, and on the other hand the water flows of rivers and basins of these territories.
  • Fecha
    8 October, 2022

    "Tránsitos"


    El Giro, Colectivo Artístico (Colombia)

    Tránsitos is an experimentation from dance, video, text, music and photography, where the edition of the body in a space gives way to the fusion of the language and look of the audiovisual director with the choreography, using different photographic frames to edit the body movements that incorporate micro choreographies exploring with the body fragmentation the everyday life from the prosaic.
  • Fecha
    8 October, 2022

    "XIBALBA / ROOTS"


    Camilla French / Jemma Foster (UK)

    XIBALBA is an experimental short film that explores the intelligence of organic matter, panspermia and the relationship between homo sapiens and the Other. ROOTS is an animated video that explores the Tikuna creation myth. Two opposing screens will play the videos at the same time in a loop, showing the resonance between the films as one begins where the other ends, outside of time and space.
  • Fecha
    8 October, 2022

    "#TupíornotTupí"


    Corina Lipvasky Carvallo (Venezuela)

    #TupíornotTupí is a multichannel installation composed by a series of generative loops. The images have been created with Touchdesigner. The movement and audio, comes from biological data extracted through a humidity sensor connected to an Arduino board.
  • Fecha
    5 October, 2022

    "Nos están marcando"


    Cristobal Olivares (Chile)

    The Chilean rebellion began on October 18, 2019. The trigger was the 4.1% increase in the subway fare ($30 CLP = $0.039 USD). This provoked massive evasions of the subway, at first by high school students but then generalized and expanded throughout the country.
  • Fecha
    5 October, 2022

    "Las voces susurran relatos del cosmos"


    Cristian Tapies Goldenberg (Chile)

    The work rescues the landscape and the voice of Mapuche poetry, through the poem " Círculo" by Elicura Chihuailaf, National Literature Prize 2020, from where we explore the Wallmapu, an ancestral territory that continues to resist the Winka invasion and persists in the recovery of its ancestral territory.
  • Fecha
    5 October, 2022

    "Rastros Minerales"


    Sergio Mora Diaz (Chile)

    Rastros Minerales is a series of generative video pieces that visualize data on the extraction, movement and export of the main raw materials in Chile, which are used industrially for energy transmission and the development of electronic devices.
  • Fecha
    5 October, 2022

    "Confesionario Público"


    Sofía Garrido y Felipe Prado (Chile)

    Confesionario Público is an interactive installation where the visitor is the one who generates the content of the work. The installation consists of 12 screens, a video camera, a reed microphone and a circle drawn on the floor (sticker).
  • Fecha
    8 October, 2022

    "Traces"


    Jorge Luis Bandera Martinez y D.A. Restrepo-Quevedo (Colombia)

    The deforestation that the planet is currently experiencing, particularly in Colombia, shows really worrying figures for the reality of the planet, and of course, for our quality of life on it. According to the Institute of Hydrology, Meteorology and Environmental Studies, IDEAM (2017), we have lost more than 170,000 hectares of trees in the country's natural forest territories.
  • Fecha
    8 October, 2022

    "Texturas Memorias. Dispositivo Intermedial."


    Enrique Franco Lizarazo / Oscar Daniel Pinzón Lizarazo / Gary Gari Muriel y Daniel Steven Marulanda (Colombia)

    Interactive image production device, mediated by a mechano-receptive interface. Tactile stimuli on the surface unfold synaesthetic experiences, sound and visual layers of affective memories.
  • Fecha
    8 October, 2022

    "Mujeres Cocineras de Ideas"


    Carlos Alberto Molano Monsalve / Katherinne Andrea Vidal Pino (Colombia)

    The interactive mural Mujeres Cocineras de Ideas tells the stories of the women of the Cocinando Ideas collective in the municipality of Ovejas, Sucre. A union of women who are survivors, resilient, and brave. Women who in "The Struggle to Survive" chop, cut, peel, serve, cry, smile and narrate. Empowered women who gather around experiences and resistances around the kitchen, resignifying this space in the process of construction and deconstruction of being a woman.
  • Fecha
    8 October, 2022

    "Yerberito"


    Ana Teresa Arciniegas Martínez (Colombia)

    Yerberberito is a transmedia project that links art, science and technology, it seeks to promote the sustainable use of Colombian native medicinal plants promoting their conservation and biodiversity. The transmedia has 3 nodes: the first one; an interactive documentary (non-linear) in which through a polyphony of women's voices: scientists, plant traders in marketplaces, rural inhabitants and promoters of urban home gardens, tell the different uses of medicinal plants.
  • Fecha
    19 October, 2022

    "D'Eco a Siringa"


    Jose Manuel Berenguer (España)

    Sound and visual installation that was presented at the end of September 2022 in Mixtur, Festival de nueva creación sonora de Barcelona, where I applied resources close to artificial intelligence in the composition of a musical and visual flow in continuous transformation, without formal resolving elements throughout the installation time, built dynamically from a database hung in the IP space and integrated by materials obtained from the reading of words from the world's female literature, spoken by diverse female voices in as many as possible of the languages spoken in the metropolitan area of Barcelona.
  • Fecha
    5 October, 2022

    "Paisajes Maquínicos Imaginarios"


    Esteban Agosin (Chile)

    "Paisajes Maquínicos Imaginarios" is a sound experience and an ecosystem produced by the dialogue between the situational soundscape and the machine interpretation of the environment. Through an Artificial Intelligence system, this object/machine creates new imaginary soundscapes from what this machine hears and interprets from the environment, generating new territorialities from a specific place and its sounds, but also from its social and cultural aspects.
  • Fecha
    5 October, 2022

    "Qatipana hacia un Devenir de la Cosmotecnica Latinoamericana"


    Renzo Filinich (Chile)

    Table A - Persistences

    The present essay revolves around the concepts and processes of Becoming and Individuation through a hybrid ecosystem whose architecture is called Qatipana (a Quechua word that denotes the flow of information processing systems), although it cannot be considered as a systems theory, it is useful to explain some empirical observations presented here; and where a functional model based on the articulation of an information processing system supported by the approaches of the philosopher Gilbert Simondon is evidenced.
  • Fecha
    8 October, 2022

    "Beauty"


    Johnny DiBlasi / Carlos Castellanos / Bello Bello (Estados Unidos)

    Beauty is a machine-microbial artwork that relies on an artificial intelligence agent that uses deep reinforcement learning to interact with and alter cultures of pattern-forming social bacteria to make them more aesthetically pleasing. The work features a biological artificial intelligence system that remediates the ecology of a contaminated soil while generating an audiovisual composition in real time.
  • Fecha
    11 October, 2022

    "SIMPLE INPUT"


    Jose David Cuartas (Colombia)

    This interactive installation seeks to demonstrate an experimental Natural Programming Interface with which programming code can be generated by simply moving the body and giving some voice commands. This interactive installation is the beginning of the second phase in the development of the meta programming language called: "Simple".
  • Fecha
    8 October, 2022

    "DrawVideo"


    Miguel Bohórquez / Jose David Cuartas / Mónica Bravo (Colombia)

    Drawvideo is an interactive installation that offers the interactor the possibility to draw on a short film that is projected in an infinite cycle. In the module of the installation there is a digitizer tablet that allows drawing lines with different effects on the reproduction of the short film Habitografía(dos). The main idea of this proposal is that the interactor can draw on the video of the short film in a form of co-creation.
  • Fecha
    8 October, 2022

    "La vida nos mueve"


    César Castiblanco Laurada (Colombia)

    La vida nos mueve has been designed and executed as a transmedia project, because in its nature is the intention to communicate the same essence, which inspires the purpose of CHEC EPM Group to "contribute to the harmony of life for a better world", from and for the diversity of internal and external audiences of the company.
  • Fecha
    13 October, 2022

    "En El Camino Nos Encontramos"


    Mario H. Valencia / Óscar Ceballos y Jaime Echeverri (Colombia)

    In the tradition of the coffee region, the muleteers are those characters that forged the routes of communication, commerce and culture through their comings and goings, sharing stories, histories, music and experiences.
  • Fecha
    21 October, 2022

    "Cómo medir un límite invisible"


    Victoria Keddy / Daniel Neumann & Alarm Will Sound / Novideo-1 / Carolina Rosso / Camilo "HunterTexas" Acosta / Falon Cañón

    Colombia - Estados Unidos
  • Fecha
    21 October, 2022

    "Field Listening"


    Victoria Keddie (Estados Unidos)

    Arrangement for binaural and 3-channel spatial sound composition for Sonic Chair with video. Geophonic microphone installed approximately 5 meters underground in a field in Wüsten-Buchholz, Germany in August 2022. Subfrequencies were reproduced on a subwoofer in the center of the ground.
  • Fecha
    21 October, 2022

    "Latent Seeds" [we are the environment]


    Daniel Neumann & Alarm Will Sound (Estados Unidos)

    "Latent Seeds" developed as a multi-stage process of improvised listening and playback via the Internet: a reflection on spatial awareness, of being present and part of an acoustic environment that extends beyond the limitations of spatially insolated spaces. As a starting point, or the "seed," Alarm Will Sound musicians were asked to listen to and record unique sounds from their individual environments (running water, creaking floors, rattling radiators, etc.).
  • Fecha
    21 October, 2022

    "Memoria de tiempo circular"


    Novideo-1 (Colombia)

    Multimedia video-installation where the concepts of time and movement are integrated in the technologies used, using an engine, tube televisions, digital video editing and code, on the other hand through the experience, this installation seeks to give an objectual space to the memory creating a temporal window juxtaposing layers of an immediate past and the remote past.
  • Fecha
    21 October, 2022

    "Glotonería Capitalista"


    Carolina Rosso (Colombia)

    Video installation
  • Fecha
    21 October, 2022

    edit "dél" mismo


    Camilo "Huntertexas" Acosta (Colombia)

    How many ephemeral traces of oneself can fit in a space that contains nothing?
  • Fecha
    21 October, 2022

    "Recepción"


    Falon Cañon (Colombia)

    Performance
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